This piece is an electro-acoustic composition that was inspired by an experience traveling around Indochina peninsula. The electronic sounds express cultural differences and similar customs affect each others in histories. The main parameter of this piece is a evolution of 'duration'. The Gung-pyun of a Dong-hae-an-byul-shin-gut Janggu (Korean Traditional Instrument) has a long envelope for its shape relatively to other Janggu. The various sounds from this instrument suggests attractive musical ideas and potentials beside of traditional percussive sounds. 

Durante mi viaje

Kora (16ch)

	This work takes inspiration from my experiences of traveling Dharamsala in India. 'Kora' is a ritual circuit that circumambulates the small mountain which is located around Namgyal Monastery (a Tibetan Buddhist Temple associated with Dalai Lama). Within the piece, I chose  Tibetan singing bowl, bells and kandjira, etc. as Tibetan material in order to express filling of Kora. The meaning of Kora, which I try to express musically through the sound's movement by 16ch surround speakers, is circumambulation. The piece is dedicated to Tibetan refugees in India.

Kora(2ch)

"Weeping" which is two meaning in one word of Korean language made up piece. The man cried, she cried,baby cried, the bell rings, the doorbell rings, a toad cried ····. The introduction of a sobbing sound of the men overall very sad as the song is said to start. The idea of two lead-Jan Favreau's "History of Tears" that I felt when I saw the recalls. crying and there, crying, sad, cry without hesitation seemed to impress people is the case. Rhythmic effects such as distortion sad, telling, and suddenly after gunshots ringing the new 'ringing' sound, one appears and they are deployed. Such as ringing, metallic sound as the variation for natural images of temples in the mountains is imagined. The middle part of the song so far, gotten past the rhythmic sound of the ringing effects and the three-dimensional space unfolds. Bell deformed baby's cries and sounds, the sound of a baby playing toy toad hunt is like some progress in harmony with each other. Acoustic layer thickening and thinning since the peak reached in a layer of sound to finish before they built the sound gives gotten.

'Weeper' for tape

Dialogue means opposite of the Monologue. Deagum performance and the sound is being played as they occur in real-time control of the conversation, the sound of the piece is in progress. The sound is played in real-time deformation recorded by the MIDI pedals using a variety of granular synthesis texture gets the sound. This created a four-speaker sound from the directions you've set a pattern or a non-uniform pattern to vary the flow of sound

'Dialogue' for Daegum & live electronics

One of the important parameters in electro-acoustic music is to restrict the movement of sound. Synthesis was created, but fed up with the classic sound that is not to deploy their pieces. Prominent speakers to the audience mono channel speaker diffusion, but makes two spatial.

Monologue

This work takes inspiration from my experiences of traveling Dharamsala in India. 'Kora' is a ritual circuit that circumambulates the small mountain which is located around Namgyal Monastery (a Tibetan Buddhist Temple associated with Dalai Lama). Within the piece, I chose  Tibetan singing bowl, bells and kandjira, etc. as Tibetan material in order to express filling of Kora. The meaning of Kora, which I try to express musically through the sound's movement by 16ch surround speakers, is circumambulation. The piece is dedicated to Tibetan refugees in India.

Jongchan