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March of the Inanimate – Repossessed
Release Date: August 24, 2016
© 2016 Keith Richie

March of the Inanimate – Repossessed is a dark, cinematic soundscape that delves into obsession, mortality, and the supernatural. This reimagined and remastered edition of the original 2014 release expands the sonic narrative with new tracks and enhanced production—immersing the listener in a chilling audio experience.

A man, obsessed with defying death, steps into a long-abandoned home to retrieve a rumored artifact said to hold the key to immortality. But what he finds is not salvation… it is something far more sinister. As ancient forces awaken, his soul teeters on the edge of annihilation, pursued by horrors that march without mercy or sight.

This definitive edition draws inspiration from the atmospheric dread of classic horror soundtracks, particularly the works of John Carpenter and Alan Howarth. Through dark-electro pulses, suspenseful piano motifs, and immersive textures, Repossessed captures the mood of unearthed terror and psychological descent.

Now featuring three additional tracks and a fully remastered mix, March of the Inanimate – Repossessed stands as both a love letter to vintage horror scores and an original journey into the heart of sonic fear.

Critical Praise:

“Musically menacing, to say the very least. This opus incorporates haunting piano melodies and a deep intensity through its pulsing rhythms… it fits right into the gritty underworld of horror-movie-mania.”
— Jer@SBS, Sleeping Bag Studios

“Keith Richie has a way with electronic music—it rarely sounds synthetic. Here, he explores sonic storytelling beyond the confines of pop structure… an invitation to imagine films that don’t yet exist.”
— Robbie Tee, Jamsphere

Chasing Shadows

AMBIENT SOUNDSCPES INSPIRED BY THE WRITINGS OF FRANK HERBERT AND HIS DUNE UNIVERSE

SPICE - MELANGE

Liverpool born John Murphy began scoring movies at the age of 25. In 2001, following the success of Lock Stock and Two Smoking Barrels and Snatch, he moved to Los Angeles.

Since then he has worked with some of the industry's most respected and luminary filmmakers, including Michael Mann, Danny Boyle, Guy Ritchie, Stephen Frears, and James Gunn, producing film scores as prominent and diverse as Sunshine, Kick-Ass, The Suicide Squad, and the seminal 28 Days Later.

After Kick-Ass Murphy set up the record label Taped Noise and began work on several non-movie projects. His latest film ‘The Suicide Squad’, with James Gunn for Warner Bros, will be released on August 6.

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JOHN MURPHY

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