Jonathan Bree

GUESS

Minor Victories

Scattered Ashes

TROPICAL BY FERN. 
https://www.facebook.com/FERN-1673238422913178/?fref=ts



Tropical

“Memory” from ‘Preoccupations’ out September 16, 2016 on Jagjaguwar

Featuring Dan Boeckner

Pre-order ‘Preoccupations':
Jagjaguwar: smarturl.it/preoccupations 
iTunes: smarturl.it/preoccupations_it 
Amazon: smarturl.it/preoccupations_amz 
Support you local independent record store: smarturl.it/preoccupations_ind

Preoccupations - Memory

Taken from the album, Foxhole, out on January 20th through Slumberland (US) and Tough Love (R.O.W)

Pre-order Foxhole
ltd edition translucent blue (EU) - http://smarturl.it/FoxholeBlueVinyl
iTunes - http://smarturl.it/Foxhole.iTunes  

Live dates
4th Nov - New Values @ Stag's Head, London - tickets - http://smarturl.it/NewValues011

https://www.facebook.com/theproperornaments
https://www.facebook.com/ToughLoveRecordings
https://www.facebook.com/SlumberlandRecords

Foxhole (mp3)

Memories

iTunes pre-order: http://smarturl.it/cagetropical
Bandcamp pre-order: https://frankierose.bandcamp.com/album/cage-tropical

After spending years as a major presence in Brooklyn’s thriving music scene, Frankie Rose relocated to her familial home of Los Angeles for 18 months with the intention of establishing yet another moment in her storied indie rock métier. Gradually, she found herself short on sleep, funds and optimism. "I moved to LA, drama ensued and I ended up on a catering truck. I was like, how can this be my life after being a touring musician and living off of music. I had really lost my way and I thought I was totally done."

Through sleepless nights of listening to broadcaster Art Bell’s paranormal-themed archives, Frankie’s thoughts had turned to "who am I, I’m not cut out for this business, it’s not for me." She continues, "I was literally in my room in L.A., not knowing how I was going to get out. But out of it all, I just decided to keep making music, because it is what I love and what I do – regardless of the outcome."

Towards the end of her time spent in Los Angeles, Frankie reached out to Jorge Elbrecht (Tamaryn, Gang Gang Dance, Violens) and began sketching what became the basic outline of what felt like a new album. Then, rather fortuitously, Frankie ended up back in Brooklyn with the realization that "in the end, I’m on my own. I have to do these things on my own."

The months that ensued meant basically working with no budget and finding ways to record in-between days. This time enabled Frankie to experiment musically with a variety of people that ultimately changed the way she worked. "I got a lot of input from people like Dave Harrington (Darkside), who was helpful reconstructing the songs, adding dynamics and changing up the rhythms."

The result of this existential odyssey is Cage Tropical, Frankie’s 4th album. It is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. "My references aren’t just music," says Frankie, "I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there."

Beginning with the shimmery, cinematic and percussive sparkling of the album’s opening track "Love in Rockets," the song’s refrain of "a wheel, a wheel of wasting my life: a wheel, a wheel of wasting my time" immediately alludes to those darker circumstances that led to the creative origins of Cage Tropical."It’s all essentially based on what happened to me in Los Angeles and then a return to Brooklyn," says Frankie. "Misery turned into something good. The whole record to me is a redemption record and it is the most positive one I’ve made"

 "I feel like I am finally free from worrying about an outcome. I don’t care. I already lost everything. I already had the worst-case scenario. When that happens, you do become free. In the end, it’s about me rescuing myself via having this record."

Cage Tropical

Buy LP/CD

Frankie Rose - Trouble

Sleepwalking

Plucking Petals

Static

Coke

Fuck It

Roller Disco

From the album Warrior, available April 6, 2018 from Western Vinyl

Bandcamp: https://airwaves.bandcamp.com/album/warrior
iTunes: https://itunes.apple.com/us/album/warrior/1337353378?ls=1&app=itunes
WV: http://westernvinyl.com/shop/wv167

The album cover for Warrior, the third full-length by Brooklyn-based band Air Waves, features a ominous, androgynous figure standing with a bicycle, wearing a gas mask adorned with a daisy.  The remarkable image was taken on April 22nd, 1970 at the inaugural Earth Day celebration in New York City by Nicole Schneit’s dad, Martin Schneit.  Forty-seven years later, artist Em Rooney hand-painted Schneit’s original black & white photo, resulting in an image that radiates with Warrior’s indefatigable spirit, strength, and love.

Like many queer women, Nicole Schneit is a warrior by necessity, fighting for basic rights, dignity, and acceptance.  Such determination in the face of hardship and injustice runs in Schneit’s family; her new album was inspired in part by her mom who was diagnosed with fallopian cancer last year.  As she explains, “The doctor told her she had a fifteen to twenty percent chance, and her response was ‘I’m going to get this mother fucker.’ So the title ‘Warrior’ and the song are about her. After chemotherapy,  surgery, and then more chemotherapy, all the cancer in her body has left and she's currently in remission. I feel like most of the people in my life, including myself, are warriors and have overcome obstacles that seemed impossible to defeat.”

The dignified fighter archetype referenced in the album’s title is explored on each of Warrior’s eleven pieces of bittersweet, empowering indie pop.  According to Schneit the song “Gay Bets”, written after the 2016 election is “about being gay and being proud and open. I was thinking about hate crimes spiking and the current state of the world. My friend Jennifer Moore, who sings on the track, was my partner a long time ago, so I felt like I was writing a fuck you to Trump, for trying to take away queer rights, women's rights, people's rights.”  The song “Tangerine” was inspired by the film of the same name in which two trans women try to make ends meet as prostitutes. This movie, a dark docu-comedy shot in the contrastingly sunny setting of L.A., reflects Schneit’s battle between identity and society via Brooklyn pop rock that swings between the pastel-tinged and the downright melancholic.

On the album’s gorgeous closer “Blue Fire,” (inspired by the Adrienne Rich poem "The Will to Change") Schneit equates her post-presidential-election anxiety to a flame that grows and recedes, as she pleads for herself and listeners to remain calm. Like its namesake, the track burns slowly and brightly into one of the most glowing points on the record, leaving the listener smiling with thoughtful hope.  Warrior’s highlights, and all of the unmissable, satisfying pieces that tie them together show Schneit’s perseverance and resilience through crumbling relationships, personal adversity, and the current political climate, all leading to her most powerful collection of songs to date. Understated, subtly sophisticated, and equally empowering and comforting, Warrior launches Air Waves above the apolitical complacency of too many of the group's contemporaries.  Schneit proudly declares her mission statement: “I want these songs to be heard by people in my queer community, but also by anyone that wants to feels strong, powerful, and included.”

Warrior

Air Waves - "Warrior" ft. Kevin Morby

Sol Seppy - Slo Fuzz

Waiting On The Moment

Cover Your Eyes

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Genre: #Metal, #Rock, #Punk, Heavy Metal, Power Metal, Death Metal, Viking Metal, Folk Metal, Punk Rock, #Alternative, #Metalcore, #Deutschrock, #Rockabilly, #Horrorpunk, #Synthpop, #Celtic, #Folk, #Oldies, #Soundtracks, #Tributes und #Cover Songs!
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Coke

Jonathan Bree

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