John Psathas Complete Works (chronological order)

Call of the Wild 2 He Can Worship It Without Believing It (with Adam Page) 2021

Call of the Wild 1 She Stands at the Edge of the Incomprehensible (with Adam Page) 2021

Call of the Wild 3 Tramontane  (with Adam Page) 2021

The All Seeing-Sky
Concerto for two percussionists and orchestra
by Ioannis John Psathas
2021

Duration 22m

Written for - and dedicated to - Fabian Ziegler and Luca Staffelbach.

Commissioned by Orchestra Wellington (New Zealand), the Christchurch Symphony Orchestra (New Zealand), and City Lights Concerts (Switzerland)

In resistance to the fireworks-driven mega-spectacle of recent percussion concertos (some of which I’ve written myself), I’ve scored this work for a Mozart-sized orchestra and limited the solo parts to no more than marimba (soloist 1) and vibraphone (soloist 2).

There are three movements:
1. The Portals of Dis
2. The Upper World
3. The All-Seeing Sky

This concerto is inspired by a number of interwoven concepts. The phrase The All-Seeing Sky refers to both the omnipresent technological surveillance of the 21st century, and the ‘other’ omnipresence, God in his/her/its/their myriad historical chroniclings. 

Gustave Doré’s spellbinding illustrations of Dante’s Divine Comedy inspired the first two movements. The Portals of Dis depicts the (imagined) inner realisation that one is actually being ferried across the river Styx, to arrive – with a great welcoming fanfare – at the gates of Dis. The musical language of this movement is evocative of antiquity, particularly ancient Greece.

After having traversed the many levels of hell the travellers in Dante’s Inferno find the hidden road that provides the way back to The Upper World – and emerge back into our world, the bright world. The unsettled nature of the ending of this movement suggests that the world we live in now has more than a passing resemblance to hell as we imagine it.

The role of the two soloists in this concerto is fluid. At times the soloists play in virtuosic unison, and sometimes their two instruments are treated as one ‘meta-instrument’. Often the two soloists are foreground drivers of the music, other times they are equal partners with the orchestra. And sometimes they take on a background role of accompanying the orchestra (at the end of second movement, for example, the two soloists are providing a warm, quietly supporting and loving minimalist underpinning for the orchestra’s final utterances).

The All-Seeing Sky 1 The Portals Of Dis (original composer demo) 2022

Dreams of Twilight

Dreams of Twilight 2- Once More, My Heart (original composer demo) 2021

Dreams of Twilight 1 - Come Dance, My Love (original composer demo) 2021

Pharaoh 3 Planet Damnation (original composer demo) 2023

Pharaoh 2 The Great Pageant Of Thee And Me (original composer demo) 2023

Pharaoh 1 Pharoah (original composer demo) 2023

Sphinx 02 Giza Sunrise (original composer demo) 2023

Sphinx 01 Sandstorm (original composer demo) 2023

Ahlan wa Sahlan 01 Al Mahal (orchestra, vocalist, oud) with OUM and Kyriakos Tapakis 2023

Infinite Mind 2 NOAM 2023

La Cuna 1

La Cuna 3

Full of Sympathy (with David Downes) 1987

Begin (with David Downes) 1987

Law of Gravity (with David Downes) 1987

Silent Partner (with David Downes) 1987

We Lie Here (with David Downes and Delia Shanly) 1987

Fragments

Piano Quintet - 1st Movement 2000

Tarantismo 2010

White Feather (original composer demo) 2018

Last Days of March original strings (2020)

Zeal mvmt5

Zeal mvmt1

Zeal mvmt3

Zeal mvmt4

Zeal mvmt2

Midi performance of 2019 work for Alexej Gerassimez and Signum Saxophone Quartet.

John Psathas

Pinned to spotlight

Popular tracks