Romance In Leeds(not very romantic)

Overcoming Nightmares Composição: Elian Bittencourt Arr: Rodrigo Vitta

Not Enough

Chopin, Raindrop Prelude, Opus 18, no. 15 (Hans Zimmer Piano VST--MIDI created and edited)

Vola, Giuseppina, ma sii felice! [Original piano improvisaiton]

INTERMEZZO MOCKUP

Composition and performance Alicja Maciejko 08.06.2023
Art: Michal Grzeskowiak

The Moment of Everything

Musicians : Marcin Gałażyn (piano solo)
Label : MGMusic

"I have known Marcin Gałażyn for many years and what he has achieved with his first solo piano album has surprised me immensely. I did not expect that he would produce such a well-rounded project called Present Tales, which is a collection of piano miniatures."

Dr.hab Maciej Jabłoński - composer, lecturer at the Academy of Music in Krakow, publicist - "Ruch Muzyczny", "Glissando", co-author of the "Guide to concert music" (PWM 2003/2004)

PRESENT TALES (Piano solo music) 002 Like A Princess In The Tower

Recorded live by Gaston Matthijsse 20230610 in Hoge Zwaluwe

Paule Maurice - Tableaux De Provence

Today's chairhouse's daily video magazine of piano ten thousand leaves music & AI created Artworks.
https://youtu.be/wlsAqqVux7w

#3504: Jul. 19, 2023: It was the dream itself enchanted me ("The Collected Poems of W. B. Yeats") 
Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )
Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536 and 3504(77.2%) achieved today. Find my project.. : )
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

My new message: "Does it make sense to preserve it for 1000 years?"

Today's cover ART is created by #Midjourney (Art Generating #AI), according to my wish. Happy if you like it.

I'm now making Archive site of Piano Ten Thousand Leaves project by utilizing #wordpress. Basically nice direction I've already gotten.. : )
Currently 1100 pieces already achieved. 
But this week I need to do something else, so I'm going to stop this task for a bit.


######## NEW 24th SELECTION ALBUM JUST RELEASED ########
"Deep Forest Girl" - the 24th selection album of piano ten thousand leaves

Youtube: Full(20 songs, 50 minutes) and HD video by Midjourney - AI
https://youtu.be/-pvjcnFysTk

spotify
https://open.spotify.com/intl-ja/album/6zftjWuL7JMF0vNYgLTSaQ

apple music
https://music.apple.com/jp/album/deep-forest-girl-piano-ten-thousand-leaves-volume-24/1692518303

amazon music
https://www.amazon.co.jp/s?k=chair+house+%E6%B7%B1%E3%81%84%E6%A3%AE%E3%81%AE%E5%B0%91%E5%A5%B3+-+%E3%83%94%E3%82%A2%E3%83%8E%E4%B8%87%E8%91%89%E9%9B%86+-+%E7%AC%AC24%E5%B7%BB&i=digital-music&ref=nb_sb_noss_2

line music
https://music.line.me/webapp/album/mb0000000002e6f6be

AWA:
https://s.awa.fm/album/bd73bf6d8ea694823e31

Other Every music streaming services in the world
https://linkco.re/yDNpmUYN?lang=en

It Was The Dream Itself Enchanted Me - #3504 By Chair House 230719

Work in Progress: Erste Orchesterversion von "Ambermoon Track 18" (auch "Riverside Travelling Tune" genannt.)

Das Amiga-Original von 1993 findet ihr hier: 
https://soundcloud.com/audiotexturat/ambermoon-18-riverside?in=audiotexturat/sets/soundtrack-ambermoon

Ambermoon 18 (Riverside Travelling Tune) (First Sketch)

I’m into generating alternative interpretations of solo piano music in the classical repertoire. I got stuck on Bach’s Well-tempered Clavier (for various reasons) and never really got around to much else. Why MIDI?   Simple, really. There are many, many ways of thinking about music, “analyzing it,” so to speak, and ultimately arriving at a particular conception. “MIDI” is simply one among many ways to think about a piece of music , and sometimes it’s quite useful. In my case, it allows me to see—and easily to manipulate—the structure of a piece of music as a whole. That’s important, in fact absolutely critical in the music of Bach. It’s very hard and time-consuming work to generate a conception of “the whole” at the piano. Incredibly time-consuming and for me virtually impossible. So MIDI—because it permits massive changes in no time at all—has been very useful. It allows me to say: “there’s how I think this music should go,” which I wouldn’t be able to do at the piano.

Chopin, Raindrop Prelude, Opus 18, no. 15 (Hans Zimmer Piano VST--MIDI created and edited)

JOHN LEWIS GRANT

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