Really love this song,reminds me so much of pops 

Good Stuff

All of Me

All Of Me

Written, produced, and performed by Luke Carter (AKA Sammi Dae)  
Vocals by Devyn Cross (An AI artist created by Luke Carter)  

Original Composition: © 2021 Luke Carter (Sammi Dae)
Original ISRC (2021): UKVGE1900227
New Sound Recording: ℗ 2025 DGG Productions Ltd 
New ISRC (2025): UKVGE1909210

Luke Carter (DGG Productions). Email: luke@dgfproductions.com. Phone: +44 7821 189857. Publishing & Master: 100% Controlled by DGG Productions

Artist: Sammi Dae feat. Devyn Cross
Produced by: Luke Carter (Sammi Dae)
Written by: Luke Carter (Sammi Dae)
Performed by: Sammi Dae using AI vocals of Devyn Cross 
Label: DGG Productions
Genre: Funky House / Nu-Disco / Modern R&B / AI Vocal Crossover
Key: B♭ Major | Tempo: 108 BPM

🪩 Let go. Lock in. Light up the floor.

“Have It All (Club Scene)” is a swagger-drenched, feel-good heater from the genre-bending world of Sammi Dae—infused with nu-disco grooves, modern R&B flair, and retro Funky House sparkle. Punchy, rhythmic, and dripping in self-assurance, this version walks the line between dance anthem and streetwise statement.

Fronted by the AI vocalist Devyn Cross, “Have It All (Club Scene)” celebrates freedom, desire, and unapologetic confidence. But this isn’t just a voice—it’s a vision.

🎤 Meet the Future of Performance
In a music industry driven by image and youth, creator Luke Carter (aka Sammi Dae) flips the narrative. Now in his 50s, Carter—alongside co-producer Brian Lewis—writes, produces, and even performs the original vocals of each track before reimagining them through a bespoke AI artist roster. Artists like Devyn Cross, Sacha Rome, Thea, and others bring next-gen energy to timeless songwriting, creating a revolutionary blend of human soul and digital presence.

🎶 The Club Mix
This version turns the original into a four-on-the-floor showcase: tight hi-hats, a liquid bassline, and layers of silky hooks swirl around Devyn’s velvet delivery. The result? A confident, head-turning track that lives at the intersection of late-night cool and dancefloor joy.

🎧 For fans of: Silk Sonic • SG Lewis • Dua Lipa • Disclosure • Calvin Harris
🔥 Mood: Funky • Confident • Euphoric

✨ AI Meets Emotion
“Have It All (Club Scene)” is part of the expanding Have It All series, where each track is reborn through a different AI vocal performance—crafted to highlight the emotional and sonic versatility of the song. This series is a signature project from DGG Productions Ltd, based in Manchester, UK, combining forward-thinking artistry with decades of songwriting depth.

Have It All (Club Scene)

A song written by Russ and Nick Fenske about your Angel's protection from Satan.

Musical Composition, Vocals and Production via Suno Ai.

Cover Art Work by Meta Ai. 

Cover Art edited in Snapseed. 

Shout out Ai Retouch

Song Coordination and Final Graphics by Nick Fenske.

Angels Will Be By My Side - Soul

John Legend is an artist mature beyond his years. He is a crooner in the best possible sense of the word — self-assured, gentle and debonair. For Legend’s sophomore album Kanye West resumes his role as executive producer, but Once Again is a mellower affair than Get Lifted. The songs get their gentility from Legend’s low, cocoa-smooth vocals, which never fail to bring a potentially hyper song to a place of calm. Though Once Again features an impressive assembly of producers — including Craig Street, will.i.am and West (all contributed multiple songs) — Legend is wholly in control of the album’s tone and tempo. The hip-hop underpinnings are balanced by the elegant jazz of “Again” and “Maxine.” “Where Did My Baby Go” is so simple that it feels timeless — it could be a piece of an old album by Arthur Alexander or even Joan Baez, made new again by Legend’s warm breath. “Save Room” is a song that glides so sweetly and effortlessly that it challenges every shred of malice that might be lurking within the listener. Even sweeter is “Slow Dance,” a melody as compact and pretty as a jeweled pocketwatch.

Once Again

Each Day Gets Better

Heaven

P.D.A. (We Just Don't Care)

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Each Day Gets Better

johnlegend

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