Ebi gala dugusaga! Can not shazam track, ID plz?

Quark Mix / Particular Selections

Extended & unplanned b2b2b with Verdant, Ohm and El Choop - it was a huge buzz to finally get together

hit us up for IDs

we followed on from Ewan and Simon - their part over here:
https://www.mixcloud.com/clubsoundslive/test-stream-20220923-172713/

VR September 2022

CSL:

Rhodium

Dub Boy 3 for CSL 23_09_22

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Wellll shiiiiiiiiit, look here, motherfucking Mosam Howieson is in the building. About time, you say? Yes, you’d be right to ask, but you’re asking the wrong question, more like, what is time? Don’t stress, it’s merely a measuring device that the entire human civilisation revolves around. Anyway, Mos is here to teach you a thing or two about time and what you can do with it. 

I’ve been lucky enough to know Mos for many years. A true gentleman in the game, forever polite and tremendously respectful. A man of many talents, and most revolve around providing for the people. A culinary cowboy by day and dance floor destroyer by night, his exceptional work ethic shining through in both forms. Mos’ production has slowly but surely infiltrated ears across the globe, labels worldwide have been picking up what Mos has been putting down, and we’re better off for it. Mos' live performances are a full-body experience, from ground-breaking ambient soundscapes to rafter-breaking post-primitive drum loops, something to add to that bucket list of yours, whilst waiting patiently for his new album coming out later this year.  For those of you that don’t know Mos, this is the perfect place to start. 

Following with the theme of time, I think Mos has completely encapsulated his existence on this earth through this mix. You can hear him in his different stages of life and all the soundtracks that came with it. From hovering over a tape deck recording tracks straight from the radio, getting up early watching video hits, burning CDs on friend's computers, weeklong mp3 downloads from lime wire riddled with viruses on the family computer, all the way up to the first-time he downloaded fruity loops and set himself on this path, it’s all here and we’ve been invited along for the ride. All of this music holds such a special place in my heart as I was on a parallel path of musical enlightenment (except my productions never made it past a 4x4 loop on a cracked version of fruity loops) a musical diary if you will, filled with ideas, aspirations, and heartache, complete with dogged ears, doodles and torn out pages. On behalf of the people listening, thank you Mos. 

Keep it as real as you can. X

his sounds >>>> https://mosamhowieson.bandcamp.com/
                   >>>> https://soundcloud.com/mos-how

FHUO # 80 // Mosam Howieson

INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/soela

To celebrate the release of her second album 'Dark Portrait' on @scissorandthread Berlin-based producer @soelaela steps up to deliver IA MIX 386, interweaving a pensive mix exploring ambient, deep house and melancholic classical music.

IA MIX SERIES

Read

IA MIX 386 Soela

Mix of the Week #551 is by Matt Cowell
Follow and include @matt-cowell in your track ID requests

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Dream Chimney 'Mix of the Week'

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Mix of the Week #551: Matt Cowell

Recorded live on Saturday 31st May 2025 at Optimo and Ransom Note's brilliant Watching Trees festival, Watching Morning 2 is a heady ambient excursion inspired by the natural sights and sounds of the event's site in North Wiltshire. It features a mix of ambient, horizontal electronics, field recordings, spoken word snippets and countless 'watching morning versions' created especially for the performance. For full tracklisting, as well as a review of Watching Trees 2025, head to www.jointhefuture.net.

Featured artwork: 'Summer' by textile artist Marion Anniss (2024). Prints available via https://www.marionanniss.com/

Watching Morning 2 (recorded live at Watching Trees 2025)

This mix is a tribute to „Takeshi Terauchi“, the legendary Japanese guitarist known for his razor-sharp picking and surf rock-infused playing. It features his solo works and collaborations with f.e. „The Blue Jeans“, capturing the energy of 1960s eleki music. From fast-paced instrumentals to cinematic twangs, it celebrates Terauchi’s unique style of blending traditional melodies with Western surf, garage, and fuzz-drenched psychedelia.

Takeshi Terauchi Tribute Mix

N 336 JLL-NG

The set which i played on 23rd of July 2016 at the Camp Cosmic festival — a small fairy-talelike gathering somewhere hidden in corn fields and woods.

◮◮ Much ℓove and thanks to everybody who made this very special and on many levels inspiring experience possible — to the organizers, volunteers, dancers and to all artists! I feel blissful to be part of this family for five years now. ◮◮

◮◮ More recordings of that weekend can be found here, list is growing:
https://soundcloud.com/campcosmic/sets/live-recordings-from-camp ◮◮

André Pahl @ Camp Cosmic 2016

Camp C∅smic 2◐16

„I’m standing on an embankment - I’m very high up - I am looking down on a landscape - on a vast landscape - it’s all dry - it looks like the moon, because it’s all dried up …“ 

Schon in den ersten 30 Sekunden macht André Pahl klar - die Reise geht hoch hinaus, tief in die Zwischenlagen der kosmischen Sphären, quer durch die Wildnis, einmal zum Mond und wieder zurück. 

Der dritte Teil der „Auf Zu Neuen Dächern“ Serie lädt ein zur musikalischen Klangreise durch die Weiten der Pahl’schen Plattensammlung: ein Podcast voll tribalistischer Rhythmen, verhallten Streichern und wundersamen Klang-Artefakten aus lang verschollenen Kulturen. Wir beziehen unser Lager zwischen ersten Knospen im Klunkergarten und blinzeln in die Sonne - on our embankment - really high up. 

Am 30.03.2017 lädt André Pahl mit seinen Gästen "Arcane Onde" aka "Eva Geist" und "Philip Rohé" von der Leftfield-Electronica Band „Popular Bluff“ zu seinem neuen Format „Cosmic Safari“ auf den Kranich ein. 

Schon dabei? 
https://www.facebook.com/events/261410810950808/

www.klunkerkranich.org

André Pahl 
https://soundcloud.com/andrepahl

Auf zu Neuen Dächern mit: André Pahl

Live at Kraftwerk Sessions 14.4.2018

Music for days like these - Episode 2

Music for days like these - Episode 6

Curva Imposible is a gathering in Barcelona that explores the most enigmatic margins of music in unique spaces.

The latest event featured local and international acts like Bejota Nova, Lato A, Pedro D. Sáiz, ML, Tomaga, Ron V/D, Don The Tiger, Estades, Andre Pahl & Alicia Carrera, Heap and Rabih Beaini.

The Mystic Room is the place thought for mental relaxation where any sonic oddities could happen - for this occasion, secret guest André Pahl and I played the last slot, acompanied by the nicest crowd.

Big thanks to André Pahl, all the listeners that accompanied us along the journey, to Meri Bonastre, Vir and all the artists and friends involved.

Hope you enjoy it as much as we did!

Curva Imposible II

Curva Imposible II ~ Alicia Carrera & André Pahl live at Mystic Room 01.02.2020

Tabi Tapes 002

I made this Podcast for RC3 aka Chaos Communication Camp 2020, which took place online in December 2020. It's a selection of jazz, exotica and psychedelia. Enjoy!

Mix for CCC 2020

Blue Shadows of Utopia

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.

MFM Mix 024: Lauren Hansom

S𝕠𝕦𝕟𝕕 𝕓𝕝𝕖𝕟𝕕 𝕠𝕗 𝕒𝕝𝕝 𝕠𝕣𝕚𝕘𝕚𝕟𝕤 𝕒𝕟𝕕 𝕗𝕝𝕒𝕧𝕠𝕦𝕣𝕤!

Artist at www.sumski.art

Music for days like these - Episode 6

John Talabot

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