I've enjoyed that constant tension throughout the track

I like the sense of whispering here. Very nice!

Definitely a rich atmosphere. The overall scratchiness of Myth is ever-present, but so is the inherent depth and you've made it work very well!

great track, not much more to say. everything fits.

fantastic sound design, coherent composition, really great stuff all round

Great Buildup to a very cinematic Part! Could be very well a Movie Score!

One Synth Challenge #189: Myth 1.5 by Dawesome

Future Is A Myth (OSC 189 - Dawesome Myth)

This track made for the KVR One Synth Challenge using only sounds from the VSTi Myth. Also, only DAW and free 3rd party FX used.

DAW: Reaper
Track Details:
50 * Myth
50 * ReaEQ
4 * kHz Transient shaper
4 * Twin Delay
2 * Oril River
9 * LFX-1310 (autopan)
1 * Bass Professor Mark 2
4 * TAL Dub Delay
Master:
SlickEQ
MSED
Limiter No. 6
Meter:
SPAN
Youlean Loudness Meter
Stats:
LUFS-I: -13.1
DR: 6

The Mythics play Techno - OSC #189 - Myth

"The Myth of Time"

November 2024 submission for One Synth Challenge #189

Synth: 12 x Dawesome Myth 1.5
Effects: ALL effects are synth-only.

Mastering: None. No limiter, so please dial up the volume a few dB.

----
DAW: Reaper 7
Synth: 12 x Dawesome Myth 1.5
DAW effects: None
Additional effects: None
Master bus: None

-----
Some of the fun experiments in this track:
* All effects in-synth. No mastering effects. LUFS low to minimize clipping.
* The track features 3 different main time signatures with some effort into seamless transitions.
* Melody / arp lines time warped with non-linear time-warping homebrew scrips (sinus and exponential time mapping).
* Multi-instrumental 1/8 echo delay. I.e. the delays are using different Myth instruments.
* Tempo is linearly changing between 90 and 135 BPM during most of the track.
* Sound design. Just random knob turning to taste, LFO stuff and effects.
* All EQs and reverbs are in-synth.
* Most volume mixing with MIDI velocity. (not 100% though).

--- 

Theme song to the sci-fi summer flick "The Myth of Time (2031)"
Oscar winner 2032 for best original soundtrack.

In a sprawling, dystopian future where the rich control the flow of time, Alex Kane, a hardened "Time Hunter," is hired to track down and eliminate rogue time manipulators—individuals who illegally alter the timeline for personal gain. Time is no longer a fixed constant; it has become a commodity, and those who possess the power to control it live like gods. When Alex is tasked with finding Evelyn Roarke, a mysterious woman who has reportedly discovered a way to break the time loop that has enslaved humanity, he uncovers a dangerous secret.

Evelyn, once a brilliant scientist, has become a fugitive after stealing the prototype for a device that could allow anyone to escape the corporate-controlled timeline. But her discovery comes with a chilling revelation: the timeline is not what it seems, and humanity’s history has been deliberately warped to maintain a cycle of oppression. As Alex dives deeper into the underworld of time manipulation, he begins to question his own past, unraveling memories that don’t seem to belong to him and discovering that his every decision may have already been made.

Haunted by visions of alternate realities, Alex must decide whether to follow his mission and kill Evelyn, or join her in her quest to shatter the myth of time itself. In a city where past, present, and future blur into a nightmarish kaleidoscope, The Myth of Time explores the boundaries of free will, memory, and the ultimate cost of controlling time.

Organic Synthesized Chaos

The Myth of Time [OSC189]

My Entry: "Centuries". Made of OSC 189

Style: Electronic Soundtrack Circa. With Pop, Classical and Drone
elements.

~8 instances of MYTH VST3 in EXT64 beta (see screenshot at KVR thread).
~1 custom sample imported in MYTH for 2 drums sounds.
~free VST effects:  RSS EQ302, EfektorGQ36, LoudMax64.

What about this MYTH synth? Surely it sounds good, but of the many
'mangling' resynthesis features some I found too grainy or useless, sounding to me
like many alternative types of harmonic distortions. Therefore too
expensive as CPU load for the actual results, those could be replaced
with focused external plug-in effects, in studio use.
What I liked most of MYTH is the easy adding of envelopes and
synced LFOs to modulate the parameters, very good.

Centuries

Atmospheres from Tibet with an Ambient sounscapes and heavy percussion.
Created with Myth 1.5 synthesizer from Dawesome

Tibet OSC189

Comment if you like but don't feel like you need to. I'm not happy with this one somehow. Feel like it slipped away. Don't feel like I figured out Myth so much. It is almost all init(as usual) with plenty of my own samples, some physical modeling, etc). Really tried to utilize what was special about Myth. But think I would have done better just with presets this time. 

OSC 189 Myth made in Reaper 6.83.
30ish instances. 
ReaLimit, ReEQ (not ReaEQ), OTT, Supermassive Valhalla, Raum, OrilRiver, A1Triggergate, Kiloheartz Trancegate, A1StereoControl, LoudMax, Replika, TDR Kotelnikov
LUFS-S=7.9
LUFS-I=11.4

OSC189 Cautionary Tale (Myth)

My entry for OSC #189: Dawesome Myth

DAW: Reaper
26 Instances of Myth synth - all from init
All patches based on Iris
All samples recorded by myself over the years
All samples progressively mangled using low freq LFOs

Bass guitar riffs played by me
Bass riffs had drumtracks in background
  Created by me from drum samples I made from a friend's kit

Vocals: excerpts of spoken word poetry
  Performed by my friend Eleanor
  Written by my friend Matt Rice
  Recorded by me

Full list of instances:
1	Bass riff 1: Slow Tempo 
2	Bass riff 2: Mid Tempo
3	Bass riff 2: Mid Tempo Raw
4	Bass riff 3: Mid tempo
5	Bass riff 4: Swing Bass
6	Bass riff 5: Slow Metal
7	Choir based on a note sung by me
8	Guitar Chord
9	Kettle Whistle
10	Piano Low Note
11	Reverse Lead Guitar
12	Ceramic Tile 1
13	Ceramic Tile 2
14	Door thumped with fist
15	Leather Sofa hit with bat
16	Snare drum
17	Sofa Bed hit with bat
18	Steel plate
19	Steel Tray Reversed
20	Tub hit with thumb
21	Vocals : Bleeding out in cold reality
22	Vocals: How sure are we that this makes sense?
23	Vocals: The human mind can only take so much
24	Vocals: This is like fighting the need to breath
25	Vocals: Total info saturation
26	Campsite ambience

How Sure Are We That This Makes Sense?

OSC#189: Dawesome's Myth

#instances: 20
DAW: MuLab (www.mutools.com)
FX: Auburn Sounds Panagement 2, TDR SlickEQ, Deelay, Supermassive, A1StereoControl, Dynamic Expander, Overtone GEQ, Cramit, LoudMax

Lyrics:
The stars, lights made of sound in the waters above.
There is no space.
There is no space.
The stars, lights made of sound in the waters above.
Lights made of sound in the waters above.
All we know is sparkling up there.
All we know is sparkling up there.
There is no space.
All we know is sparkling up there.
There is no space.

Taron - Starlight Myth [Myth]

My Entry for the OSC #189 Myth.
One Synth, one instance, one track, one sample (transformed into two Irises and one Modal), one take.
Done in Bitwig, no further processing or plugins have been used...


Tj-Shredder Gayatri

All sounds created or processed through Dawesome's Myth synthesizer.

Using Ableton Live 12, built in effects, Valhalla Super Massive, TDR Nova, BX Masterdeck, and OTT.

Lyrics:

And your face like stone
So beautiful but always cold
Halo round your head
like butterflies they always lie

Tonight you won't go
To places they want you to go
You Shine like a star
They want to see you fall 

Soon your name will fade
Like chalk in rain but faces stay
And the times we had
Both good and bad grow sweet with age

Tonight you won't go
To places they want you to go
You Shine like a star
They want to see you fall 

Tonight you fall
a star will burn out before the dawn
Before this song is over
Tonight this song is over...

Tibet OSC189

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