hmmmnhmnhnh

DJ Manny - Signals In My Head (LP out 23rd July)
https://planetmu.bleepstores.com/release/223122-dj-manny-signals-in-my-head
https://djmanny1.bandcamp.com/album/signals-in-my-head

DJ Manny is both known and unknown. Despite being firmly embedded within the Footwork elite and being regarded by many as a DJ's DJ, Manny has yet to receive the kind of attention his peers have. His joyous new album for Planet Mu "Signals In My Head" is set to alter that for good.

Born in March 1990 in Chicago but raised in Robbins/Harvey, IL, Manuel Gaines first encountered Juke/Footwork before he was 10 years old while out with his brother at a party he was too young to be at. Dancing became a big thing for him, then throwing parties, then meeting Rashad and DJ Spinn when he was in middle school, then making his first recordings at his cousin Jonathan's house (R.I.P.) using FL Studios. His first release "Kush On Deck" came about in 2010 with DJ Rashad's help, when he was already a ten year veteran of the scene.

Here we are eleven years later and "Signals In My Head" marks a long worked for new chapter in DJ Manny's career. Now based in Brooklyn, New York, where he lives with partner SUCIA! Manny's sound has widened out and taken on a more romantic edge. He openly admits that his goal for the new album was "to do something that nobody (in Footwork) had ever done before which is an R&B love type of album but still keeping it footwork, juke, house, techno, with a few breaks. I just want people to know it's love out there." Tracks like "U Want It", "Never Was Ah Hoe" and the title cut "Signals In My Head" are strong standouts that show what DJ Manny means when he says 'R&B love.'

"Signals..." also brings in a drum & bass flavour, something you'll find on cuts like "Good Love" and on "Havin' Fun" made with DJ Phil. When asked about D&B Manny shouts out LTJ Bukem as a inspiration. Tracks like "Club GTA" and "That Thang" also call back to the classic Chicago house of the nineties while "Smoke 'n' Fade Away" and album closer "At First Site" both recall the golden era of Detroit techno. Meanwhile "Wants My Body", created with DJ Chap, and "All I Need" are classic Footwork workouts sure to ignite dancefloors.

Looking back at the selection, DJ Manny says he was "actually able to get the sound I wanted." His set up, a mixture of MPC, Abelton, Boss drum machine and synths like the Triton and Omni has served him well. Well aware that some in the past have thought of him as a sleeper - he notes "It's not a problem to be low key at all with your music, when you trying to better yourself and your sound." DJ Manny has succeeded in moving himself forward. "Signals In My Head" brings us back to the joy of Footwork as a dance, as a mid-west American movement and most importantly as a mental and spiritual boost.

Signals In My Head

DJ Manny - Signals In My Head

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, 8 October 2014) composed for Buchla modular synthesizer and vocals.

This version of Undular is a stereo mix from the original 8 channel one.

Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
Cassauna/Important Records
Release date:
8 October 2014

Vertical has been reissued in February 2016: 
importantrecords.com/imprec/sauna22
bandcamp cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro









Undular

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, October 2014) composed for Buchla Synthesizer and vocals.
Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
    Cassauna/Important Records
Release date:
    8 October 2014


Vertical has been reissued in February 2016:
importantrecords.com/imprec/sauna22
cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro









Traum_abc

From Caterina Barbieri's debut album Vertical (Important Records/Cassauna, October 2014) composed for Buchla Synthesizer and vocals.
Vertical is a meditation on primary waveforms and the polyrhythm of harmonics in synthetic sounds, stretching the boundaries between drone, minimalism and techno. Barbieri's minimalist focus arises from the exploration of the stratigraphic potential of voltage-controlled sequencers, in terms of polyrhythm and polyphony. Employing synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space.
All the tracks were played, recorded and produced in Stockholm, at EMS (Electroacoustic Music Studios) and KMH (Royal University of Music) in Summer 2013.

Released by:
    Cassauna/Important Records
Release date:
    8 October 2014


Vertical has been reissued in February 2016:
importantrecords.com/imprec/sauna22
cassauna.bandcamp.com/album/vertical

www.importantrecords.com
www.caterinabarbieri.com

--------------------------

Side A

Undular
Pneuma
Limen

Side B

Perspectiva
Traum_abc

Music composed and performed by Caterina Barbieri in Summer 2013
Recorded at EMS and KMH in Stockholm (SE)
Mixed in Bologna (IT)

Buchla Modular Synthesizer + vocals
Traum_abc vocals by Ellen Arkbro













Pneuma

A live set of selections from projects of the past 6 months performed using the Akai APC-40. 

Live On WTBU / Blood Cousins / February 17, 2015

More info: http://www.factmag.com/2015/03/23/astral-plane-riley-lake-spaces-debut-ep-stream-rizer

Riley Lake - Rizer

// - - - - - - !()! - - - - - - - //

Bedlam - Bumerang

Having already proven that he is capable of maintaining sonic quality and distinction over the course of a full original program, Chevel (a.k.a. Dario Tronchin) now makes his LP debut for Stroboscopic Artefacts. His other S.A. contributions (including the inaugural entry in the label's singular Monad series, the "One Month Off" EP, his participation to the label's five-year retrospective series) have already hinted that a more complete exposition of his unique inner world would surface, and here it is at last.
Over the course of his young career, Chevel has gained a mastery over several compositional elements: Polaroid-like slow melodic fades, sharp ricocheting beats, and simply making one's headphones feel like a viable means of physical transportation. All of these elements come into play shortly after the needle hits the grooves of ‘Comb’ a euphoric introductory track marked by a spectral panning sequence and by beats chopped with a culinary expert's sense of elegance. The drum kit sounds that feature throughout are used sparely but - either because of this or in spite of this - provide maximum impact upon the listener's nervous system. The almost 'far Eastern' use of 'block' percussion on ‘The Windrunner’ and ‘Low Roof’ perfectly complements the synthetic sheen produced by fuzz distortion, radio static and bandpass-filtered sound bites, taking us to a terrain where a palette of decay effects provides just as much aesthetic inspiration as the presence of technological advancement.
There is more than enough humor and playfulness at work here, too, helping to once again banish the persistent stereotype of the modern techno producer as a sterile technician: the queasy melody line, sliced-and-diced whistling and gelatinous bounce of ‘Loop #33’ evoke a child's wonderment at playtime more than they do the rarefied rigour of the laboratory. The less pulsating numbers like ‘Loop #42’ and the closing ‘A Form of Love’ will engage the listener as well, being like short audio films of abiogenesis (i.e. spontaneous generation of life from 'non-living' material) taking place. These tracks are not so much 'interludes' or contemplative retreats from the action as they are enhancers of it, utilizing fluttering cycles of melody to engage in a kind of conversation with the more driving tracks. As to the 'driving' tracks themselves: the places that they drive the listener to are satisfyingly beyond customary experience.
In other words, despite Chevel's keeping the sonic toolkit and overall atmosphere consistent from track to track, there is a rich variety in the emotional affectivity on display here. The net effect is like a dream state that leaves strong impressions even though one can't pinpoint exactly why they are doing so (and which leaves one wanting to dive back into the dream pool and experience something similar again.) This is a talent that unifies the diverse constellation of Stroboscopic Artefacts producers, and one that makes Chevel in particular one to continue watching, listening to, and experiencing.

Chevel 'Blurse' [SALP003 - SACD006]

Inhalants - Side Opener (Jahiliyya Fields + Patricia)

live stereo capture. Oct. 11, 2015.

from Arguments for Trivialism: shastacults.bandcamp.com

CMOS

Forthcoming Idle Hands, should be out around March 26th all things being well.

Candy Flip (Idle Hands)

Taken from DJ Nate - "Take Off Mode" Planet Mu April 2019)
https://planetmu.bleepstores.com/release/123722-dj-nate-take-off-mode
https://datrakgenious.bandcamp.com/album/take-off-mode
https://planet.mu/releases/take-off-mode/

In an unexpected turn of events Planet Mu welcomes back DJ Nate for a new album "Take Off Mode", a full nine years after his debut album "Da Trak Genious" was released on the label.

A quick update: DJ Nate is from the West Side of Chicago and was the label's first ever footwork signing back in 2010, when Myspace was still a place to contact artists. His strange, maximalist, trippy and sample-heavy sound was the acid test to introduce footwork to a wider audience, outside Chicago and certain aficianados, and it created the opportunity for Planet Mu to release the two "Bangs & Works" compilations and numerous albums and singles from the genre, introducing the world to such artists as DJ Rashad, Jlin and Traxman. 

In the decade since "Da Trak Genious" was released, DJ Nate has been a popular R&B and Hip Hop producer and performer with a strong local following. The highlight of this part of his career was "Gucci Goggles" which was an underground hit outside Chicago. His rise was slowed after he was paralysed from the neck down two years ago, an accident which he's recently recovered from. 

As well as his R&B, Nate has still been making the occasional footwork track, often putting videos out on youtube, and it's these tracks, uploaded between 2010 to now, which caught our ear. This selection of tracks feels like they're in direct continuity with his debut, perhaps not quite as chaotic as certain moments of "Da Trak Genious", but still with his trademark yearning vocal samples, cutting them into strange new pitched up and down musical motifs, his shout outs and rough beats intact.

Take Off Mode

DJ Nate - You Ain't Ready To Battle

One-Hundred-Twenty-Second HATE podcast with Airod.

Download enabled.

Tracklist:
-Unknown Artist
- Atze Ton - For The Crowd
- Thomas Schumacher - Embody
-DJ Dextro - MoMo
-N.O.B.A - X-Press
-DJ Murphy - Scream Art (T78 Remix)
-Dandi & Ugo - Techno Mood (Luix Spectrum Remix)
-Unknown Artist
-DJ Dextro - Lost Theory
-Kobosil - 40000L
-Unknown Artist
-The Zodiac - Industrial Party
-D.A.V.E The Drummer - Cut'n Paste (Thomas Rantanen Remix)
-David Temessi - Illegal Reality (Dave Simon Remix)
-Lars Klein & Michael Burkat - Some Things Done In The Name Of Discipline
-Unknown Artist
-Unknown Artist/Michael Gray - The weekend

Follow Airod here:
https://soundcloud.com/airodmusic
https://www.facebook.com/airodmusic
https://www.residentadvisor.net/dj/airod
https://www.instagram.com/airod_b/
https://airodmusic.bandcamp.com/

Follow HATE here: 
www.facebook.com/hatecollective/
www.instagram.com/hate_collective/

Bedlam - Bumerang

johnwinst

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