studio Tl.0

Jun Miyake & Arto Lindsay - Alviverde

"Sudamérica" versión de Rossana Taddei del tema de Paolo Conte incluido en Feliz (2009) álbum nominado a los premios Graffiti a la música en Uruguay en la categoría música popular y canción urbana.
grabado en la radio suiza italiana en el 2008 con Andrés Ibarburu, Eduardo Mauris, Gerardo Alonso y Gustavo Etchenique 

SUDAMERICA ( Paolo Conte)

Tindersticks - Dying Slowly

Balanescu Quartet is an avant-garde string quartet founded in 1987 by Alexander Balanescu that achieved fame through the release of several complex re-interpretations of songs by Kraftwerk and collaborations with Michael Nyman, David Byrne and Goldfrapp amongs others. 

A new compilation, “This Is The Balanescu Quartet”, is available on www.mutebank.com and all good physical and digital retailers.

https://www.facebook.com/BalanescuQuartet

Balanescu Quartet - East

Sublime & Jun Miyake — Je trace

06 - Jun Miyake - Le voyageur solitaire

Jon Brion - Creep (Radiohead) as Tom Waits

Molière

René Clemencic's "The Cold Song" (King Arthur) | Henry Purcell

Sublime & Jun Miyake - 07 - Chiquito

Paul Cantelon - Prologue Babushka

A remix I have done recently of an amazing tune composed by Jun Miyake with vocals by Lisa Papineau. All credit goes to the original artist, Jun Miyake. This is simply my own take on the original song.

The original can be listened to either on YouTube: http://www.youtube.com/watch?v=EECh0UVsGV8

Or can be purchased from iTunes: https://itunes.apple.com/us/album/here-after-feat.-lisa-papineau/id285168392?i=285168407&uo=4

Jun Miyake - The Here and After (feat. Lisa Papineau) [Mike Goodfellow Remix]

After appearing alongside Clint Mansell and Philip Glass on the soundtrack for Park Chan-Wook's recent psychological thriller Stoker, Emily Wells prepares to release her latest album and single.

Album ‘Mama’ (out June 3rd via Partisan) combines subtle hip-hop inflections and wide-ranging sounds with Emily’s distinctive feline vocals, creating a record that is simultaneously light & delicate with a bold punch of personality.

Contrasting with the heavy layering and electronics of the original, the European version of ‘Mama’ sees Wells re-imagining the entire record acoustically for a second disc and mirror version. These fresh renditions of an already unique record are stunningly austere, recorded solely with voice and guitar. Emily Wells has stripped off her own armour, leaving only her crystalline voice and equally unambiguous songwriting on display.

String-laden single ‘Passenger’ is released on April 29th. Its noir-ish tone is cinematic in its scope - a song that becomes a real focal point of Mama.

Watch the video for ‘Passenger’ here: http://www.youtube.com/watch?v=MXAaPvVaZDQ

From the start of her career, Wells’ musical interests were simply too wide ranging for just one instrument. Trained as a classical violinist, the Texan soon created her own sonic “spaceship,” an ever-growing pulsating arsenal of synthesizers, effects pedals and toy instruments, all tied together with live sampling and a genre-agnostic approach that is diverse, distinctive, and utterly her own. Honing her sound on a series of independent releases, including an acclaimed cover of The Notorious B.I.G.’s classic ‘Juicy’, it was these initial glimpses and the countless live dates both as bandleader and solo performer that carved out the musician she has become today.

The female singer-songwriter stable may be packed with unique voices and varying degrees of talent, but Emily Wells is an artist whose innate complexities lift her out of that particular stable and into a realm all of her own.


Emily Wells - Passenger (Kid Koala Remix)

7 Brothers (Oi Va Voi)

Covid-19, Vol. II

Don´t Swallow Bleach

Sublime & Jun Miyake - 07 - Chiquito

jokerexklusiv

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