Name: Machine IV by Jonas Ruchenhever
Duration: 5 min 22 s
Description: Free download on bandcamp: https://jonasruchenhever.bandcamp.com

like being sent into space out side the gravity of Earth, left to your self

wonderful drama, Jonas, tension is astounding! /HM

Just Dance OFF

[ES] Inspirado por sus memorias y el pasado de su residencia actual, enternet boy retrata un lugar con tesoros exo-téricos, sabiduría y habilidades ancestrales heredadas de la tierra maya así como algunas muestras de la aportación cultural de Medio Oriente en la Peninsula yucateca. El álbum nació durante la visita a un lugar específico de la moderna ciudad meridana de T'Hó.

«Plaza Internacional» (anteriormente el Hotel Itzá), que colinda con el Palacio de la Música (antes el Congreso del Estado de Yucatán) es el recuerdo fugaz en el interior de sus nostálgicos pasillos secretos y una revelación creativa entre la arquitectura abatida. «Plaza Internacional» es un punto de análisis, introspección y autodescubrimiento de enternet boy como un ciudadano actual de un antiguo reino maya, brindado luz sobre su origen, desarrollando lo auténtica espontáneaidad y llevándola a la práctica en este LP de 40 minutos.

En esta ocasión, los sonidos brillan por su originalidad como resultado de un estudio autodidacta de tres años en el diseño de sonido experimental. Algunas canciones fueron hechos en vivo durante el Festival de Pajama 3 (track 1, 2, 3, 4, 6 y 13 https://www.youtube.com/watch?v=s5E-awImOmQ) y el resto salió durante un trance meditativo aka momentos de claridad/improvisación. Mejor experiencia con audífonos.

[EN] Inspired by his memories & the past of his current residence, enternet boy portrays a place with exo-therical treasures, wisdom & ancestral abilities inherited from the Mayan land as well as some samples of the cultural contribution from Middle East in the Yucatan Peninsula. The album born during a visit to a specific place in Mérida, the modern city of T'Hó.

"Plaza Internacional" (formerly the Hotel Itzá), which adjoins the Palacio de la Música (formerly the Congress of the State of Yucatán) is the fleeting memory inside its nostalgic secret corridors & a creative revelation among the dejected & descontinued architecture. "Plaza Internacional" is a point of analysis, introspection and self-discovery of enternet boy as a current citizen of an ancient Mayan kingdom, binding light to his origin, developing authentic spontaneity & taking it to the practice in this 40-minute LP.

This time, the sounds shine for their originality as the result of a three-year self-taught study in experimental sound design. A few songs were made live during Festival de Pajama 3 (track 1, 2, 3, 4, 6 & 13 https://www.youtube.com/watch?v=s5E-awImOmQ) while the rest came out from a meditative trance aka moments of clarity/improvisation. Better experience with headphones.

Release oficial en Mayo 24, 2021.

El artwork fue fotografiado por mi, en el segundo piso de la Plaza Internacional. Más fotos del mismo dia aqui: www.instagram.com/p/Bsb4LMEF7LiVYAszQPdqpRn9x84SSgh4tfmGvM0/

Plaza Internacional

Beyond

Translates

Faeroes

Color 21 | January 24.2023

Ptaki Makowych Dolin

The Assignment: Use a building as a filter.

Step 1: You’re going to use a wall in a building, perhaps your workplace or residence, as a filter. Consider these instructions carefully before selecting the appropriate wall. Some trial and error may be required.

Step 2: You’re going to record a track in which the rhythmic element is heard through a wall. That is: you’ll record the rhythm track, and then play it loud from another room (or outside), and record what it sounds like as separated by a wall. Choose a wall.

Step 3: Record the rhythm, track.

Step 4: Re-record the rhythm track from Step 3 by playing it on one side of a wall and recording from the other side of that wall.

Step 5: Record a piece of music using the recording from Step 4 as the foundational rhythm track.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0583” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0583” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: Deadline: This project’s deadline is the end of the day Monday, March 6, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 2, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 583rd weekly Disquiet Junto project, Wall to Wall (The Assignment: The Assignment: Use a building as a filter), at: https://disquiet.com/0583/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0583-wall-to-wall/

You should talk to John - disquiet0583

Premonition

Super fun shared sample project with sounds by @Marcus_Fischer

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

Fireworks Disquiet0600

Free download on bandcamp: https://jonasruchenhever.bandcamp.com

Machine IV

Crimson Divinations

Hi there. I'm Jonas Ruchenhever. Between 2005 and 2013 I created audio collages, soundscapes, radio art, ambient, noise and drone music. Some of my work has been self-released, some has been published by labels such as Nostalgie de la boue, Pocket Fields, Industrial Culture, suRRism-Phonoethics, A.M.P.-RECS and Smeraldina-Rima. ~ After a very long hiatus, I'm sort of back, occasionally putting out stuff from the archives. ☺︎ ~ Thank you for listening. ♡ Much appreciated. — Peace

Machine IV

Jonas Ruchenhever

Recent comments

j-bot

Nadìr

glitchBuchannon

Robomusic classic

Related tracks