Jonathan_Bree

VANIISH - "Kaleidoscoped"

Destruction Unit "Feed The Dogs"

Murder

Time Will Tell

Limited edition double flexi disc release... 50 copies on gold/silver clear, 250 on red/green flexis.

Engineered, mixed and mastered by Daniel Husayn at Sound Savers Studio, London, 2015

Recorded all analogue, direct to reel-to-reel tape... just the way it should be!

*The Band*
Alex Aspin
Anthony Dunn
Calum Malton

Guest bass and percussion by James Porch & Baldomero Verdú of Fumaça Preta

© 2015 The Rhubarb Triangle 

BUY HERE! 
https://therhubarbtriangle.bandcamp.com/album/67-guilford-street-i-feel-alright-shes-a-demon

67 Guilford Street (I Feel Alright)

Overture

Chainsaw Man The Movie: Reze Arc was SO GOOD and the soundtrack was amazing. I got to see it with @bmo_dreams a while ago and we were both so enamored with the soundtrack. At some point I got the itch to sample it.

Teach Me Everything (Chainsaw Man)

Off the forthcoming album Venus On Edge, Daps Records 2016
hoodedfangepk.wordpress.com
https://hoodedfang.bandcamp.com/album/venus-on-edge
www.dapsrecords.com



Tunnel Vision

Written, Recorded, Produced by Joe Astle


https://boaconstrictors.bandcamp.com/

Mastered by: Jonathan Bree

Recorded from Winter 2012 to Summer 2016

Your Life Passes By

You're So Cool

Say You Love Me Too (feat. Clara Viñals)

Preoccupations - “Disarray" from 'New Material', out March 23, 2018 on Jagjaguwar. 

Stream / download: https://preoccupations.lnk.to/newmaterial

Preoccupations - Disarray

The Underground Youth ninth album, Montage Images of Lust & Fear is undoubtedly their most sincere work in an extensive, decade-long discography with which they’ve picked up a cult following across the globe – made evident in their millions of YouTube streams and relentless international touring.  


This is The Underground Youth’s most intense and honest record yet - in the ambitious songwriting and live recording (a first for the band), as well as the lyrical subject matter. Craig Dyer explains “Montage Images of Lust & Fear is inspired by the succession of experiences we are increasingly dealt by the media. Sex, violence, love, suspicion, desire, distress, etc. The album acts as a montage itself, the subject of each song dealing with an aspect of either lust or fear. Like flicking through the channels on a television. Until in the end you are overcome by white noise. Static.”

Montage Images Of Lust & Fear

Buy Vinyl / CD

The Underground Youth - Last Exit To Nowhere

'Good Sense' is taken from Hash Redactor's debut album entitled 'Drecksound', out April 26th through Upset The Rhythm and Goner Records.

A quick glance at the résumés of Hash Redactor’s members might seed certain expectations.  The band is fronted by guitarist Alec McIntyre of Ex-Cult, with NOTS rhythm warriors Meredith Lones on bass and Charlotte Watson on drums, and rounded off by George Williford on second guitar.  But their debut full-length dives into territory that feels distinctly untethered from their lineage and era.  Drecksound is a clattering, shambolic oasis in the sleek digital desert of the late twenty-teens.  
 
Perhaps both because and in spite of the alienation that typifies the glut of rock music at the end of this god-damned decade, these twelve songs deliver a pointed social criticism, more cathartic than suffocating, while championing a nihilism that greets the abyss by laughing mockingly in its face. The chorus to the incendiary Step 2: Success is sneered, not sung, “It’s a long con job and you just got it wrong / banned from the world.” Or take Open Invite’s opening missive, “I won’t settle for anything less than a four-star refugee camp.” McIntyre’s lyrics present a puckish fascination with humankind’s rake-stepping self destruction.  He’s a merry prankster, but more in the mold of a jackbooted Monty Python character than a Ken Kesey acid casualty. Case in point: A-side epic In The Tank, where a vindictive custodian boils alive the wealthy patrons at the sensory-deprivation tank facility where he works.
 
McIntyre and Williford’s guitar interplay on Drecksound draws from some weird rundown of usual and unusual suspects in the tight corner of avant-punk guitar work, recalling some free-association that includes: Marquee Moon, John Fahey gone electric, the playing on Ornette Coleman’s mid-70s Body Meta and Dancing In Your Head, prime-era Flesheaters, and (why not) the first two Meat Puppets albums. Without anything resembling traditional leads, guitars snake in, out and around Lones’s bass lines, which alternate between slinky earworm hooks and steel cable raw power.  All of this is locked in by Watson’s characteristically visceral swing.  It doesn’t feel controversial to claim that the duo of Watson and Lones constitutes one of the best rhythm sections to be heard anywhere in contemporary punk music.
 
Having played out heavy in 2018 with a refined live show, a four-song demo, and several Gonerfest appearances under their belt, HR cut the record at home on a borrowed 8-track cassette machine. The deranged raw tracks were mixed into final form by Matt Qualls at Young Avenue Sound, and mastered by Jason Ward at Chicago Mastering. Hash Redactor will be touring the States in summer and with plans for Europe later in 2019. Drecksound is out April 26 on Upset the Rhythm in UK/EU and the rest of the world on Goner.

Available to pre-order here: upsettherhythm.bigcartel.com/

Murder

Jonathan Bree

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