Aufnahme - Deutschlandfunk, Kammermusiksaal
Forum Neuer Musik 2022
Commisioned by Deutschlandfunk and financed by the E. v. Siemens Foundation

Ensemble Aventure
Andrea Nagy - Bass Clarinet
Wolfgang Rüdiger - Basoon
Delphine Gautier Gauche - Horn
Antonio Jimenez - Trombone
Nanae Kubo - Percussion
Alfonso Gomez - Piano
Friedemann A. Treiber - Violin
Katharina Schmauder - Viola
Ellen Fallowfeld - Violoncello
Nicholas Reed - Conductor

thanks to Domenico Melchiorre for the various Percussion Instruments, specially the Bassdesmophone

Cyanotypie (2022) for Ensemble

"(T8) Series of Lyrical Treatments {sketch and fugue I}" composed for mechanical piano solo.
T8 duration: 2'17"
Composed by John Starosta
Programmed by Anatoly Larkin 
Performed on Steinway model 601514

This is the 8th installment to this series.

T8 - Series of Lyrical Treatments {sketch and fugue I} - for mechanical piano solo

Wind.Musik Material #1: Aus dem neuen Klavierzyklus von Johannes Winkler und Juan Carlos Maskerados: 'Antenne 1' gestretched auf die 45min Strecke Essen <-> Mülheim. Aktuelles hierzu auf meinem Blog: www.johanneswinkler.de/blog
'Antenne I' im Original findet sich auf Instagram: www.instagram.com/winkler.works - Post Nr.198

Material #1 - Klavierzyklus 'Antenne' - Nr.1 - stretched (#198 @winkler.works)

Wind.Musik Material #4: 'Klavierstück 8' von Juan Carlos Maskerados und Johannes Winkler - gestretched auf die 45min Fahrrad-Strecke Essen <-> Mülheim. Zukünftiges hierzu auf meinem Blog: www.johanneswinkler.de/blog
Original findet sich auf Instagram: www.instagram.com/winkler.works - Post Nr.200 / slide 1 | Juan Carlos Maskerados: https://linktr.ee/juan.carlos_maskerados

Material #4 - 'Klavierstück 8' - stretched (#200 @winkler.works)

"(T9) Series of Lyrical Treatments {sketch and fugue II}" composed for mechanical piano solo.
T9 duration: 1'52"
Composed by John Starosta
Programmed by Anatoly Larkin 
Performed on Steinway model 601514

This is the 9th installment to this series.

T9 - Series of Lyrical Treatments {sketch and fugue II} - for mechanical piano solo

"(T10) Series of Lyrical Treatments {sketch and fugue III}" composed for mechanical piano solo.
T10 duration: 1'15"
Composed by John Starosta
Programmed by Anatoly Larkin 
Performed on Steinway model 601514

This is the 10th installment to this series.

T10 - Series of Lyrical Treatments {sketch and fugue III} - for mechanical piano solo

Enduring The Unacceptable

Pianist - Anatoly Larkin
Composer - John Starosta
Live performance in Osaka, Japan August 14, 2023

"West. Love. Bug." - Live - Osaka, Japan 2023/08/14

Mordedura de Óxido (2022)
Naz Dúo & Alonso Solano
Premio IBERMÚSICAS 2023 de Composición y Estreno de obra

Inspirado en un verso de la obra "Cascajo" del poeta Manuel Illanes

Mordedura De Óxido (2022)

A quartet for two Bb clarinets and two bass clarinets. It is published by Universal Edition AG:

https://www.universaledition.com/en/Clarinet-Quartet-2023/P0261007

Clarinet Quartet (2023)

Patricia Elizabeth Martínez 
...se desprende y cae... (1997)
pour violoncelle et dispositif électronique

Cello: Antoine Ladrette

œuvre électronique, Ircam
Informations générales
Date de composition : 1997
Durée : 13 minutes
Éditeur : Inédit

Genre
Musique soliste (sauf voix) [Violoncelle]
Effectif détaillé
1 violoncelle
Information sur la création
30 September 1997, Paris, Ircam, Espace de projection, Cursus de composition, par Antoine Ladrette.
Information sur l'électronique 
Information sur le studio : Ircam, Cursus de composition et informatique musicale. 
RIM (réalisateur(s) en informatique musicale) : Richard Dudas (encadrement pédagogique) 
Dispositif électronique : temps réel

Note de programme
point de départ..................................................... le monde sonore hérité

dessein............................... l'emmener vers différentes limites de l'imaginable

excuse............................................................... manipuler la fantaisie

quelques mots.................. temps........ secrets...... désirs....... convoitises..... folie

matériaux........restes d'une culture qui cohabitent et jouent dans un espace volé aux rêves

.................................................................................................. rien

tout....................................................................



Patricia Elizabeth Martinez, programme des concerts du Cursus de composition de l'Ircam, 29-30 septembre 1997, Espace de projection de l'Ircam.


© patriciamartinez.com.ar

Patricia Martinez - Se desprende y cae (1997, cello and electroacoustic sounds)

A composer of contemporary classical music and piano pedagogue with compositional emphasis on serial and twelve tone techniques and pedagogical literature based on the Renaissance thru 20th century genres.

Earlier studies include industrial electricity, applied voice, drama and music theater, subsequently, leading to extensive study in ballet and modern dance.

Starosta's compositions have been shaped and influenced by blues, heavy metal, and classical music. Drawing from the rich tones and simplistic characteristics of early American blues, industrial timbres and tribal rhythms of heavy metal music, while combining facets of these genres with classical techniques has allowed Starosta to develop a voice that is unique in modern expression.

T8 - Series of Lyrical Treatments {sketch and fugue I} - for mechanical piano solo

John Starosta

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