@jack-kass: That's one of the challenges of this prelude: how to prep for the "finale" and how far to go once you get there.

Actually, the Czerny versions still here: now at the end of the album.

BACH PRELUDE 1 C MAJOR WELL-TEMPERED CLAVIER BOOK 1

숙면을 도와주는 따뜻한 바흐의 첼로 선율 Warm Bach Cello Melody To Help Sleep

Bach: Cello Suite No.5 In C Minor BWV.1011 - I. Prelude

Cecily Smith performs J.S. Bach Prelude from Cello Suite No. 5 in C minor live at St. Mary's Cathedral, Edinburgh, 8 August 2013.

J.S. Bach – Prelude from Cello Suite No. 5 in C minor

Bach: Prelude and Fugue in C sharp minor, from The Well-Tempered Clavier

Fugues Op.4 No.10

J.S. Bach - Suite No. 5 In C Minor BWV 1011 - Prélude

This playlist is a preview of J.S. Bach Cello Suites performed by Matt Haimovitz. This SACD album was released on October 2015. Cellist Matt Haimovitz has been closely associated with the Bach suites since the year 2000, when the former child prodigy jump-started the alt-classical revolution by performing the complete cycle in folk clubs and rock venues, including New York’s now-defunct punk palace CBGB’s. That same year, he released a 3-CD set of the Suites that launched the newborn Oxingale Records.
Now, 15 years later, Haimovitz returns to The Cello Suites with a stunning new interpretation, intimately informed by Anna Magdalena’s manuscript and the tools of the time.
You can order this album from our website: http://www.pentatonemusic.com/pentatone-oxingale-series-bach-suites-haimovitz

Buy from PENTATONE

J.S. Bach - Suite V In C Minor, BWV 1011  - Prelude

Imaginaryland

Bach Prelude No. 2 In C Minor (For Well Tempered Voice)

Performed by Jakub Nowak (violin) and Aleksander Dębicz (piano)

II. Allegro - 
Sonata No. 4 in C Minor BWV 1017

IV. Allegro - 
Sonata No. 4 in C Minor BWV 1017

Moments With Classics

Prelude No. 2 In C Minor, BWV 847 (The Well-Tempered Clavier, Book 1) by Johann Sebastian Bach

I’m into generating alternative interpretations of solo piano music in the classical repertoire. I got stuck on Bach’s Well-tempered Clavier (for various reasons) and never really got around to much else. Why MIDI?   Simple, really. There are many, many ways of thinking about music, “analyzing it,” so to speak, and ultimately arriving at a particular conception. “MIDI” is simply one among many ways to think about a piece of music , and sometimes it’s quite useful. In my case, it allows me to see—and easily to manipulate—the structure of a piece of music as a whole. That’s important, in fact absolutely critical in the music of Bach. It’s very hard and time-consuming work to generate a conception of “the whole” at the piano. Incredibly time-consuming and for me virtually impossible. So MIDI—because it permits massive changes in no time at all—has been very useful. It allows me to say: “there’s how I think this music should go,” which I wouldn’t be able to do at the piano.

BACH PRELUDE 1 C MAJOR WELL-TEMPERED CLAVIER BOOK 1

JOHN LEWIS GRANT

Recent comments

Darren Sullivan

JOHN LEWIS GRANT

JOHN LEWIS GRANT

Related tracks