Name: Ryhtmiques-Rituels from Territoires de l'âme by music4bridges
Duration: 6 min 20 s
Description: Introduction theme from Jonathan Pontier's Territoires de l'âme.

Introduction theme from Jonathan Pontier's Territoires de l'âme.

Ryhtmiques-Rituels from Territoires de l'âme

Une brève histoire de l’histoire de l’humanité
Musique Jonathan Pontier
Chorégraphie 2014 Véronique Campion

D’un big-bang explosion première, au point de non-retour explosion dernière,
Notre Histoire conte en sons et en corps plusieurs des cycles de l’évolution de l’espèce humaine animale.
Le cri primal, les premiers temps, la construction de l’espèce et de la civilisation,
de la pierre au fer, de la lenteur à l’accélération du réel…jusqu’à la chute.

© 2014, tous droits réservés.

06 Eveil 4 (Notre Histoire, ballet music)

07 Evolution 1 (Notre Histoire, ballet music)

(Notre Histoire, ballet music)

Une brève histoire de l’histoire de l’humanité
Musique Jonathan Pontier
Chorégraphie 2014 Véronique Campion

D’un big-bang explosion première, au point de non-retour explosion dernière,
Notre Histoire conte en sons et en corps plusieurs des cycles de l’évolution de l’espèce humaine animale.
Le cri primal, les premiers temps, la construction de l’espèce et de la civilisation,
de la pierre au fer, de la lenteur à l’accélération du réel…jusqu’à la chute.

© 2014, tous droits réservés.

08 Evolution 2

12 (Sur)Activité 1

16 Léthargie 1

Le Tombeau de Pasolini, Vol II - Premiere 
Cᴏsɪ̀ sғᴏɢʟɪᴀɪ ᴜɴᴀ ᴠᴀɴᴀ ʀᴏsᴀ

Performed and premiered by Nemø ensemble & Kevin Hendrickx  
at de Koer, may 11th, 2025, Ghent, Belgium 

On the occasion of the 50th anniversary of Pasolini's death 1975/2025 
{ end of Pasolini cycle }

• Vol II (duration 31’ )  
Cᴏsɪ̀ sғᴏɢʟɪᴀɪ ᴜɴᴀ ᴠᴀɴᴀ ʀᴏsᴀ 
" 𝐶𝑜𝑠𝑖̀ 𝑠𝑓𝑜𝑔𝑙𝑖𝑎𝑖 𝑢𝑛𝑎 𝑣𝑎𝑛𝑎 𝑟𝑜𝑠𝑎, 𝑙𝑎 𝑟𝑜𝑠𝑎 𝑝𝑟𝑖𝑣𝑎𝑡𝑎 𝑑𝑒𝑙 𝑡𝑒𝑟𝑟𝑜𝑟𝑒 𝑒 𝑑𝑒𝑙𝑙𝑎 𝑠𝑒𝑠𝑠𝑢𝑎𝑙𝑖𝑡𝑎̀, 
𝑝𝑟𝑜𝑝𝑟𝑖𝑜 𝑛𝑒𝑔𝑙𝑖 𝑎𝑛𝑛𝑖 𝑖𝑛 𝑐𝑢𝑖 𝑚𝑖 𝑠𝑖 𝑟𝑖𝑐ℎ𝑖𝑒𝑑𝑒𝑣𝑎 𝑑'𝑒𝑠𝑠𝑒𝑟𝑒 𝑖𝑙 𝑝𝑎𝑟𝑡𝑖𝑔𝑖𝑎𝑛𝑜 
𝑐ℎ𝑒 𝑛𝑜𝑛 𝑐𝑜𝑛𝑓𝑒𝑠𝑠𝑎 𝑛𝑒̀ 𝑝𝑖𝑎𝑛𝑔𝑒 "

 (7 musicians & electronics)
Nemø ensemble :

Bass flute - Francisco Rojas Huertas
Bass clarinet - Freya Bovijn
Violin - Hugo Ranilla de Castro
Viola - Esther Coorevits
Violoncello - Eugénie Defraigne
Electric guitar - Pieter-Jan Vercammen
E-keyboard(s) - Bert De Rycke
Percussions - Wim Pelgrims (only Vol III)

Electronics  - Christophe Guiraud 
Direction - Kevin Hendrickx

___________________

Le Tombeau de P.P.Pasolini was composed 
between 2014 and 2023. 
Le Tombeau de P.P.Pasolini was composed 
in three pieces for ensemble and electronics, 
three independent volumes. 

This cycle was initiated in 2014 with the 
commission of the first Vol (Vol I) by 
Brussels based Ictus ensemble, for a show 
focusing on the Ars subtilior. 

On a late afternoon in March (2022), 
accompanied by loved ones, we went to Ostia, 
to the place of the tragic end, the one 
that says everything, without saying anything, 
at the place where today stands a 
kind of stele/tombeau in memory of the 
immense visionary poet.  

As a result, Vol II and III were composed between 
September 2022 and March 2023, and premiered 
on May 2025.
These two volumes were written for an identical 
formation to the first one : 7 or 8 musicians 
and electronics. 
___________________

* Painting and detail paintings by ©Iris Terdjiman.
* The photos that appear were taken during the concert on May 11, 2025. 
And were made by © de Koer / Joseph Khoury.

___________________

With support from stad Gent/cultuur Gent!

___________________

Produced by © Nemø ensemble.
Recorded, mixed, & mastered by Christophe Guiraud for © UNEARTH Laboratory. 

___________________

TOMBEAU de PASOLINI Vol II - PREMIERE - Nemø ensemble & Kevin Hendrickx (May 2025)

Le Tombeau de Pasolini, Vol III - Premiere 
IO SO I NOMI [end of Pasolini cycle]

Performed and premiered by Nemø ensemble & Kevin Hendrickx  
at de Koer, may 11th, 2025, Ghent, Belgium 

On the occasion of the 50th anniversary of Pasolini's death 1975/2025 
{ end of Pasolini cycle }

• Vol III (duration 31’ )  
IO SO I NOMI [end of Pasolini cycle]
".. 𝑑𝑒𝑙 𝑐𝑟𝑜𝑙𝑙𝑜 - 𝑑𝑎 𝑐𝑢𝑖 𝑠𝑜𝑙𝑡𝑎𝑛𝑡𝑜 𝑒𝑠𝑠𝑎, 𝑙'𝑖𝑚𝑚𝑒𝑛𝑠𝑎 𝑐𝑜𝑛𝑐ℎ𝑖𝑔𝑙𝑖𝑎, 
𝑠𝑖𝑎 𝑟𝑖𝑚𝑎𝑠𝑡𝑎 𝑎 𝑠𝑝𝑎𝑙𝑎𝑛𝑐𝑎𝑟𝑠𝑖 𝑐𝑜𝑛𝑡𝑟𝑜 𝑖𝑙 𝑐𝑖𝑒𝑙𝑜 "

 (8 musicians & electronics)
Nemø ensemble :

Bass flute - Francisco Rojas Huertas
Bass clarinet - Freya Bovijn
Violin - Hugo Ranilla de Castro
Viola - Esther Coorevits
Violoncello - Eugénie Defraigne
Electric guitar - Pieter-Jan Vercammen
E-keyboard(s) - Bert De Rycke
Percussions - Wim Pelgrims (only Vol III)

Electronics  - Christophe Guiraud 
Direction - Kevin Hendrickx

___________________

Le Tombeau de P.P.Pasolini was composed 
between 2014 and 2023. 
Le Tombeau de P.P.Pasolini was composed 
in three pieces for ensemble and electronics, 
three independent volumes. 

This cycle was initiated in 2014 with the 
commission of the first Vol (Vol I) by 
Brussels based Ictus ensemble, for a show 
focusing on the Ars subtilior. 

On a late afternoon in March (2022), 
accompanied by loved ones, we went to Ostia, 
to the place of the tragic end, the one 
that says everything, without saying anything, 
at the place where today stands a 
kind of stele/tombeau in memory of the 
immense visionary poet.  

As a result, Vol II and III were composed between 
September 2022 and March 2023, and premiered 
on May 2025.
These two volumes were written for an identical 
formation to the first one : 7 or 8 musicians 
and electronics. 
___________________

* Painting and detail paintings by ©Iris Terdjiman.
* The photos that appear were taken during the concert on May 11, 2025. 
And were made by © de Koer / Joseph Khoury.

___________________

With support from stad Gent/cultuur Gent!

___________________

Produced by © Nemø ensemble.
Recorded, mixed, & mastered by Christophe Guiraud for © UNEARTH Laboratory. 

___________________

TOMBEAU de PASOLINI Vol III - PREMIERE - Nemø ensemble & Kevin Hendrickx (May 2025)

Based on Ensemble La Grive rehearsal material (2012) 
Dedicated to Carla

Le semeur in Uzès [for Carla]

le monde d’avant était ouvert aux quatre vents 
puis une nuit tout s’est tu
les rues se sont vidées
le monde s’est aplati

on a barricadé l’humanité
elle y a consenti
s’est prémunie
de tout ce qui nous liait

on a décidé que ce serait mieux comme ça
on se faisait coucou par la fenêtre en plastique
on entendrait nos voix verrait nos faces 
grâce à l’algorithme

mais il faudrait rebâtir les ponts
les quatre ponts cardinaux
avec les mots avec les sons
refaire du beau

il faudrait refaire ça
toutes les connections
pixeliser les notes
ré enchanter le flux

relier l’est au sud
le nord à l’ouest
toutes amplitudes dehors
toutes musiques du cru

par quatre ponts
par le pont harmonie

et les trois autres dont j’ai oublié le nom

enfin

des musiques par les sons
des musiques pour les ponts

des musiques par les sons
des musiques pour les ponts

Ryhtmiques-Rituels from Territoires de l'âme

music4bridges

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