image : Stéphane Audran dans Betty (1992) film de Claude Chabrol

clip

What The Fuck

Pour cette édition de Hyperaction, Yves et Raphaël épaulés de Mayotte enquête sur la célèbre plateforme musicale au nuage orange. Pour ce faire iels vont à la rencontre de musicien·nes de cette scène si particulière de la chanson soundcloud : La copine de Flipper, Gajeb et Clara (de Campagne), et Bettina / Thérèse Synthèse. En vrac, on y parle de noms, de tags, du rapport entre vraie vie et plateforme en ligne, de ce que l'algorithme fait à l'émotion de la musique, de la frontière entre la plateforme de streaming et le réseau social. Et bien sûr, on y découvrira la musique de nos invité·es, et leurs pépites à eux du nuage de son.

Auzi : https://soundcloud.com/lacopinedeflipper
Gajeb : https://soundcloud.com/gajeb
Clara : https://soundcloud.com/claralmc
Campagne : https://soundcloud.com/campagnezic
Bettina : https://soundcloud.com/theresesynthese

Hyperaction #10 - Soundcloud Speed

musique et chant : Musique Chienne
paroles : Antoine Carbonne

Les cerisiers 
Les japonais
Les reflets

Au printemps
Ca fleurit abondamment
J'ai un amant

Les reflets dans l'eau 
Des pétales qui coulent
Le sable est chaud

Les cerisiers 
Les japonais
Les reflets

Au printemps
Ca fleurit abondamment
J'ai un amant

Je sens l'odeur de la soupe
De la vapeur, de la bouffe
Et je cours

Pour t'apporter une lettre
Pour t'apporter une lettre

(sous un arbre japonais )




Regarder le Clip

Arbre Japonais

GAUNTLETT CHENG SS19: RUNWAY MIX

09. Pause

TAR076

Returning for his second release on Los Angeles based imprint TAR, BEAN presents the PSYCHO EP, a five-track package of pointillist textures, animated synths and frenetic instrumentals due November 9th.

Recorded over two weeks locked away in his apartment, PSYCHO is a turbulent fever dream of contrasting moods and agitated rhythms. Elements of ambient and trance are moulded into abstract sketches with heavy processing, bouncing off each other to form a new aesthetic of their own, whilst references to grime and industrial provide an undercurrent of grit.

PSYCHO runs hastily through a sea of emotions and settings, reflecting a cathartic burst of energy with a multigenre take on contemporary electronic music.

Artwork was photographed by the Berlin artist Natalia Gonzalez and then edited by the artist Rinatto L-bank.

@benu-vent
Mastered by: @slugabed

More from TAR at:
www.wearetar.com
twitter.com/wearetar
facebook.com/wearetar
http://wearetar.bandcamp.com/

Psycho

Buy/Stream

BEAN - "Anger"

feat. Batu, Morgan Buckley, Kuljit Bhamra 

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Clouds Strum (PAN 106)

Le bouquet garni est un assortiment de plantes aromatiques, destiné à imprégner plats et sauces, dans de nombreuses recettes de cuisine.
Voilà un assortiment destiné à imprégner vos oreilles.
https://soundcloud.com/gajeb

Gajeb ~ 02/05/2020

Joro

feat. Jerry Quickley
twitter.com/jerryquickley

A collaboration that began in October 2019, with a single vocal take recorded by Jerry Quickley, separated in different sections, in which he whispers/repeats "the fires keep coming", spits out rhymes about "sailing flames on paperboats", and in a final bit, acts out a report of "waves of fire" ravaging Los Angeles, engulfing him in his last interrupted line.

Initially planned for a cursed, upcoming experimental-rap/poetry album by Joni Void that includes many other featurings, the instrumental reflects Jerry's vocal intensity and fire imagery with a fury of samples such as the video-game series Doom that is directly referenced, the drumming of Hamid Drake, voices & noises from selected New Japan releases...

With the September 2020 fire outbreaks in California, resulting in many images of California shrouded in doomy Orange skies & surrounded by fiery landscapes, both artists agreed that it would make sense to release their collaborative effort prematurely, having eerily predicted that exact imagery a year prior.

Mastered by Simon Lancelot
www.simonlancelotmastering.com

Download

Doom mooD (with Jerry Quickley)

One shot ableton pulsion before going to a clandestine rave to troll around and dance


Struggle is real but snuggles is feels (good Luck to Ur ears🤍)

████████████████
formally known as johnny_ripper

editor
outsider
self-taught
shapeshifter

a paradox
in negative space
living non-linear
since 199X

expire-mental / diy-ing
www.everydayago.cloud

"everyday is the song" • 
on https://soundcloud.com/constellation-records
https://cstrecords.com/products/cst173-joni-void-everyday-is-the-song
████████████████

Doom mooD (with Jerry Quickley)

joni void

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