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Read our interview with @8salamanda8 and check out this mix's track list here: bit.ly/SalaPod

Groove Podcast 399

Tracklist

Groove Podcast 399 - Salamanda

Bimonthly excursions through memories, geographies and nostalgia from NYC-based livwutang. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/livwutang/episodes/livwutang-10th-june-2024

Furniture without Memories w/ Zi! 100624

recorded in Detroit, Michigan (24.11.2024) with Jacob Park (Texture)
@jacob_park

Jonny From Space & Jacob Park - aftherzaftherzaftherz mix

The one and only JONNY FROM SPACE 🏝️

A resident and key member of Club Space and Ill Points Festival in Miami.
His creative ventures seep into different areas within the sonic scene - from releases on labels like Incienso, Craigie Knowes, Omnidisc, Sonido Isla, Schematic and Turbo Recordings, as well as collaborations with Danny Daze, Nick León, Coffintexts, INVT and forming the duo hybrid band Crespi Drum Syndicate with Pablo Arrangoiz.
Co-founding the party series Objects Don't Dance
(ODD) with collaborators Sister System and True Vine as well as the IMPACTO label with Nick León.
JFS has developed a murkier take on the city's notoriously lively sound in his sets, peering into swamp-infected bassy techno, guiding crowds into a hazy psychedelic trance with rippling drum patterns and diaphragmatic low-end business all shaken down to the core.

Rinse France Podcast
Rinse France Podcast
Rinse France Podcast 

COFFINTEXTS INVITES JONNY FROM SPACE - 28 Janvier 2025

berrakka b2b jonny from space
at floyd miami 
december 28th 2024
celebrating the old year welcoming the new one :)

suero: berrakka b2b jonny from space [12.28.24]

An invitation to dissociate on the beach inside your mind. Musical postcards from London back to Miami shores filled with sun, salt and melancholy. Nick shares the music that has influenced his upcoming album as well as highlighting Miami musical moments in the realm of ambient, idm and all things murky.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/nick-leon/episodes/nick-leon-25th-february-2025

BEACH NOIR W/ NICK LEÓN 250225

James K [live] @ Lost Music Festival 2024

@napmusick

Photo by D. Tiffany (@d-tiffany)

pi/live: NAP @ Nowadays Nonstop 12-07-2024

subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

Tresor Resident LNS started out organizing warehouse parties in Vancouver, Canada. Since residing in Berlin her style of classic techno, house, electro and braindance can easily be identified in her studio productions and DJ sets. Her collaborations with DJ Sotofett are regularly released on Tresor Records and WANIA, while her solo productions and remixes have been released by Counter 99, Emotional Response, Freakout Cult, Sex Tags Ufo and DFA. Enjoy!

ITPS115 LNS

Staalman Studio May 13th. Old and new bits I've been enjoying lately. Leave a message in the comments if you want an id : )

Get in touch with mammo.works@gmail.com if you want Mammo to play a few rekkids at your party.

(123m004s)

twisted afternoon b2b, low & slow...

https://www.instagram.com/deep_creep
https://www.instagram.com/mikemidnight_



pi pi pi with deep creep b2b Mike Midnight @ The Lot Radio 05-19-2025

Injection Box returns with a rhythm-driven exploration from Crespi Drum Syndicate, the collaborative project of @goiz1994 (El Gusano/DJ Fitness) and Jonathan Trujillo (@jonnyfromspace). United by their passion for percussion, the duo crafts a compelling journey that starts with a burning ember and by the end of the set is raging like an inferno.

Featuring tracks from Toulouse Low Trax, Cowboy Rhythmbox, Baby Ford, Cooly G, Elysia Crampton Chuquimia and more, the Miami duo delivers an eclectic, boundary-pushing mix that will reorient your perception of rhythm.

Injection Box 002 // Crespi Drum Syndicate

Recorded live @ Nowadays Nonstop in NYC [04.26-27.25]

Jonny From Space @ Nowadays Nonstop [04.27.25]

ISLA39 - LA FE - RURU/ CREER
From the collaborative project of Michael Red and Daniel Rincon; two pieces of idm forward dreambow. Originally composed over the summer of 2022 for a compilation which passed on the tracks, now released from the vault as its own release.

Mastered by Nik Kozub.
Art by Shy aka Special Guest DJ.

Digital:
https://isla.bandcamp.com/edit_album?id=2899849581

ISLA39 - LA FE - RURU/ CREER

From Paris with love here comes mix 008 by Second Circle artist and friend D.K. (@d-k-music). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Salut Dang Khoa, welcome to our podcast series. Had a nice summer?

DK: Hey! Thanks for having me. My summer was pretty cool, I was happy to play some nice festivals and gigs in Europe. I also had a little break to go on vacation with some friends in Marseille to enjoy the sea and the South coast of France.

MFM: Speaking about summer, your music has quite an exotic touch in which melody and percussion both seem to play a pivotal role. Where does that come from? 

DK: At the very beginning, it was simply inspired by the kind of house music I was listening to. But it changed through the years. I had a period when I was into industrial stuff, and I’ve been really inspired by the textures, by that sensation of mechanical groove and how the percussions were used. It kind of lead me to listen to the roots of music, and got into ritual sounds. Regarding the melodies, I don’t know man, it’s maybe because I’ve listened to too much R’n’B when I was a teenager haha.

MFM: But you're not a trained musician in one way or another? Like, can you read notes and play keys or other instruments maybe?

DK: I played violin when i was very young at the Rennes Conservatory of music for 6 years but it was a long time ago and i didn't practice since. I still can read notes but i'm super slow when it's about to play a musical score with other instruments now.

MFM: Would you say you have a D.K. workflow when in the studio?

DK: I like to have a precise idea of what I want to do before I start, even if it’s going to change completely during the process. Also, the shape of a track will really depend on what I’m listening to at the moment. I can easily get lost sometimes, producing something that is totally different of what I’m doing but I always learn some new technics. It’s a good way to find new ideas as well. Most of the time, I work on the same loop until I’m satisfied, almost all the elements of the track have to be already present on this loop, so I can have a vision of what it’s going to look like. Then, I know it will be easy to structure, edit and finish.

MFM: Interesting, for a lot of producers making arrangements seems a tough task or annoying burden even. What's your trick?

DK: I start with the  rhythm structure then focus my work on finding the main theme of a track,  and i build everything around it. If the beat and the  hook are strong enough it's usually not a tough task to make the arrangements.

MFM: You've been putting out music not only as D.K., how come?

DK: I decided to use that 45ACP moniker to focus my work more on sound textures and beats. It was maybe more heavy and club-oriented than what I used to do as D.K.. But now, I’m trying to combine everything in one project to create more contrast in my music. I’m generally interested by the opposition of textures and sounds in music. For instance, I like to mix raw percussion parts with clean drums or melancholic cold pads with naive midi melodies.

MFM: So, what can tell us about the mix? Any specific theme behind it?

DK: It’s a collage of tracks that I’ve been listening to at home recently and some edits I’ve made, from ambient and tribal to Japanese stuff. It’s obviously not what people can expect to hear me play in a festival or club but I would say that it’s more the vibe that I’m trying to create when i’m performing live.

MFM: Last but not least, any exciting news you'd like to share?

DK: I’m wrapping up my next Ep at the moment, it will be the third volume of my trilogy dedicated to club music on Antinote. I also have a release to come out soon on 12th Isle, and a couple of remixes.

MFM Mix 008: D.K.

Miami
1/2 Crespi Drum Syndicate
@impactorecs | @omnidisc | @inciensorecs

Jonny From Space & Jacob Park - aftherzaftherzaftherz mix

Jonny From Space

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