BBC Radio 2: Sounds of the 80s

Sam Smith covers song of Whitney Houston. 

Sam Smith - How Will I Know

India Arie -I am Not My Hair Original

That's Money Everywhere
A song that reminds you that money was never the real value.
They made you believe it’s scarce, but it’s everywhere.
You’re the gold. You’re the diamond.
They fear what you can become once you realize that truth.

“Don’t question me, question them.”
Even they lie. Even they deny.
But you? You were born with worth no price tag can define.

This one’s not just music, it’s a message for every mind that ever doubted itself. Money is everywhere. Value is within.

 #WorthMoreThanGold #AEIKUniversalRecords #TruthMusic  #MotivationalTrap #ConsciousRap

Money Everywhere

That's Money Everywhere

Everybody Knows

This Time

No Other Love

No Other Love (feat. Estelle)

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Everybody Knows

johnlegend

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User 940828749

YOUR FBI agent

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Jorge Lisboa

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