Exit Strategies

Sand & Shade NATURAL CALAMITY

live in maribor slovenia on our european tour 2015

pete wareham tenor sax
shabaka hutchings tenor sax
leafcutter john - electronics
tom herbert double bass
sebastian rochford - drums

WE FEEL THE ECHOES IN MARIBOR  SLOVENIA

Misty

Taken from 'At The Dam' LP by Mary Lattimore, out March 4, 2016.

Order at The Ghostly Store: http://www.theghostlystore.com/collections/music/products/at-the-dam
Or at the retailer of your choice: https://ghostly.lnk.to/mary-lattimore-atthedam

At The Dam

Mary Lattimore - The Quiet At Night

Jean-Baptiste Mondino, Nicky Skopelitis & Bill Laswell - Call For Rescue

'Norderney' is the first track from the upcoming Vermont album 'II' which is out February 10, 2017.
Get it here: https://KompaktRecords.lnk.to/Vermont2SD

Vermont - Norderney

Enlightening pads, harmonising strings and elegant keys create a meditative journey akin to Durutti Column's 'Otis'. Taken from @mark-barrott's new Music For Presence EP out 3rd March on his own @international-feel imprint.

Read more & buy: http://www.stampthewax.com/2017/03/03/premiere-mark-barrott-schopenhauers-garden/
Listen on Youtube: bit.ly/schopenhauers-garden

Listen on Youtube

Mark Barrott - Schopenhauer's Garden(STW Premiere)

Noah - Back

Exit Three

Exit Four

Exit Five

Exit One

Exit Two

In 2017, musicians and regular collaborators Gigi Masin and Jonny Nash were invited to a residency at artist Xavier Veilhan’s “Studio Venezia” at the Venice Biennale. For this immersive installation, Veilhan trans- formed the French Pavilion into a fully functioning recording studio, inviting artists to record original works during a series of residencies. Masin and Nash recorded a series of improvised compositions primarily for piano and guitar. Situated in a unique acoustic environment and recorded with a variety of microphone techniques, the recordings directly capture Masin and Nash’s unique musical relationship and understanding.

In 2018 Nash was approached by London-based design and branding consultancy Commission Studios with the proposal to collaborate on the production of a vinyl LP. After discussion with Masin, Nash suggest- ed the Venice recordings as the basis for this collaboration. After editing the recordings down to a total of 6 pieces, collectively entitled “Postcards From Nowhere”, Commission developed the art direction of the project. This involved working in close collaboration with Paris based print atelier Imprimerie du Marais, renowned experts in colour setting, gilding and embossing techniques.

The vinyl edition features a multi-layer embossed outer sleeve with hot foil print on the spine and fluorescent interior print. The inner sleeve is blind-embossed on cotton paper. Additionally the record ships in a custom black mailer made from recycled coffee cups.

The vinyl edition is limited to 500 copies, 300 of which will be available commercially. It will be available to purchase via the Melody As Truth Bandcamp page from June 17th.

Postcards From Nowhere

Butterfly's Tale

En février 1962, Eric Dolphy réunit quelques musiciens et profite d’un studio vacant pour enregistrer Out to Lunch en une demi-journée. Il enchaîne ensuite avec une tournée en Europe dans le quintet de Mingus, puis une date ou deux avec Coltrane, et il décède en juin de la même année. Inutile de préciser qu’il n’a jamais donné ce répertoire en concert…

Cette musique est disponible, quasiment vierge, en apesanteur avec les martinets qui décrivent des arabesques dans le ciel des œuvres inachevables. Il faut l’arroser pour la voir pousser, préhensile comme le pouce et immanente à croquer, pour en récolter sa liberté de ton et perpétuer sa vocation jubilatoire.

Les compositions de ce disque et son architecture ne s’embarrassent pas des critères jazzistiques en vigueur à l’époque ; mais c’est bien connu, l’ARFI non plus !

Exit Four

jonny nash

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