yeah, really taking me to the depths. Thank you, my appreciation here: https://soundcloud.com/n-l5/4007-remplacer-un-soir-des-vacances

Early support: 
Alex Niggemann, Fur Coat, The Drifter, Matthias Meyer, Thugfucker,  Frankey & Sandrino, Baikal, Bedouin, Balcazar & Sordo, and Luca Bacchetti

Cat # NDL012

Vinyl 13.06.2015
http://www.decks.de/t/the_box-sketches_of_pain/c5a-y4

A1 Luca Bacchetti Endless Remix
A2 Sketches Of Pain (Original Version)
B1 Jon Charnis Remix
B2 Eduardo De La Calle City Island Remix

Digital 22.06.2015

01. Sketches Of Pain (Original Version)
02. Luca Bacchetti Endless Remix
03. Jon Charnis Remix
04. Eduardo De La Calle City Island Remix

Ahmad Elsawy Vocals, Oud 
Andrea Guzzoletti Trumpet, Duduk 
Stefano Onorati Keyboards
Walter Paoli Electronics Drums

A1 Remix and additional production by Luca Bacchetti at Give Peave a Chance Studio, Barcelona
A2 Written by Andrea Guzzoletti, Stefano Onorati and Walter Paoli. Arranged and produced by Stefano Onorati and Andrea Guzzoletti. Recorded at E8R Studio, Barga, Italy. Mixed by Stefano Onorati
B1 Remix and additional production by Jon Charnis
B2 Remixed programmed and ensembled by Eduardo De La Calle at Embezzlement Sounds Studios.

Mastered by Bo Kondren at Calyx, Berlin | Publishing Even Eights Records

endless-worldwide.com | licensing music@endless-worldwide.com NDL012 | Artwork zerouno.org

Creativity involves breaking out of established patterns in order to look at things in a different way.

The Box is a project born of three prodigious musicians desire to explore new sounds and fresh approaches. Stefano Onorati, Walter Paoli and Andrea Guzzoletti, each highly acclaimed and vastly experienced musicians in their own right combine in perfect harmony to create this forward thinking collaboration. For this formidable collective, the creative process far outweighs the final result. For them, the central concept is always focused on how to play and express oneself instead of what to play; how they get there and not where they go. This outlook results in continuous improvisation with variations of form, colour and tone. A melting pot in which to mix the accumulated experience of three people engaged in perpetual and unrestrained dialogue, The Box always favours non-method over method. The only limitation being the absence of limits because when one doesn’t adhere to a form, any form is possible and when one doesn’t have a style, any style is possible.

"Sketches Of Pain" is a meet-up of two cultures which have been at war with each other for thousands of years. Music unites where the world of Men divides! Here the magical voice of Egyptian singer Ahmad Elsawy can weave its spell. Intelligent electronica, ethnic and acoustic instruments, all join together once more to blend two worlds into one universal language.

3 remixes. @LucaBacchetti continues his series of Endless Remixes preferring a mostly dub feel with a version that retains some of the original elements, creating that tension culminating in what is the “suspended” sonic idyll that lately has characterized his breakdowns, by now a trademark of his. @JonCharnis, who we already know for his work on Innervisions and All Day I Dream, has taken it in another direction to put together a true masterpiece, the tone here becoming more "trippy" with a pure afterhours atmosphere. The ever present and increasingly detailed groove add to that magic touch that has made Charnis one of the most interesting techno artists on the American scene. Last but not least one of our favourite techno artists, @EduardoDeLaCalle, surprises us with an interpretation that distances itself completely from the original, moving it into that enigmatic, mysterious and unregulated territory that is definitely his very own unmistakable way of living and feeling techno music. An EP that we expect will come-out from indoor clubs to find its best expression in exotic locations, deserts, beaches, dimensions that are part of that imaginary world that we call: ENDLESS.





The Box - Sketches Of Pain (Jon Charnis Remix) [Endless]

After years of producing music under various guises, Jon Charnis found his true calling in the slower, darker, and deeper spheres of House music. The re-invention manifested beyond music as the former DC native relocated to the city of Los Angeles while launching his new moniker (his actual birth name). From then on it didn't take long for him to make an impression. His track 'Prophecy' was spotted by Innervisions boss Dixon, who signed the track to his prestigious Berlin based label after road testing it at some of the world's premier parties. He followed this up with an official remix of Art Department and Damian Lazarus' Burning Man anthem, ‘Robot Heart’ on No.19 records. The streak continued with releases on more top labels including All Day I Dream, Supernature, Connaisseur, and Endless.  
Jon Charnis's music receives regular support by renowned DJs such as Dixon, Lee Burridge, Tale of Us, Hernan Cattaneo, and John Digweed to name a few. As a DJ, Jon Charnis' international profile rose just as quickly. With gigs at Space, Ibiza and Sonar, Barcelona under his belt, his first year saw Jon playing across the globe at other hotspots in Berlin, Munich, London, and Amsterdam. Jon is a regular fixture at Burning Man, where routinely helms the Robot Heart bus, as well as party hotspots such as Cityfox, Zero, SXM Festival, and Modernity. As the world returns to normality, 2022 sees a fresh start for Jon Charnis with a fresh new forthcoming EP on All Day I Dream as well as joining their roster at ADID showcases. The journey continues..
As a DJ, Jon Charnis' international profile has risen just as quickly. With gigs at Space, Ibiza and Sonar, Barcelona already under his belt, 2013 saw Jon playing across the globe at other hotspots in Berlin, Munich, London, and Amsterdam. This will be a year to watch for the fast rising DJ and Producer .

Jon Charnis has received support by world renowned DJs such as Art Department, Dixon, Tale of Us,  DJ Tennis, Audiofly, Thugfucker, Steve Lawler, Audiofly, and Anja Shneider, to name a few.

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