From a review by Barry Brinson in Organ News
"a 20th Century gem which particularly appealed - Eccho Ring by John Wesley Barker - incidentally, the son of the present director of music at the Nelson Cathedral. J.W.B jnr, is domiciled in the UK and active as a composer and performer. Word of warning - make sure the bass boost on your stereo system is in the "off" position."

Stomin Norma 2

Eccho Ring

August 18 2015, 7:21 PM. Okavango Delta.

These reed frogs remind me of Xenakis' "Concret PH", an emotionally important work for me (and early example of granular synthesis). They are also "siren frogs" for me, as they always sound really close but end up luring you away from the safety of camp.

Recorded by Brian House (http://brianhouse.net, http://soundcloud.com/brianhouse) for the Okavango Wilderness Project. These sounds are in the public domain and may be downloaded and used for any purpose, but consider linking to our expedition website: http://intotheokavango.org

Equipment used: Sound Devices 702 digital recorder with Sennheiser 418 stereo shotgun microphone (M/S). Post-processing in Logic Audio (editing, normalization, EQ, limiter). Format: 96khz 24-bit WAV. 


Field Recording: Reed Frogs In The Delta

WILSON THE MAN

Personnel:
Wilson Leywantono - Vocal, Keyboard
James Alexandropoulos-McEwan - Electric Guitar
Robert Nettleship - Drums

It's Just a Dream (unexpected edition) - wilson the man

A stereo field recording made at night on 4 September 2016 in the Meroo National Park, near Burrill Lake, NSW. The recording captures some really interesting frog song.

If you can identify any of the frogs, I would love to know what kind they are.

Recorded by Tim Duck with a pair of Sennheiser MKH8050 microphones, and Sound Devices 788T recorder.

Frogs at Meroo National Park

We Came To Funk

Hairless Mexican

Having recently stretched and squashed our wildest electronic imaginations on the Sort\Lave album for Timesig, Richard Devine reshapes a world of synthesis that to our ears sounds like what we imagine his studio would sound like if it were melting. By far the most wildly outer-reaching submission in the Bleep Mix series, Richard Devine creates an incredible soundworld that once you are pulled into, is increasingly hard to shake loose.

For @richarddevine's latest album 'Sort/Lave' click here: https://link.bleep.com/Richard-Devine-Mix

Bleep Mix #49 - Richard Devine

A track about waiting for a call from God....

In Groove We Trust EP

Lawdy Lawdy

The controversial joys of wearing double denim

Double Denim

Covid Dawn Chorus 1

Got bored and made this :L
All of the sounds (except drums) are made from the one vocal heard at the beginning ("Take"). 


WUBSTEPZ demo

Born in Kings College Hospital in Dulwich, London. While very small, I played the piano. In 1961 moved to Tamworth in New South Wales, Australia. 1965 moved to Adelaide, South Australia. Joined church choir in Tamworth at my father's church and continued as chorister until my voice broke. Studied recorder at Primary School then violin. I wanted to play the oboe, but was advised my teeth weren't suitable. Took up the flute with David Cubbin at the Elder Conservatorium, Adelaide University and began to compose having some lessons with Richard Meale. In 1971 moved to Hampstead, London and attended the Central Tutorial School For Young Musicians (now called the Purcell School) and performed two compositions, 6 Pieces for chamber orchestra at the Queen Elizabeth Hall and Odyssey for chamber orchestra at St John's Smith Square and recorded by Dunedin Civic Orchestra conducted by Professor Peter Platt for New Zealand Broadcasting Corporation - recording available here.
    In London I had private composition lessons with Peter Maxwell Davies and flute lessons with Gareth Morris and Sebastian Bell. Moved to New Zealand and began busking and improvising on my flute see press clipping. In 1973 returned to London then Dartingon College. Unable to fund entry to York University, I had some lessons with Max Deutsch in Paris. Returning to London, after working as a messenger in advertising agency, began work as music engraver and copyist for publishers, Peters Edition and Boosey and Hawkes. Moved to York and co-ordinated York Music Co-operative and founded the St Paul's Square Community Festival with other residents and local community. Moved to London to begin work at the newly opened National Theatre and worked there as musician and researcher for 7 years with Dominic Muldowney and Harrison Birtwistle. Productions included Tamberlaine, Il Campiello, Don Juan and other as well as foyer performances with the Bugati Ensemble and others.
    Many other freelance projects and sessions in London including Lost Jockey, Heaven 17, ABC, Palais Shaumberg, John Foxx with 2 appearences on Top Of The Pops plus numerous other bands and ensembles in different genres. Played keyboards, saxophone, flute on commercial recordings and soundtracks. I joined Inter-Action Community Arts as Music Co-ordinator.
    Graduated with BA(Hons) from Middlesex Polytechnic and moved to Birmingham to do an MA. Performed as solo flautist doing first performances of works using extended flute techinques and electro-acoustics with BEAST In 1999, moved to Leith, Edinburgh to produce Out Of The Bag by Bag O' Cats for the Greentrax label and formed Infinite Trio with Rick Bamford, we played a two nights a week residency at The Shore Bar & Restaurant and two gigs on the Isle Of Arran at Brodick Castle as well as a lunch time gig in the Spiegeltent during the Edinburgh Festival. In 2004, moved back to Birmingham to do cover teaching for the instrumental service.
    
    Now I'm composing, lecturing, teaching and developing music projects and designing web sites and looking for new challenges on which to embark.
    

Eccho Ring

johnwesleybarker

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