I'd give this 1,000,000,000,000 likes if I could.

<em>The One I Wanted To Be</em> available digitally now + on limited edition cassette with exclusive cover card set on August 26, 2014.

<a href="http://fatherdaughterrecords.bigcartel.com/product/sharpless-the-one-i-wanted-to-be">PRE-ORDER</a>

TOUR DATES
06 AUG @ John Ryle House - Haledon, NJ
07 AUG @ The Pallas Theater - Pittsburgh, PA
08 AUG @ The Back Door - Bloomington, IN
09 AUG @ Bric-a-brac Records - Chicago, IL
10 AUG @ elijah's - Detroit, MI
11 AUG @ Mosh Eisley - Cleveland, OH
13 AUG @ Writer's Block - New Paltz, NY
15 AUG @ The Studio at Webster Hall - New York, NY
21 AUG @ Shea Stadium - Brooklyn, NY

<a href="http://sharplessmusic.com/">Sharpless</a> began in a bedroom on a 20th birthday, in an attempt to express repressed thoughts and feelings. Frustrated by the lo-fi conventional sounds of bedroom pop, Sharpless utilizes the bedroom studio to create dense pop arrangements that weave between experimental and Top 40. They contrast these deafening hooks and celebratory genre bending rhythms, with personal lyrics that expand the mythos of the band itself. Sharpless released their debut, self-titled album in the beginning of 2011, and immediately began work on their recently released follow up album, <em>The One I Wanted To Be</em> featuring guest appearances from Small Wonder, Told Slant, Bellows, Eskimeaux, and many more members of The Epoch, a Brooklyn-based DIY collective. Lyrically, the album is a sprawling and personal narrative about past lives, parallel universes, and the search for home. 

Sharpless - Gemini

Mars One

Disparition - Eliezer's Waltz

sfhk (mental breakdown)

At the heart of this music lies the steel pan — an instrument born in Republic of Trinidad and Tobago in the early 20th century.

During the colonial era, African drumming was banned under British rule, out of fear that rhythms could unify enslaved and marginalized communities. Yet, music could not be silenced.

People turned to bamboo sticks, metal containers, and eventually oil drums, transforming restrictions into invention.
From this resilience emerged the steel pan, the first acoustic instrument created in the 20th century.

The word Creole itself speaks of mixture and convergence: in Republic of Trinidad and Tobago it refers to Creole languages shaped by African, European, and Indigenous influences, and more broadly it names cultures formed where worlds collide.

Reflecting this spirit, Creole weaves the luminous timbre of the steel pan with tribal rhythmic currents, embodying hybridity, memory, and the unbroken force of music.


all instruments, program, artwork
produce and mastered by Setsuya KUROTAKI

releases September 9, 2025

All tracks are copyright protected. All rights reserved.
℗ / © 2025 MNTN rec. under exclusive license to NOiR Inc.

bandcamp

Creole

8 laser nails

The London Book Of The Dead

I Loved London

My first ever remix c: I hope you guys like it.

Snow In Summer (Lofi Remix)

https://soundcloud.com/anax-1/flickers
original

Flickers (No Percussion)

GuiltTrip

source: https://www.youtube.com/watch?v=4TFJD1RZQeY

https://louiezong.bandcamp.com/album/all-we-got

Louie Zong

all we got (a song made of sea shanty samples)

████████████████
formally known as johnny_ripper

editor
outsider
self-taught
shapeshifter

a paradox
in negative space
living non-linear
since 199X

expire-mental / diy-ing
www.everydayago.cloud

"everyday is the song" • 
on https://soundcloud.com/constellation-records
https://cstrecords.com/products/cst173-joni-void-everyday-is-the-song
████████████████

sfhk (mental breakdown)

joni void

Recent comments

DulceQannabbos

Eths14

zack james

Thai Font Issue

Related tracks