A simple version of the song from Othello, composed with a view to being used in performance of the play.  The audio is software generated as a demo.

Audio file with score display available at:

https://musescore.com/user/2488/scores/6707489

The lyrics:

The poor soul sat sighing by a sycamore tree, 
Sing all a green willow, 
her hand on her bosom her head on her knee, 
sing willow, willow willow. 

The fresh streams ran by her and murmured her moans, 
sing willow, willow willow, 
her salt tears fell from her and softend the stones, 
sing willow, willow willow, 
sing all a green willow, must be my garland...

Let nobody blame him, his scorn I approve...
 
I called my love false love, but what said he then?
sing willow, willow willow, 
If I court more women, you'll couch with more men...
 
... willow, willow willow.

For more on my Shakespeare songs, please see also the set description at:

soundcloud.com/jon-corelis/sets/songs-from-shakespeare

Image:  Robert Anning Bell, 1899ː Othello and Desdemona
https://commons.wikimedia.org/wiki/File:Lamb-03.png

The Poor Soul Sat Sighing By A Sycamore Tree

An instrumental adaptation for Alto Flute, Cello, and Harp of a Breton folk song.

The audio file was generated with software as a demo.  

The melody is adapted from Breton Folk Songs by Frances M. Gostling and Liza Lehman (1909). 

Please note that while this composition is based on a traditional melody in the public domain, this
adaptation is an original creative work under copyright. For performance permission, please see:

sites.google.com/view/jon-corelis-permissions

Image: photo of Pointe du Raz in Brittany by S. Moeller
https://commons.wikimedia.org/wiki/File:Bretagne_Finistere_PointeduRaz15119.jpg

I Dreamt My Love Was Singing for Alto Flute, Cello, and Harp

Never Weather-Beaten Sail

Song for Soprano, Flute, Oboe, and Cello

This adaptation uses Campion's text unaltered; the music is adapted with substantial alteration from several public domain sources. The audio file was generated with software as a demo, using choral ahs for the vocal, even though the singer is supposed to be solo.

The lyrics:

Never weather-beaten sail more willing bent to shore ,
Never tired pilgrim's limbs affected slumber more;
Than my wearied sprite now longs to fly out of my troubled breast:
O come quickly, sweetest Lord, and take my soul to rest.

Ever blooming are the joys of heaven's high paradise,
Cold age deafs not there our ears, nor vapor dims our eyes.
Glory there the sun outshines, whose beams the blessèd only see:
O come quickly, glorious Lord , and raise my sprite to Thee.

-------------------

Please note that while this composition is based on a song in the public domain, this adaptation is an original creative work under copyright.

For performance or recording permission, please see my permissions page at https://sites.google.com/view/jon-corelis-permissions

Image: Anonymous. Lute player, 17thC. Possibly a portrait of Thomas Campion.  https://commons.wikimedia.org/wiki/File:Anonymous._Luteplayer,_17thC.webp

Never Weather Beaten Sail

Veni, Emanuel:  Instrumental for Alto Flute, Trombone, Viola, and Piano

An instrumental version of a very old Latin Advent hymn; adapted from a melody found in various public domain sources.  The audio file was generated with software as a demo.  Copyright 2025 by Jon Corelis. Audio file version of 22 November.

Please note that while this composition is based on a melody  in the public domain, my adaptation of it is an original creative work under copyright.

For performance or recording permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image:  Edward Burne-Jones An Angel Playing a Flageolet
https://commons.wikimedia.org/wiki/File:Edward_Burne-Jones_-_An_Angel_Playing_a_Flageolet.jpg

Veni, Emanuel

Three Impressions of Winter for Oboe, Cello and Piano:  Moon Over Frozen Lake - Blizzard - Solstice

Revised version of a piece I posted before with a different instrumentation.

Copyright 2024 by Jon Corelis

For performance or recording permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image: Snow:  Painting by Pekka Halonen
https://commons.wikimedia.org/wiki/File:Halonen,_Ensi_lumi.jpg

Three Impressions of Winter for Oboe, Cello and Piano

Interlude 1 For Solo B♭ Clarinet

An instrumental adaptation for Violin, B-flat Clarinet, and Cello, of a Russian folk melody.

The audio file was created with software as a demo.

Please note that while this composition is based on a traditional melody in the public domain, my adaptation is an original creative work under copyright.  For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image:  The Dying Soldier
https://commons.wikimedia.org/wiki/File:The_dying_soldier_LCCN2004669263.jpg


Soldier's Lament

These three melodies are adapted from traditional Irish tunes taken from 19th and early 20th century folklore sources. The first, The Song Of Oonagh, is described by folklorist Redfern Mason as an example of "fairy music", which he remarks "is music of a perilous fascination for mortals."  He refers to "its delicate aroma," and says that it has also about it "something dreamy and hallucinatory, as though the notes were of ivory or mother-of-pearl."  The second piece, Paisteen Fionn (The Fair-Haired Young Girl), is still well known; the third, usually called The Merry Old Woman, is less known today.  I may not be wholly justified on the basis of their attestations in calling these pieces dances, but whether or not they were ever actually dance tunes, they seem to me to have a dance-like character.

The audio file was created with software as a demo.  Copyright 2025 by Jon Corelis.  Audio file version of 25 March.

Please note that while this composition is based on traditional melodies in the public domain, this adaptation is an original creative work under copyright.

For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image: Young Girl Fixing Her Hair by Sophie Gengembre Anderson
https://commons.wikimedia.org/wiki/File:Anderson_Sophie_Young_Girl_Fixing_Her_Hair.jpg

Three Irish Dances for Flute, Violin, and Piano

The melodies are adapted from traditional Breton folk song melodies attested in 19th-century and early 20th-century books.  The audio file was created with software as a demo.

Image: The Seigneur of Nann and the Fairy from Legends and Romances of Brittany by 
    Lewis Spence (1917)

Four Breton songs for flute

Program note:  parts of this composition are adapted from a melody by Giovanni Battista Pergolesi (1710-1736).

The audio file was created with software as a demo.  Audio file version of 24 March 2025

Copyright 2025 by Jon Corelis. For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image:  Giovanni Battista Pergolesi by Vincenzo Roscioni
https://commons.wikimedia.org/wiki/File:Giovanni_Battista_Pergolesi_by_Vincenzo_Roscioni.jpg

Variations on a theme of Pergolesi for Flute, Viola, and Cello

Music traditional, adapted by Jon Corelis

Copyright 2025 by Jon Corelis. For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image from Peasant Songs of Great Russia by E.  Lineff, 1911

The audio file was created with software as a demo.  Audio version of 24 March 2025.

Roseberry and Raspberry for Flute, Viola, and Cello

Anatolia

The Summer Will Come
Based on an Irish folk melody, for Flute, Cello, and Harp
The audio file was created with MuseScore 4 as a demo.

Please note that while this composition is based on a traditional melody in the public domain, this adaptation of it is  an original creative work under copyright.

Source:  Adapted from Traditional folk-songs from Galway and Mayo collected and edited by 
Mrs. Costello, The Irish Folk Song Society (1919) 

For performance permission, please see:

sites.google.com/site/jcorelis/music-permissions

Image: A day in June in the woods near Lelling by Carl Frederik Aagaard

https://commons.wikimedia.org/wiki/File:Day_in_June-Carl_Frederik_Aagaard.jpg

The Summer Will Come

A suite for Flute, Clarinet, Violin, Cello, Piano, and Percussion of four traditional Irish airs: Gathering sound, I'm a poor stranger and far from my own, I will raise my sail black, and The girl who was poorly clad.  Gathering sound is well known and is considered a very old air which by legend was the music to which Brian Boru's troops mustered at the battle of Clontarf;  I'm a poor stranger and far from my own and I will raise my sail black are well attested in the older literature though seldom performed today;  The girl 
who was poorly clad, one of the most beautiful Irish airs, is very rarely attested and to the best of my knowledge has never been recorded or included in any composition but the present one.  Basic melodies for 
Gathering Sound adapted from The Song Lore of Ireland by  R. Mason, 1911; for I'm a poor stranger and far from my own from Old Irish Folk Music and Songs by P. Joyce, 1909; for I will raise my sail black from Songs of Erin by C. Stanford, 1901; and for The girl who was poorly clad from Journal of the Folk-Song Society, Volume 2, 1906.

Please note that while this composition is based on traditional melodies in the public domain, this adaptation of it is  an original creative work under copyright.  For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions
 
Image: Beggar (Fisher Girl) by Ilya Repin  
Image source: https://commons.wikimedia.org/wiki/File:Ilya_Repin_-_Fisher_girl.jpg

Four Irish Songs for Flute, Clarinet, Violin,  Cello, Harp, and Percussion

For Wind Quintet and Harpsichord

from an Irish folk melody

The melody is adapted from Irish minstrels and musicians by F. O'Neill 1913.  The audio file was created with software as a demo.

Version of 14 May 2025

Please note that while this composition is based on a traditional melody in the public domain, this adaptation is an original creative work under copyright.   

For performance permission, please see:   

https://sites.google.com/view/jon-corelis-permissions

Image: Raven (?) artist unknown 
Image licensing information:  https://commons.wikimedia.org/wiki/File:The_Raven_(1).jpg

The Black Bird

My choral arrangement for SATB of a traditional carol. 

Source:  supposedly dating from the 17th century in England and found in variants in many old books.  My adaptation is based on these public domain sources.  I've significantly adapted the lyrics to heighten their appeal to a contemporary audience.

This sound file was generated with software using synth choral ah voices.

Image: Edward Burne-Jones Star of Bethlehem

Image information and licensing goo.gl/HcEAv7

Please note that while this composition is based on a traditional song in the public domain, my arrangement of the music and adaptation of the lyrics are an original creative work under copyright. For performance permission, please see:

sites.google.com/site/jcorelis/music-permissions

You could also send me a message via SoundCloud.

Drive The Cold Winter Away

Words and music traditional, adapted by Jon Corelis

The lyrics:

All hail to the days that merit more praise than all the rest of the year,
And welcome the nights that double delights of friends that meet in good cheer.
Good fortune attend each neighbor and friend that do but the best that they may,
Forgetting all strife, rejoicing in life, to drive the cold winter away.

This time of the year is spent in good cheer, and neighbors together do meet
To sit by the fire with friendly desire each other in love for to greet;
Old ties are renewed, in holiday mood, and sorrows aside we all lay;
The old and the young do carol this song to drive the cold winter away.

When merry Yuletide comes in like a bride with ivy and green holly clad,
These days of the year much mirth and good cheer in every household is had;
With seasonal song our mirth we’ll prolong ‘til darkness has all turned to day;
The old and the young do carol this song to drive the cold winter away.

Drive The Cold Winter Away



In a meadow by the hill: Song for Mezzo-soprano

I haven't yet found a singer for this yet, and usually I don't post songs I don't have an actual singer for since I've never heard a vocal simulator which doesn't sound like a mannequin singing. But some people have said they like the lyrics to this one, so I thought I'd make an exception and post an audio file generated with software using choral ahs for the vocal (even though the vocal is supposed to be a single voice) so anyone interested can get an idea of what it sounds like. If I ever get it performed and recorded, I'll post that instead.

The instrumentation in this audio file is an example; if it is ever performed it can be sung with this arrangement, or any other instrumentation, or even solo.

Lyrics copyright 2025 by Jon Corelis. Image: Venus of Brassempouy c. 25,000 bce

Image information and licensing: en.wikipedia.org/wiki/File:Venus_…_Brassempouy.jpg

The lyrics:

In a meadow by the hill I saw my love lying there;
in a meadow by the hill, he was there;
in a meadow by the hill I saw my love lying there,
Curah crahnah rifi fahlah clee ah tah!

O my love, never leave me but remain, but remain;
O my love, never leave me, but remain:
for if you ever leave me I will never love again,
Curah crahnah rifi fahlah clee ah tah!

No, I will never leave you but remain, but remain;
while the meadow blooms in flowers, I'll remain:
while the deer is in the forest and the sun burns in the sky,
Curah crahnah rifi fahlah clee ah tah!

In the meadow by the hill he remains, he remains;
while the meadow blooms in flowers, he remains:
while the deer is in the forest and the sun burns in the sky,
Curah crahnah rifi fahlah clee ah tah!

Oh I am very pretty with my hair all in a braid,
with my hair all in a braid, hanging down:
oh I am very pretty with my hair all in a braid,
Curah crahnah rifi fahlah clee ah tah!


In a meadow by the hill

F. Flemming's musical setting for Horace's famous Latin ode was immensely popular from the early 19th to the early 20th century, though it seems rarely to be performed or recorded any more. My arrangement is adapted from the versions found in old books. This version is for full SATB chorus. There is a also simpler choral version here on SoundCloud.

Both the original Latin and English translations are very easy to find in books and on the internet, so I haven't added separately lyrics or a translation on this SoundCloud page.  The Latin lyrics are in the pdf score (see below.)

The sound file is software-generated choral ah voices.  There is a pdf score at:

goo.gl/RuRfMY

Image: Imaginary portrait of Horace by Anton von Werner. Image licensing information: commons.wikimedia.org/wiki/File:Quintus_Horatius_Flaccus.jpg


Please note that while this composition is based on a traditional song and lyrics in the public domain, my arrangement of is an original creative work under copyright. For performance permission, please see:
sites.google.com/site/jcorelis/music-permissions

Integer Vitae (full Version)

Vella de vos son amoros is a Renaissance Catalan love song preserved as an a
cappella scored vocal trio in a mid-16th century collection of songs published in
Venice but known as the Cancionero de Upsala, since the only surviving copy of the book
is at the University of Uppsala. The song is sometimes attributed to Mateo Flecha.
This instrumental arrangement for flute quartet is based on that original score. (I've posted other arrangements of this same piece also.)

There is some discussion of this piece at:

http://composersforum.ning.com/forum/topics/vella-de-vos-son-amoros-for-horn-oboe-and-bassoon

(Requires free logon account to post.)

Revised score posted 12 March 2018.

Score pdf available at:

https://musescore.com/user/2488/scores/3099016

(requires Facebook logon or free MuseScore account.)

Please note that while this composition is based on traditional songs in the public domain, my arrangement of them is an original creative work under copyright. You may feel free to share or link to it by the usual means. For performance permission, please see:

sites.google.com/site/jcorelis/music-permissions

The sound file is made with software using synth instruments as a demo to suggest what a performance would sound like.

Image:  Viola da braccio, Gaudenzio Ferrari circa 1535 Image licensing information: commons.wikimedia.org/wiki/File:Viola_da_braccio.jpg

Vella, de vos son amoros for flute quartet

New version for soprano and piano of a song I've also posted previously for soprano and harp. The sound file is made with software using synth piano and female choral ah voices (even though the vocal is meant to be solo) as a demo.

Revised sound file posted 13 August 2017

Score pdf available at: https://musescore.com/user/2488/scores/3599291

The melody is adapted from the traditional Scottish song The Dowie Dens o' Yarrow.

Please note that while this composition is based on traditional songs and poems in the public domain, my arrangement of them is an original creative work under copyright. You may feel free to share or link to it by the usual means. For performance permission, please see:
 
sites.google.com/site/jcorelis/music-permissions.

Image:  daguerreotype of Edgar Allan Poe 1848 from WIkimedia Commons.  Image  licensing information:  

http://commons.wikimedia.org/wiki/File:Edgar_Allan_Poe_2.jpg

The lyrics:

Gaily bedight,
A gallant knight,
In sunshine and in shadow,
Had journeyed long,
Singing a song,
In search of Eldorado.

But he grew old-
This knight so bold-
And o'er his heart a shadow
Fell as he found
No spot of ground
That looked like Eldorado.

And, as his strength
Failed him at length,
He met a pilgrim shadow-
"Shadow," said he,
"Where can it be-
This land of Eldorado?"

"Over the Mountains
Of the Moon,
Down the Valley of the Shadow,
Ride, boldly ride,"
The shade replied
"If you seek for Eldorado!"

Eldorado by Edgar Allan Poe

I've previously posted other arrangements of some or all of these songs.

--
Please note that while this composition is based on traditional songs and poems in the public domain, my arrangement of them is an original creative work under copyright. You may feel free to share or link to it by the usual means. For performance permission, please see:
sites.google.com/site/jcorelis/music-permissions

The sound file was generated with software using synth instruments as a demo.

Image: beach on Barra, Scotland
Licensing information: commons.wikimedia.org/wiki/File:2004_0806hebridies0048.JPG

Six Scottish Songs (for flute, trumpet, cello, tuba, and percussion)

My setting of Keats's poem for soprano and piano. This is a revised and corrected score of a piece I've posted previously in an arrangement for soprano and harp.

The sound file was generated with software using synth instrument and choral ah voices (even though the vocal is supposed to be solo) as a demo.

New revised file posted 11 August 2017.

Score with lyrics available at:

https://musescore.com/user/2488/scores/4255806

Please note that while this composition is based on a poem in the public domain, my musical setting of it is an original creative work under copyright. You may feel free to share or link to it by the usual means. For performance permission, please see:

sites.google.com/site/jcorelis/music-permissions

Image: La Belle Dame Sans Merci by W. J. Neatby    Image information: commons.wikimedia.org/wiki/File:W._J._Neatby_-_Keats_-_La_Belle_Dame_Sans_Merci.jpg

The lyrics:

O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.

O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.

I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.

I met a lady in the meads,
Full beautiful, a fairy’s child;
Her hair was long, her foot was light,
And her eyes were wild.

I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan

I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.

She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.

She took me to her Elfin grot,
And there she wept and sighed full sore,
And there I shut her wild, wild eyes
With kisses four.

And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.

I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Hath thee in thrall!’

I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.

And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.

La Belle Dame Sans Merci  by John Keats

My version of a traditional French song, for soprano, alto flute, cello, and percussion.  New version of 11 March 2019.

Score display at:

https://musescore.com/user/2488/scores/5086567

The sound file was generated with software. The voice part is synth choral ah voices even though the vocal is supposed to be a single singer.  If the piece ever gets performed, I will post a recording of it if one is available.

Please note that while this composition is based on a traditional song in the public domain, my adaptation of it is an original creative work under copyright. You may feel free to share or link to it by the usual means. For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image: Gather Ye Rosebuds While Ye May by John William Waterhouse
Image info and licensing:  https://commons.wikimedia.org/wiki/File:Waterhouse-gather_ye_rosebuds-1909.jpg

The lyrics:

Jeunne fillette, profitez du temps,
la violette se cueille au printemps,
La la la rirette, la ri lon lan la, La la la rirette, La ri lonlan la, 

Cette fleurette passe en peu de temps,
toute amourette passe également. 

Dans le bel âge prenez un ami; 
s'il est vola ge, rendez le lui. 

Jeune fillette, profitezdu temps, 
la violette se cueille au printemps, 
La la la rirette, la ri lon lan la, La la la rirette la ri lon lan la.

Jeune Fillette

For solo A Clarinet, based on a Serbian folk song.

I've posted other instrumentations of this same melody.

This version was composed for clarinetist Emily Mehigh for her YouTube recording project The Miniature Month of May.  The sound file was generated from her YouTube posting (https://youtu.be/Gap1oI-u72Q) and is posted here with her permission.

For more of my compositions featuring clarinet, please see:


https://soundcloud.com/jon-corelis/sets/clarinet-pieces


Please note that while this composition is based on a traditional song in the public domain, my arrangement of it is an original creative work under copyright. You may feel free to share or link to it by the usual means. Copyright 2021 by Jon Corelis.  For recording and performance permission, please see https://sites.google.com/view/jon-corelis-permissions 

Image: Dawn.
Image information and licensing: https://commons.wikimedia.org/wiki/File:Amanecerluzzyacentillo2.JPG

White Dawn for Solo A Clarinet

Adapted from a Serbian folk song.

The sound file was generated with software as a demo.

I've also posted this in other instrumentations.

Please note that while this composition is based on a traditional song in the public domain, my arrangement of it is an original creative work under copyright. You may feel free to share or link to it by the usual means. For performance permission, please see:

sites.google.com/site/jcorelis/music-permissions

Bright Sun for Solo Pan Flute

A recorded performance of this piece by flutist Beth Ratay is available at:

https://youtu.be/pkcrUFI7054

PROGRAM NOTE: Fairy music, wrote folklorist Redfern Mason in his The Song Lore of Ireland,  “is music of a perilous fascination for mortals." He refers to  “its delicate aroma, and says that it has also about it  “something dreamy and hallucinatory, as though the notes were of ivory or mother-of-pearl."  This composition attempts to capture something of those qualities by interweaving passages original with the composer with adaptations of airs considered in Irish folk traditions to be fairy music.  The first of these is adapted from a fiddle tune printed with the title  “The Fairy Reel" in the April  1904 issue of The Journal of the Irish Folk Song Society; the other two are variations on airs included in Mason's book with the titles  “Monday, Tuesday, Wednesday" and  “The Song of Oonagh. “

The sound file was created with software as a demo.

Score pdf available for sale at:

https://www.sheetmusicplus.com/title/21977434

Version of 15 February 2021

Please note that while this composition is partly based on traditional melodies in the public domain, this adaptation of them is an original creative work under copyright.

For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions

Image: Oberon, Titania and Puck with Fairies Dancing by William Blake
commons.wikimedia.org/wiki/File:Oberon,_Titania_and_Puck_with_Fairies_Dancing._William_Blake._c.1786.jpg

Three Fairy Songs for Solo Flute

Another version for alto flute was previously posted here.

The sound file was created with software as a demo.

There is also a live recorded performance at:

https://youtu.be/62xS1cs6ihw

Version of 17 July 2020.

Copyright 2021 by Jon Corelis.  For recording and performance permission, please see https://sites.google.com/view/jon-corelis-permissions 

For more of my compositions featuring clarinet, please see:

https://soundcloud.com/jon-corelis/sets/clarinet-pieces


Image:  Kos, Greece, from A Pictorial Tour in the Mediterranean by John Harrison Allan, 1843, colorized by Jon Corelis

The Empty Plateia for Solo B Clarinet

Adapted from a traditional Sephardic melody.
The sound file was created with software as a demo.

New sound file 1 February 2025

Please note that while this composition is based on a traditional melody in the public domain, my adaptation is an original creative work under copyright.  
For performance permission, please see:

https://sites.google.com/view/jon-corelis-permissions

The melody is adapted from a version found in Hebräisch-Orientalischer Melodienschatz by A. Z. Idelsohn, 1923.

Image: Andreas Lach - RosesImage information: https://commons.wikimedia.org/wiki/File:Andreas_Lach_-_Roses_II.jpg

La Rosa Inflorese for Solo Alto Flute

Jon Corelis was born in California and grew up in and around Chicago, where he earned a degree in Classical Languages and Literatures at the College of the University of Chicago. He later took a doctorate in Classics at Stanford, and taught Classics and Humanities at Stanford, the University of California, and the University of Minnesota. After a subsequent career as a software specialist in Silicon Valley, he now lives in Wisconsin. His poetry and other writings have been published in print and on web sites in eight countries, and he has given lectures and readings by invitation in America and Europe. 
He more recently has turned to composing songs and instrumental pieces.  His music has been featured on the web site The Flexible Persona, has been performed in concert by the Wisconsin ensemble a very small consortium, by the New York State flute quartet Party of Four, by the Opus Chorale of West Virginia, and at Denison University's TUTTI 2019 Festival, and has been recorded by flutist Robin Meiksins for her YouTube recording project 365 Days of Flute, and by clarinetist Emily Mehigh for her YouTube recording project The Miniature Month of May.

If you are interested in recording or publicly performing his compositions, please see his permissions page.

Popular tracks by Jon Corelis