nice to hear from you again my dude!!!!1!!!!

Your style is so abstract, nice to hear you again Timur) come back to Kyiv please 🔫

tutorial world

Holding the tension of opposites is a theme running throughout the work of Angelo Harmsworth, and the six pieces comprising Vent are certainly no exception. Inspired by the different and oftentimes clashing forces comprising our weather systems, the New Mexico-born but now Berlin-based musician and producer envisioned his “compositions as micro-ecologies,” wherein “powerful waves push off one another.” The patterns emerging from this captivating music represent some of Harmsworth’s most complex to date. Swells of foreboding frequencies and jarring maximalist textures may bear down on listeners, yet an undercurrent of bliss–so deeply submerged it borders on the subliminal–manages to infuse even the most tumultuous moments of Vent with a calming groundedness.


And also like the climate, especially in the age of the Anthropocene, this cassette unfolds in ways that are profoundly unpredictable. An artist known for his ability to span the divides separating underground noise, sound design, ambient and industrial, Harmsworth ensures that each successive piece makes a radical break from what preceded it. This quality becomes particularly apparent when contrasting sides. The nearly harsh-noise, distortion-charged moments punctuating Side A are nowhere to be found on Side B, which reveals moments of vast, spectral beauty that reflect his roots in the desert landscapes of the American Southwest.


Of course, this kind of sonic breadth only comes with experience, of which Harmsworth has plenty. Steadily recording and releasing experimental music since the early 2010s, he has worked with some of the sub-underground’s stand-out imprints, including Angoisse, Bathetic Records, Total Black, and Opal Tapes. Placed in the context of his impressive catalog, Vent can be seen as both a continuation of what came before and a bold new development.



Angelo Harmsworth is a musician & sound artist whose works tends to fluctuate between austerity and decadence. Currently based in Germany, he has been published by a network of experimental labels in addition to his own imprint, Lime Lodge.

releases July 26, 2022

Recorded by Angelo Harmsworth
Audio finalized by Glyn Maier
Artwork by Angelo Harmsworth
Design by RJM Vanderheyden
Text by Justin Farrar

VENT

ENXPL15- ANGELO HARMSWORTH - A1. AEROSOL

Heith - Dero
Label: PAN
Cat.No. PAN 119S2
Format: DL
Release Date: 06 September 2022
Purchase: https://PAN.lnk.to/Dero

Heith’s devout interest in the notion of reality started long before he recorded his latest album. The Italian musician, producer and artist probed the spiritual aspects of sound and its cosmogonic potential already in his previous works released on his own Haunter Records label.

Exploring the textures of consciousness through research into the ritual animism, he kept an omnivorous and universalist approach to cultural and sonic influence. This is central to X, wheel, Heith’s debut album and first release on PAN. It’s a deep dive into his creative and spiritual practice, one where art and life are inextricable.

Written and recorded across different studios in Milan, Rome and Florence between March 2019, and January 2020, eleven tracks cycle through a world of stylistic references—from psychedelia, psytrance and freak folk tostoner metal, noise and early electronic music—while remaining firmly a part of a singular vision.

Heith crafts a mesmerising and ritualistic subterranean soundscape, aresonant and eclectic collage of distinct sonic elements: from celestial percussion intertwined with jarring, mechanical oscillations to haunting vocals atop murky dubbed-out beats.

Produced and written by Heith
Mixed by Giovanni Ferliga and Daniele Guerrini
Mastered by Rashad Becker
Concept and video by DECLINO

X, wheel

Heith - Dero (PAN 119S2)

mortar

Vanessa Amara returns with a new full length for Posh Isolation. Fonetica Amara is an adventurous and uncompromising addition to the body of work that is Vanessa Amara. New music from a truly singular voice in Scandinavian experimental music.

“‘Poses’ was in some weird way a return to form for us, being our first structured work since ‘You’re Welcome Here’. It was also the first music Sebastián and I worked on together after I had moved to Ireland. I don’t think we really knew how to go about having a long distance relationship, separated from the practice we had built in Copenhagen.
I only had my computer to work with and without access to the internet I was stuck with sampling from my digital collection of music. ‘Poses’ is almost solely made using the DAW; Logics pitch shifter plug-in and a quite limited source of samples. But it was inspiring to work with music like this. Having a clear compositional focus on orchestrating and organising rather than squeezing out notes from today’s mood. So without thinking much about it we’ve continued to work like this. We were working on ‘Fonetica Amara’ from October 2020 - December 2021.

I’m sitting here writing this because Posh Isolation don’t know what to think of ‘Fonetica Amara’ and have - on a friendly note - compared it to when Darkthrone released ‘Panzerfaust’.

I guess their point being a departure from trying to be genuine about making music, successfully perceived as being bulletproof serious. I want to believe there’s more nuance to seriousness and I wonder if Darkthrone wasn’t being humorous in their earlier material. The most recent Matrix film moved me to shed some secret tears. Surprisingly so. I’ve wondered why.
I recently made my first friend after moving to Ireland almost 4 years ago. I was volunteering during the West Cork Chamber Music Festival and Kevin Terry, who’s a brilliant composer based in Cork City, was down here with a couple of compositions. One night at the pub I was going on about the beauty of humour in music for a good while and Kevin summed it up perfectly by calling it self-awareness. It was that playful self-awareness that got to me while watching The Matrix: Resurrection.

Since ‘You’re Welcome Here’ we’ve been deviating from a path we might previously have started out on. More than anything we try to change, because we can’t let go of that feeling of not understanding, not knowing, not recognising.
We wish to stay curious about our voice, to not become specific, avoid exercising some kind of “disciplinary correctness” and to “want more questions than answers” (Jack Halberstam’s: The Queer Art of Failure).”

-Birk Gjerlufsen Nielsen, 2022

Posh Isolation 271

Fonetica Amara

Pescado

Vanessa Amara - Pescado

we'll just do it again

east piano

https://undodespot.bandcamp.com/track/i-don-t-feel-my-heart

i don’t feel my heart

head tonight

for a while in 2015 i had to use a very old laptop and make all of the music on various hardware i had

background arpeggio loop, pads, fx: Oberheim OB-12
pads, brass, bass arp, fx, drums: microKORG XL
fx, percussion: KORG Kaossilator
fx: KORG monotron DUO

Song for Madeleine McCann (2015)

from "wub life / circle" w boo: 
https://bblisss.bandcamp.com/album/wub-life-circle

part 1 of ?

wub life / circle

circle

I am a Ukrainian and Russians are currently trying to kill me

"Sweat" out now

east piano

John Object

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