If You Wanna - JAlliance of DMAD SM11 

Credits:
Composed and Arranged by Jonathan (@jonjonyeet) 
Mixing by Jonathan & Jing En (@jonjonyeet & @yxzutea) 
Lyrics by Jalene (@RUIVITALISE) 

MIDI - Jonathan (@jonjonyeet) 
Main Vocals - Jalene (@RUIVITALISE) 
Backup Vocals - Jalene (@RUIVITALISE) & Jovianne

Recorded in Jonathan's and Jalene's Bedrooms

Equipment Used:
- Logitech Yeti Nano USB microphone
- Logic Pro
- Garageband
- Keylab 61
- JBL Headphones

Lyrics:
Ba da baa ba da baa

Baa baa ba da baa

Ba da baa ba da baaa ba da

Verse
You left me on your porch at 3am 
Texted me drunk and saying you want me back
With years gone by and no remorse in your eyes
You think I'm the problem though you always lie

Pre Chorus 
Show you how leaving me was the best thing that you did
Your non-existence in my life has let me live in bliss

Chorus
If you wanna you can leave me behind, I don’t need youuu insida my life
You want me yet you broke my heart time after time
If you wanna you can go back to your friends and tell them how much of a loser that I am 
The truth is that you'll never find that version of me again

If You Wanna (demo)

Arranged and Composed by: Jonathan
Lyrics by: Clarabel, Julie, Jalene and Jonathan
Vocals: Julie and Jalene
Backing Vocals: Julie
Ukulele: Jonathan
Mixing: Jonathan
Verse 1
Late nights, feeling empty
Though my eyes are feeling heavy
Hop on discord
Let’s play a game
Just you and me

Verse 2
Put our beds together,
We’ll pretend that it’s whatever
It’s our little get together
I love playing with you, my player 2

Prechorus
Dreamy, hopeful,
Wishing that this never ends, but
High strung, nervous
Never thought that you’d hurt me on purpose

Chorus
I hate losing but
for you, i’m doing things I’d never do
It’s all for you
I never thought it through

Through the late night calls
I wanted something more
But it’s rather strange
You’ll never change
It’s all a game to you

Game To You

by Slumberdads (Rifqy, Amrit, Nigel and Kentaro)
In tribute to T2044’s “Milo Tower Say Gex"

Music written by Kentaro Yeoh and Nigel Evangelista
Chorus melody slightly interpolated from Beck's "Loser"
Lyrics by Amritpal Singh and Rifqy Hady

Drums: Nigel Evangelista
Bass, Classical guitar, Electric Guitars, and Keyboard (in the “jazz” part): Kentaro Yeoh
Vocals, Guitars and Synth: Rifqy Hady
Vocals and Guitars: Amritpal Singh

All members also contributed gang vocals

Produced, mixed and mastered by Rifqy Hady

Drums recorded at Studio B
Everything else at Rifqy’s Crib “Studios”

Special thanks to Akmal and Adheem of Bobo Group ™
Inspired by Red Hot Chilli Peppers, Sonic Youth, Radiohead, Beck and Logan Paul

Cover art taken by Akmal

Lyrics:

Akmal: Adheem, kau pernah tak makan sedap?
(Adheem, have you eaten good before?)

Adheem: (in the most broken ass malay) Uhhh yah, saya pernah makan yang sedap sekali begitu.
(Uhh yeah, i have eaten good food before)

Akmal: Cuba makan aglio olio nak tak?
(Wanna try eat aglio olio?)

Adheem: Uhhh boleh lah, saya hendak makan 
aglio olio dengan awak, Akmal.
(Uhhh sure, I’ve eaten aglio olio with you before, Akmal)

Akmal: Ok lah, kite pergi dating dekat… kite pergi Rumi dulu
(Ok lah. We go dating at Rumi (shoutout Rumi))


Adheem: Uh boleh lah, tapi saya tak tahu mana Rumi
(Uh sure, but i dont know where Rumi is)

Akmal: Ahhh Rumi tempat banyak minah, ngan matrep semua. Nak ah.
(Ahh Rumi is that place with alot of “minahs” and “matreps”.)

Adheem: Oh, saya sedikit takot ngan matrep ngan minah lah.
(Oh im abit afraid of minahs and matreps)

Akmal: Kenape takot ngan diorang?
(Why are u scared of them?)

Kalau kite pondad diorang pon pondan jugak
(If we’re gay, they’re gay too)

7/4 (Radiohead section):
Milk is dry
His Milk’s in my eye
Milk is dry
Mama ask me why
(Shoutout milk)

Amrit rap:
Selling fentanyl in the alleyway (drugs)
Eating all my sweets, I got tooth decay (diabetes)
Wife divorced, she took my stuff away (woah)
Wah wah wah I'm turning fucking gay (gay)

Finna busanut on Aaron Burr (shoutout Hamilton) (Hiok)
Straight up jorkin' it… peanits (peanits)
Playing bedwars, I aint no goddamn creeper 
When i see her imma pull out my wiener (Weiner)

Chorus (Thanks Beck):
Ehhhh aku kental siol (ehhh im a loser siol)
Aku incel, baby (I’m an incel, baby)
Let’s go makan babi (Let’s go eat pork)
Ehhh aku kental siol (ehhh im a loser siol)
Aku incel, baby (I’m an incel, baby)
Takleh makan babi (Cannot eat pork)

Rifqy rap:
So i met this girl and she’s pretty cute (uh huh)
She doesn’t say a word bout any other fruits (what)
Monkeys and mouse in my head in my bed
Got 15 other boys tryna give Amrit head (that's me!)

With the other ones, I never felt the same (nu huh)
It’s like a selling fent in the alleyway (alleyway?)
And I hope i can take you out for some dinner
Some coffee some TV and another… dinner!

Chorus:
Ehhhh aku kental siol (ehhh im a loser siol)
Aku incel, baby (I’m an incel, baby)
Let’s go makan babi (Let’s go eat pork)
Ehhh aku kental siol (ehhh im a loser siol)
Aku incel, baby (I’m an incel, baby)
Takleh makan babi (Cannot eat pork)

5/4 sections;
Ska
Bossa Nova
Jazz
FC4, FC4, F-F-F, FC4

Chorus:
Ehhhh aku kental siol (ehhh im a loser siol)
Aku incel, baby (I’m an incel, baby)
Let’s go makan babi (Let’s go eat pork)
Ehhh aku kental siol (ehhh im a loser siol)
Aku incel, baby (I’m an incel, baby)
Takleh makan babi (Cannot eat pork)

One, Two, Three, Four, Five 
Satu, Dua Tiga Empat, Lima (Malay)
一, 二, 三, 四, 五(Chinese)
Enthen paathi ooohhhhh (Viggy)

Murcia:
back in my day, in the fields of t13
i, billy bobby baller badadoe bernard max pegged a well-known man by the name of 
i eat 9/11 breakfast together with milo towers and some say gex every morning
but now i’m into prime building and sesbian lex if you know what i mean

Prime Building Sesbian Lex

Les Flammes du Nord

Frontières de Brume

A Journey through Indie in de acoustic genre

Gravel

tan bonito

The album title refers to Ursula Le Guin's novel of the same name.

“We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings “ - Ursula Le  Guin



Always Coming Home Is an album concerned with potential. Every beginning contains within it any number of possible paths and destinations. Every moment is a potential for a new beginning. And so Jesse LeGallais who had moved from Montreal with his wife and two young kids after the ending of his Montreal project CTZNSHP,  was musically adrift. Writing and recording nosey or electronic music in his basement after the kids were asleep and releasing them into the void. He reached out to  Palmer Jamieson, who was also going through some significant life upheavals, having recently put his life and studio build on pause due to an injury. What began as a small email asking if Palmer had time to mix a couple tracks turned into a year and a half long journey where an album was written, recorded, broken down and re-recorded from the ground up. Thus Storm Recorder was born. For over a year  Jesse and Palmer spent their days in Terence Bay working. No time limits, no specific destinations, money running out, just determination to make something beautiful.. With their Egos left at the door, a musical partnership emerged that was complementary, supportive and driven. Embracing the kind of music they wanted to make as opposed to what might be “of the moment”  the two emerged in the fall of 2024 with an album “Always Coming Home”  and a song featured in a surprise Netflix hit movie. Always Coming Home wears its influences on its sleeves but ends up being its own unique sonic and lyrical world. A Dynamic, emotional, fun and lively record bursting with energy, restless experimenting, a commitment to emotional resonance of the song over the theoretical idea of it. Always Coming Home traverses varied musical landscapes always ending up sounding like Storm Recorder. It is the sound of the shoot leaving the seed holding with it so much potential and promise of beautiful things to come.


07. Break Free

As a songwriter, I try to cover a lot of different styles of music.

Coal_miner_blues

Written by Chappell Roan, Justin Tranter, and Dan Nigro.  Used by permission: Songfile ID Number: 1505524592
Guitars, bass, synthesizer, drum machine, vocals: Rachel Aucoin

Good Luck, Babe

Not everyone is what they appear to be. This song is about someone who appears sad, but just needs to be approached in a different way.

LYRICS
(c)2025 Ggreg Snyder

[Verse 1]
She walks through the crowd like a shadow in rain,
Eyes on the ground, hiding heartache and pain.
No one can tell where her silence has grown,
But there’s a fire inside she keeps all her own.

[Chorus]
Dark Angel, wings folded tight,
You’ve been living too long in the shade of the night.
Dark Angel, don’t hide away—
When the morning comes, you’ll find your day.

[Verse 2]
Her smile is a whisper, it drifts on the breeze,
A kindness that trembles like leaves on the trees.
She’s guarding her heart from the world and its storm,
But the closer you stand, the more she turns warm.

[Chorus]
Dark Angel, wings folded tight,
You’ve been living too long in the shade of the night.
Dark Angel, don’t hide away—
When the morning comes, you’ll find your day.

[Bridge]
Give her the silence, give her the time,
She’ll open her heart like a slow-rising rhyme.
The sorrow she carries is only a part,
The rest is a garden that blooms in the dark.

(solo)

[Verse 3]
So if you should meet her, be gentle, be still,
Her beauty is quiet, her spirit is real.
Behind all the shadows, there’s sweetness to find,
An angel of darkness, with love in her mind.

[Chorus]
Dark Angel, wings folded tight,
You’ve been living too long in the shade of the night.
Dark Angel, don’t hide away—
When the morning comes, you’ll find your day.

The Dark Angel

making music and having fun :)
instrumentals account: @jonjonyeet

Game To You

jonjonyi

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