Machine Feeder

Bed of NeuRoses

A (very) Conservative P(i)e(a)ce

Made for dance work 'Silent Volumes' as part of Ausdance WA's 'Future Landings' project in Kalgoorlie. Choreography: Pare Randall
Voices were all community participants in the project

Tree Bodies

~ made for dance work 'Silent Volumes', part of Ausdance WA's 'Future Landings' project in Kalgoorlie. Choreography: Pare Randall.
This piece was designed to work as an ambient piece to enliven the Foyer as the audience entered the auditorium after 'welcome to country'.

Angel Foyer

~ was made for 'Silent Volumes', part of Ausdance WA's 'Future Landings' project. Choreography: Pare Randall.

Silent Volumes

~ was made for the dance work of the same name as part of the Kaleidoscope festival, Joondalup. Choreography: Chrissie Parrott

Pallas

Made in 2012. Originally written for a Julie Pryor multi-channel video installation that has yet to eventuate, this piece now forms part of a suite of pieces titled 'Is There Anybody There'. (See also 'Incident' and 'Vanishing').

Is There Anybody There

Incident Prelude

IncidentPrelude

Made in 2012. Originally written for a Julie Pryor multi-channel video installation that has yet to eventuate, this piece now forms part of a suite of pieces titled 'Is There Anybody There'. (See also 'Incident Prelude' and 'Vanishing')

Incident

Made in 2012. Originally written for a Julie Pryor multi-channel video installation that has yet to eventuate, this piece now forms part of a suite of pieces titled 'Is There Anybody There'. (See also 'Incident Prelude' and 'Incident')

Vanishing

Baroqoda was Commissioned for the Western Australian Academy of Performing Arts' 25th anniversary in 2005. This is the final movement of the work based on transformations of several pieces by the 18th C French composer Rameau. The whole 30 minute work was devised as a dance piece and performed with choreography by Chrissie Parrott. The work combines traditional acoustic instruments (Flute, Oboe, Violin, 'Cello & Harpsichord) with a pre-recorded electroacoustic score.

Baroqoda

Baroqoda Variations Finale

Originally composed for choir and alto solo, this version for mezzo takes the accompaniment from "White Dew", a re-composition of the same piece with different words. Text for Life Drawing 2 is by Jonathan Mustard.
"All, all the marks
for our body I sing.
Draw every word for looking through
And, and hold on my ear
these endless shades 
of meaning."
Soprano: Tamsyn Stock-Stafford
Recorded 2004

Jonathan Mustard

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