ugyanúgy && Mt. Saint Michel

single from upcoming riddim collections lp by sidechain unit 

samples from amber rain by coil
acapella from spin by kodak black

amber rain riddim

READ > inverted-audio.com/premiere-comechelet-x-ϙue-rendez-vous

French record label re.core are set to unveil their seventh release, 'TIME', a collaborative album from production duo Comechelet x ϙue...Our pick  'Rendez-vous' ensnares listeners from the start, uncovering layers of dense, storm-driven drones, intricately woven with a polyphony of dark ambient textures, gradually drawing the listener into a disorienting soundscape. There’s an organic fluidity to the track, as if the sounds are living entities - morphing and shifting whilst maintaining a subtle palpable tension. It inhabits a liminal space, creating a mesmerising ebb and flow between realms, lost in a sea of ubiquity.

@optovolokonniy 
@comechelet 
@recorere

Time

Rendez-vous

Comechelet x ϙue - Rendez-vous [re.core]

ESTATE is the debut AKHET Edizioni issue: an assemblage of unreleased works contributed by the many artists who participated in AKHET’s first year of site-specific programming in Naples historic centre.

The 26-track compilation features Aspec(t), Ausschuss, Cadaver Mike, Canedicoda, CECILIA, Ciro Vitiello, Compsa, D.Ham, Deskulling, Eks, Elisha Morningstar, Elvin Brandhi, Eraclio, Flora Yin-Wong, Forest Factory, Franco Franco, I Jahbar, Koenraad Ecker, las vegan, Le grand K, Lorenzo Abattoir, Luigi Monteanni, MIIIN---AMOR, Nocturnerror, NPLGNN, NZIRIA, Radford Electronics, Rabit, Renato Grieco, Sara Persico, STILL, Talpah, Tarawangsawelas, Tati au Miel, and Yokel, serving as a convergence of dissonant practices and collective gestures. Traversing the volatile terrains of noise, improvised sound, avant-garde folk, experimental rap, and post-club mutations, each piece embodies the tension between transient environments and enduring creative dialogues.

ESTATE, the Italian word for “summer”, concludes AKHET’s first cycle of programming. This cycle, reflecting on the impermanence of seasons, unfolded through three mini-festivals ("Autunno", "Inverno" and "Primavera") and a traveling review ("Caldo Astratto"). In a time when seasons melt into one another and winter feels disturbingly melded, ESTATE serves as a temporal marker, reimagined here amidst shifting climatic and cultural cycles.

Conceived as both artifact and reusable ephemeral, the release materializes as a limited edition of 101 tin cans designed by Canedicoda, each containing a USB microchip and other delicacies, while photographs by Salvatore Pastore document its materiality. The digital artwork by Augusto Fabio Cerqua extends this material dimension into a visual language that resonates with the conceptual and aesthetic framework of the release.

Curated by AKHET.

Mastered by Heba Kadry (Track 1) and Guido Marziale (Tracks 2 to 26).
Design by Canedicoda.
Photography by Salvatore Pastore.
Artwork by Augusto Fabio Cerqua.

Cat. No. AKHT001
© AKHET Edizioni 2025

Talpah - BURNS A HOLE RIGHT THRU ME (feat. Deskulling)

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Puff

First track of new Kuthi Jin ep "Baco Sacro et Profano"

Baco Sacro Et Profano

Fungo Nero

CEM - FORMA
Cat. Nr: DN031
Format: Digital / Transparent LP
Release Date: 28 March, 2025
Buy / stream: dansenoire.ffm.to/cem

CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Mauro Ventura’s performative installation of the same name, shown fi rst at the Volksbühne in 2022; the work engaged notions of labor and repetition through a multiplicity of gestural and corporeal interventions. Featured prominently on FORMA are the sound of bells—doorbells, meditative bowls, farm cowbells, Shinto bells—a motif CEM distills repeatedly onto the record to presage and work through both the violent specter of order and discipline, as well as the reparative qualities of harmony and retreat.
Opening the album with poignant synths, granulated bell hits, and double bass string drones is “The Calling”, which summons listeners into a rattling and twisting soundscape that dichotomously channels alertness and serenity at once. “Bells Corrupt”, in turn, transforms the comforting chime of bells into an alarming and insistent pattern as it evolves in pitch and form, recalling the anxious fi lm grammar of Italian giallo legends Lucio Fulci and Dario Argento or Czech animator Jan Švankmajer. “An Industrial Satire” is conceived as an homage to experimentalist Limpe Fuchs, known for her Dadaist use of self-made, metallic instruments and strings. The second part of the piece takes a staggering turn with the addition of ghaita—a Northern Moroccan double reed horn with a series of holes—sampled from the Master Musicians of Joujouka’s collaborative 1971 album with Brian Jones and layered alongside CEM’s own percussion work. The horn elements—linked to the ancient fertility rites of Pan—here culminate in a melodic embodiment of panic and celebration. “Statue Garden” is a minimalist organ drone piece interlaced with fi eld recordings accumulated through the musician’s recent travels across East Asia. Its dexterous balance of stillness and depth provides a contemplative interlude amidst the album’s vigour. The album closes on a provocative note with “The Sincerity Test” that features Berlin-based Lithuanian performance artist Gertrūda Gilytė, whose wry spoken-word intervention mirrors the kind of grotesque, deluded ‘positive affirmations’ that abounds on social media, suggesting a relatedness between narcissistic online speak and the rise of reactionary politics.

CEM is no stranger to the ever-threatening past and present of fascism, having been raised in Vienna within a Turkish-Kurdish immigrant household. FORMA thus emerges as a militant sonic offering and, through its razor-sharp interweaving of atmosphere and texture, conjures a fractured, albeit elegiac, space of possibility wherein time is out of joint and the circular motion of history with a capital H is dizzyingly thrown into disarray. As our world rushes forward into the past, casting dissonant spells might turn out to be our last rempart.

Forma is a series of action painting performances founded and directed by Mauro Ventura with movement direction by the choreographer Kiani del Valle

Track 1 mastered by Raphael Valensi
Track 2-6 mastered by Rashad Becker
Artwork by Niels Wehrspann

buy / stream 

CEM - The New Sincerity Test (feat. Gertrude Gilyte)

North to south, then east to west. A permanent shadow will be killed by an instantaneous ray. It does not matter what coordinates you are in, because by following the inner light you will unconditionally find yourself. The phaton changes its pattern when the observer is watching.

Warp

Soundplate

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