enorme de voir comment la track a evoluée par la suite, l'idée germait déjà à l'époque :)

Workmix

First JLF Live Performance.
Recorded live @ Metz in 2004
(c) 2004 

Tracklist :
Music is not Computer Algebra (Dark Club Mix)
Magazine
Oil tank Attack
George
Universal Machine
Music is not Computer Algebra (Rave Mix)
So Far Away (Hard Live Version)

John Lord Fonda Live @ Metz - October 2004

Damon Jee smashing the floor at Elektronic Delight Off Week party.

Buckle up, we're taking off!

Damon Jee closing set @ Elektronic Delight Off Week

Melodic techno Track by me and only me :) I Love Music like @afterlife

What I Feel ClubMix

A remiw with my Duet John Lord Fonda (artist of Vitalic's Label) for Antony Adam. Label : Naeba records. Melodic techno Track like Afterlife Music :)

Antony Adam - Let's Think About The Next Generation (John Lord Fonda & Veronica Nikolic Remix)

Veronika Nikolic_Bjork MotionRMX

TL Premiere #1795 (2024.10.28) : Circé Deslandes - Lilith (Veronika Nikolic & John Lord Fonda Remix) [A-Traction Records]

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For this 325th Premiere of 2024, we have the "Veronika Nikolic & John Lord Fonda Remix" of the track by the French artist Circé Deslandes titled ‘Lilith’ from her forthcoming EP "Lilith Remixes" on the French Techno Electro label : A-Traction Records.

The EP will be available from November 1, 2024 in digital on all streaming platforms.

▶︎ Buy : https://bfan.link/lilith-3

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Release Info :

Circé Deslandes - Lilith Remixes [A-Traction Records // ATRACT090]

A-TRACTION records is back with the 90th release, new Ep from French artist CIRCE DESLANDES.
Author, composer, performer and tarot reader, Circé Deslandes is a complete artist who claims to belong to the clan of contemporary witches.
She has made a name for herself with her committed, raw and poetic lyrics, supported by 2 albums and multiple sound creations.
Her debut album ‘Oestrogenèse’, produced by Kid Loco, was released in 2015, followed by a 2nd album in 2017, ‘FEMME LOUVE’, produced by Mathieu Calmelet.
‘Lilith’, one of the lead tracks on this album, is presented as an incantation designed to empower women.
Marc Ayats (@marc-ayatsofficial) fell under the spell of this feminist track. He has decided to re-release it, complete with remixes.
For the occasion, he has surrounded himself with his inner circle. SOUTHSONIKS (@southsoniks) offers us a dancefloor and techno version, while the duo VERONIKA NIKOLIC (@veronika-nikolic) & JOHN LORD FONDA (@johnlordfonda) explore a more melodic and gothic vision.
It also welcomes for the first time one of the precursors of French acid, DAVID DURIEZ (@david-duriez) (Brique Rouge), who graces us with 2 versions of his remix (one of which is the instrumental), as well as one by DISTANCES (@distances-project) who also release on Brique Rouge (@briquerouge) and who offers us a Detroit dancefloor-style remix

A mix of elegance and committed dancefloor

Tracklist :
1. Circé Deslandes - Lilith (Original - Remastered)
2. Circé Deslandes - Lilith (Southsoniks Remix)
3. Circé Deslandes - Lilith (David Duriez Remix)
4. Circé Deslandes - Lilith (Veronika Nikolic & John Lord Fonda Remix) 
5. Circé Deslandes - Lilith (Distances Remix)
6. Circé Deslandes - Lilith (David Duriez "DUB" Remix)

Realease date : November 1st

Cover by Charles Hilbey (www.instagram.com/charleshilbey)

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Follow Circé Deslandes : 
Bandcamp : https://circedeslandes.bandcamp.com
Instagram : https://www.instagram.com/circedeslandeshalatre
Facebook : https://www.facebook.com/circedeslandes
Website : https://circedeslandes.com

Follow A-Traction Records :
Bandcamp : www.a-tractionrec.bandcamp.com
Discogs : www.discogs.com/label/2874-A-Traction-Records
Facebook : www.facebook.com/A.TRACTION.Records
Instagram : www.instagram.com/atractionrecords
Beatport : www.beatport.com/label/a-traction-records/25340
SoundCloud : www.soundcloud.com/atractionrecords

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via paypal.me/tracklistings

Lilith Remixes

Lilith (Veronika Nikolic & John Lord Fonda Remix)

TL PREMIERE : Circé Deslandes - Lilith (Veronika Nikolic & John Lord Fonda Rmx) [A-Traction Records]

Maximo Delato & Victor Amaya - Believe [deep dip]

Australian producer Luke Alessi is back on DJ Tennis’ iconic Life and Death label with his latest record, the ‘After Five’ EP.

Picture a roaring 1920s debauched, excessive and riotous cocktail party with screaming brass moments meets 1970s funk and disco grooves that loop and tumble you into a hypnotic state while Barry White's voice guides you through the whole experience. ‘After Five’ was designed to make you feel sexy, groovy and a little bit wild. 

A sonic journey through moody elegance and late-night allure, the release is complemented by remixes from boundary-pushing producers Pablo Bozzi and Aldonna.

The title track, ‘After Five’, released in November 2024 to an avalanche of praise, proving Luke Alessi’s knack for crafting sophisticated beats that resonate across dancefloors. Named as  Pete Tong’s Essential New Tune on his coveted BBC Radio 1 show as well as over ten placements on Spotify and Apple Music editorial playlists, and heavyweight DJ support from tastemakers like DJ Tennis, Dixon, La Fleur, Laurent Garnier, Jimi Jules, and Demi Riquísimo, it’s clear his track has struck a universal chord.

Pablo Bozzi’s remix followed this up and came out on January 17th, putting his signature Italo flex on the title track turning it into a hedonistic and raucous party anthem. Known for her idiosyncratic sound that mirrors her deep sonic interest for the nineties and early noughties, Aldonna finds her sweet spot between House, Progressive and Trance with her remix of ‘Day Dreams of Beaches’ reflecting exactly this. The full EP—an irresistible meld of two original records and reimaginings—is out now, poised to set the tone for 2025.

Already part of the Life and Death family since ‘Bey Beh’ and ‘Dale Dale’, Luke Alessi’s music sits in its own lane, refusing to be pigeonholed into any conventional genre. A frequent collaborator of Chloe Caillet, Carlita, Rüfus Du Sol, and many more established talents, 2024 has been a huge year for Alessi, with noticeable DJ debuts from Mexico to Asia via Europe and North America.


Day Dreams of Beaches

Luke Alessi - Day Dreams of Beaches

5th release on the "Classics" Division of Nocturbulous Records.
The ep features a vinyl repress of 4 classic cuts previously released in 1997, playlisted at the time by Carl Cox and becoming a hard Techno hymn of the late 90's in particular by the French collective : Heretik System.

A1 Lysergic OVNI
A2 Jabba's Dialect
B1 When Worlds
B2 The End

@jean-bruce @johnlordfonda

John Lord Fonda presents : Hermetic Unity - Vulkan EP (NTCLASS005)

ELECTRIC RESCUE - 3H DJ SET 130 BPM - AFTER O'CLOCK - Plage - 13042025

Buy Link: https://www.beatport.com/nl/release/in-this-night/5083762?a_aid=684cb9404a358&a_cid=0be88686

PREMIERE: D3LMAT - In This Night (John Lord Fonda Remix) [Mélopée Records]

Sung by the Midwestern University Singers, Oct. 2009

When Roses Cease to Bloom

An exclusive download courtesy of http://www.mixmag.net 

Oliver Deutschmann - Sorrow

from 'Fatalist - The Repetition Of History' [CD|LP|DIGITAL]
available on all formats at [www.denovali.com/mailorder]

Fatalist: The Repetition of History

Field Rotation - Valse Fatale

https://soundcloud.com/gordikov | http://soundcloud.com/radkovski

--- 
Get exclusive free downloads and other stuff : http://eepurl.com/rHmPv
http://www.facebook.com/badpandarecords 
http://twitter.com/#!/badpandarecords 

Gordikov - Stray cat (Radkovski remix)

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Where We Were

Greg Haines - The Whole

Member : John Lord Fonda
Contact, promo, booking : johnlordfonda.mgmt@gmail.com
Record Labels : Citizen Records, A-traction Records, Boxon Records, Mélopée Records ...
Profil pic taken at La Nef, Angoulême, FR
Other Aliases : half of Mental Overdose, Hermetic Unity, Metallyzer, Karabine.

John Lord Fonda Live @ Metz - October 2004

JohnLordFonda

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