This is from Freefall, a game I wrote music for as part of 2014's Gameboy Jam. I limited myself to using only 4 channels at a time; 2 rectangle waves, 1 triangle, and 1 noise channel. There might be some points of accidental cheating and some of the dynamics and pitch and whatnot are probably more intricate than what the Gameboy could do, but you know how it goes.

This theme plays in the second level. There are two version, one when the player first arrives at the level, and the second plays after a certain event is triggered...

Freefall - Windless Island

This is from Freefall, a game I wrote music for as part of 2014's Gameboy Jam. I limited myself to using only 4 channels at a time; 2 rectangle waves, 1 triangle, and 1 noise channel. There might be some points of accidental cheating and some of the dynamics and pitch and whatnot are probably more intricate than what the Gameboy could do, but you know how it goes.

This plays on the main menu!

Freefall - Main Theme

This is from Freefall, a game I wrote music for as part of 2014's Gameboy Jam. I limited myself to using only 4 channels at a time; 2 rectangle waves, 1 triangle, and 1 noise channel. There might be some points of accidental cheating and some of the dynamics and pitch and whatnot are probably more intricate than what the Gameboy could do, but you know how it goes.

This is the theme of the first level, the homeworld.

Freefall - Home Island

This is one of the first tracks I've written for a video game currently in development called 'Project Era', being designed developed by Ethan Clark with Benjamin Dehler. Composers Jack Mackenzie and Andy Scott are also making music for it, and it's been sounding incredible so far. You should be hearing more about the game later this year!

This particular track is one of the battle themes. I can't give away much now, but I can tell you the soundtrack will be quite stylistically diverse; this is just one of many styles you'll hear. Can't wait to show you more. ;)

Project Era - Future Melee

In Spring 2014, Matt Birmingham of the Equus Sax Quartet approached me about writing a piece for the ensemble, and I jumped at the opportunity without hesitation. I sought to write something that would play to the players’ specific strengths & abilities and of the unique timbral qualities & techniques of the saxophone. A special thanks is owed to Soren, Matt, David H., and David D., who played through many drafts and helped guide the direction of the piece.

An oratorio has historically been essentially a (usually) unstaged opera on a religious narrative. While this work certainly doesn’t contain any vocalists or specific biblical story, with the music and the titles I hoped to evoke feelings of sacredness and spiritual contemplation that one might experience with a traditional oratorio. The first movement depicts the internal workings of the mind during meditation, especially that of an inexperienced meditator; resistant, distracted, and trying, but still working to come to terms with the idea of stillness. The second movement depicts a spastic outburst of the body and mind, as pent-up aggression and negativity boil over and explode outwards before finally dying down into the third movement, a series of solemn, inquisitive recitatives and chorales, perhaps sermons or eulogies. The final movement is a freeform folk dance, having come to terms with (or at least accepted the lack of an answer to) the questions posed by the previous movements. I heartily encourage any more or less specific or alternative imagery that your ears might impose while you listen.

Oratorio for sax quartet - III. Chant (performed by Equus Sax Quartet)

Oratorio for sax quartet - I. Meditation — II. Paroxysm (performed by Equus Sax Quartet)

This is a little compilation of the music and sounds I made for Mr. In-the-Moment (http://globalgamejam.org/2015/games/mr-moment) from the Global Game Jam 2015. Enjoy!

Mr. In-the-Moment (Sounds and Music)

This is a compilation of music and sound from the Bacon Game Jam 9 game Submersive Intent. You can play it here: https://bacongamejam.org/jams/bacongamejam-09/390/

This compilation includes one "layer" of the music that didn't make it into the final game; it was originally planned to have creatures from some kind of underwater civilization, and the music was going to reflect this when they attacked.

Submersive Intent

An arrangement of Nobuo Uematsu's classic track from Final Fantasy VII for the upcoming Materia cover compilation, which will feature a ton of musicians from around the world.

I tried to re-interpret the track with my own personal aesthetic while keeping the spirit of the original. I'm pretty happy with the result! I was excited to perform most of it without using samples and virtual instruments; most of what you hear are real, live instruments!

Everything here was arranged/performed/mixed/mastered by me except clarinet, which was performed by Elie Hartman. Original track by Nobuo Uematsu (for comparison: https://www.youtube.com/watch?v=nswfLcROs-0). © 1997 Squaresoft. All Rights Reserved.

Mako Reactor (Final Fantasy VII arrangement)

Some music I wrote for a demo of a game back in 2014. I definitely feel I've moved on a bit as a composer, but I can still dig it!

The track starts out with the "underground" version (half-time drumbeat, more reverb, other changes); the second half moves into the original 'above-ground' version.

Out Of Time - Stage 1

Out Of Time - Stage 2

Out Of Time - Stage 3

Zithertown

A track from the unreleased game Caasi's Odyssey

Dungeon - Caasi's Odyssey

8-bit-esque arrangement for a demake project of Uncharted by Skeletrumpet games. http://www.indiedb.com/company/skeletrumpet-games

Original music written by Greg Edmonson. Arranged and programmed by Jon Bash.

London Underground (from Uncharted 3)

If Drake's Theme was boss battle music! 8-bit-esque arrangement for a demake project of Uncharted by Skeletrumpet games. http://www.indiedb.com/company/skeletrumpet-games

Original music written by Greg Edmonson. Arranged and programmed by Jon Bash.

Jon Bash

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