Very cool, dark and dreamy. Fantastic lush production quality as usual.

Strong and powerful with a amazingly darkly-mystic taste

incredible!!! your production work sounds fantastic and your vocals sound otherworldly! Really dynamic and propulsive groove and dreamy bubbling atmosphere!!! love your haunting vocals, superb!!!

A captivating groove and fantastic atmosphere!

Outstanding dynamic dark soundscape together with our voice that  is adding mystery and a kind of ethereal vibes to the composition. Great work  John !

WISH A  DETOUR TO PLAY THE SILENT MAMBO

F-Money Action

Relax! 
Picture: https://commons.wikimedia.org/wiki/File:Gibson%27s_Albatross_0A2A8124.jpg

Albatross

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
Some spun wook is always tripping
Looking for profundity in all the songs

Every now and then they have to just stop spinning 
Stare at the lights, and sing along
So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese

Trading Mics For Phish Pages- Eclectic Collective w/ SunnyBeck

Introspection

This is a track from my album TALES OF A NOMAD, a collection of impressions from decades of living a nomadic life for professional reasons.

Detour To Santiago

Watch Out Remastered (Unloved)

The vibe strives to capture a glimpse of the dream house genre of the mid-1990s.

Thanks for listening. If you enjoy, pls like and/or repost, which would be greatly appreciated. Cheers.

Calls of Past

Let´s play the Mambo. ( 1993 ) Eddy Mango - Margareta Theorin ( Eddy )

/
Wish — The Whole World On One Ship, What Could Be Better

*
bring your blankets, folks - let's break the world record

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.
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Wish — The Whole World On One Ship, What Could Be Better

tea ceremony

Silent Light

Music by Ambient Annie. Master & Production by BotNikStudio2, Bottna, Sweden.

BADLANDS LULLABY

"More Than You Could Dream",  Electronic music with vocals 
https://johnpalmer1.bandcamp.com/.../more-than-you-could... 
https://music.apple.com/.../more-than-you.../1852146683 
https://open.spotify.com/track/2TKE39K9JxeZedQZ83qWbU...

More Than You Could Dream

Recorded in Modesto, Ca.  Featuring Vibraphone solo. Gibson 335 Electric Guitar solo. Selmer Soprano Saxophone solo. Stand-up Acoustic Bass. Fender Rhodes Electric Piano Rhythm. Gibson L6 Electric Guitar Rhythm. Acoustic Drum kit Full set. Percussion, Ago Go Bells. Mark Tree Chimes, Zildjian 22" Ride & Crash Cymbal.

Carmel

Close to You

Close to you

Resonant Memories

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

https://johnpalmer1.bandcamp.com/track/i-could-be-anyone
https://music.apple.com/us/artist/john-palmer/81680846
https://open.spotify.com/artist/5O3DVQrinTJHbNYJCFLlyE?si=plG2rBUGS5W-6cmXR3FErw

I have been experimenting with sounds since I was really young , when I was about 6 or 7 years old, after lots of pleading, from me, I managed to get my hands on a very old reel to reel tape machine, that everyone thought I was too young to have, and I discovered and loved recording. 
I played guitar and wrote songs in a indie punky band ,toured, made albums and worked in Studios. Now I work from my home studio in SW Germany,  using synths, groove boxes, guitars and vocals to produce electronic music. I also produce images through photography and  make ceramic sculpture.
My music is AI free.

https://open.spotify.com/album/2yGCqhznpvLLuGPDKD66in…
https://itunes.apple.com/…/faint-glow-in-the-sky/1458147207…

(Don't follow me here, best on my main page ;)

More Than You Could Dream

John Palmer

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