Broken

Grail 2.wav Soundcloud

EVERYTHING IS BROKEN by Bob Dylan

Broken lines, broken strings
Broken threads, broken springs
Broken idols, broken heads
People sleeping in broken beds
Ain't no use jiving, ain't no use joking
Everything is broken
Broken bottles, broken plates
Broken switches, broken gates
Broken dishes, broken parts
Streets are filled with broken hearts
Broken words never meant to be spoken
Everything's broken
Seems like every time you stop and turn around
Something else just hits the ground
Broken cutters, broken saws
Broken buckles, broken law
Broken bodies, broken bones
Broken voices, broken phones
Take a deep breath, feels like I'm choking
Everything's broken
Broken hands on broken ploughs
Broken treaties, broken vows
Broken pipes, broken tools
People bending broken rules
Hound dog howling, bullfrog croaking
Everything's broken
Every time you leave and go off someplace
Things fall to pieces in my face
Broken hands, broken ploughs
Broken treaties, broken vows
Broken pipes, broken tools
People bending broken rules
Hound dog howling, bullfrog croaking
Everything's broken
Everything's broken
Everything's broken
Everything's broken
Everything's broken
(Broken, broken)
It's all broke down
Everything I see is broken, broken
Everything's broken
Everything's broken
Everything's broken, broken
Everything's broken
Source: LyricFind
Songwriters: Bob Dylan
Everything Is Broken lyrics © Universal Music Publishing Group

EVERYTHING IS BROKEN-Dylan cover lyrics here

Words and music by Christopher Pendergraft
Steph plays guitar along with me on this track, he is the first one in on the solo- I played the slide parts- sound like he has a single coil pickup-
Amazing musician from France - please take som time with him!
https://soundcloud.com/stevee101
Influence Jimi Hendrix, Jimmy Page. Thank you for teaching me EVERYTHING I know. Love.

Ain't Seen The Worst Of It Yet Ft. DDJohn (Full On)US-FR

(Written by Terry Reeves)
Recorded and mixed at the TLSS studio, Homerton (May-Oct. 2015
Terry Reeves: Vocals
Steph Laporte: Clarinets
Nik Paravatos: Guitar / Bass / Synths /Effects and Noises
Gary Reeves: Drums

I have always enjoyed being a Dad but things do change so incredibly fast.  One moment you’re getting them ready for school and in seemingly double-quick time, they’re all grown up, with all of the problems the transition into adulthood inevitably entails.  They acquire ‘significant others’, some of whom you like and some you’re pretty sure are never going to make the cut.  From a distance, you look on with increasing interest, watching them struggle with the intricacies of romantic involvement.
This song involves the machinations of my youngest son’s relationship with one particular girlfriend, who seemed to have an issue with any form of commitment.  Sometimes she’d show up out of the blue, wanting to spend every moment with him, then disappear into the ether and not contact him for days.
He and I had quite a few Father to Son conversations about her, primarily because we were both concerned about her mental wellbeing.  He’d try to contact her to check if everything was alright, often without success.  Then, without warning, she’d be back on the scene, the whole merry-go-round starting all over again.  I did my level best to help but she truly was an enigma and I was never really sure if what I had to say was helping the situation.  As with many such tricky equations in life, no obvious solution came to light and things slowly ground to a halt.  To this day, though, he says she was one of the most confusing people he ever met.
As is my habit, I decided to write a song about her, calling it ‘Take’ because it was an anagram of her name (by all means have a guess…), hoping to delineate the complexities of the things she both said and did.  Gal really loved the song and going through a marriage break-up as he was at the time, asked if he could contribute a few lines to the lyrics as a way of describing the bewilderment he was feeling, which proved an interesting window into his thinking.
Our brilliant engineer Nick thought slowing it down would give it a kind of Massive Attack feel, an approach that suited it to a tee.  But we needed something else, something magical in the mix, so Gal suggested asking our good friend Steph Laporte (‘DDJohn’ to his SC friends) to record a lead break along with some additional, extra-slurpy licks on his clarinet.  Steph is a wonderful player and as I’m sure you’ll agree, his contribution proved exactly what was needed.  It’s a real favourite of mine - so different from anything we’ve done before.  By the way, anyone worked out that anagram yet?  (Terry Reeves)

Would like to thank Gordon (https://soundcloud.com/gordon_m) for his invaluable help.  I sent him a copy of the penultimate mix and he was good enough to return a detailed list of possible adjustments, all of which were entirely spot-on and made the job of getting the final mix completed in the allotted hour very achievable, something in some doubt but for his assistance. 
(Gary Reeves)

You can say what you like but don’t say what you want to
You can think what you like but don’t think like you need to
You want to like how you look but don’t look how you like to
You never see in the dark ‘cause the darkness is inside you

Guarded observations unexplained
Is there any need?

You like to hide from the truth but the truth always finds you
You want to stay out of sight when you’re always in full-view
How can you look to the past when there’s so much behind you?
How can you be brand new with those voices to remind you?

Redundant complications unexplained
Is there any need?

You never sing out of key when the music suits you
How can the melody change when the words serve to mute you?
You laugh so loud when your good friends entertain you
You don’t understand that the real joke is about you

Another conversation unexplained

TAKE (Cripple Club collab with DDJohn) *download

Slavery Time - ElectroBluesSociety vs Rufus McKenzie

Wonderful take Jörg just did on https://soundcloud.com/ddjohn/wide-open-jam! 
Sax : https://soundcloud.com/joerxworx

Wide Open (blacks Seeds) - Jam With Jörg (WIP)

Lost Dog Street Band, War Inside Of Me, GemsOnVHS

Our first time of broadcasting for longer than 24 hrs, Miss P hands over to Lepke,also on the mic over some tracks is 14 yr old Mekka Youth, also listen out for jingles from some of the Saxon Posse and Prince Lincoln Thompson.

17 Track 17

Midnite - Due Reward (live)

lyrics by Lyn Kalley Ingram. thank you a lot, Lyn, It all starded here with your
lyrics !
Dank je

1000 Miles

I am not a musician but music plays a very important role in my creative life! I am an artist/designer and music is my companion and my muse in the long hours I spend working in my studio! 
I am immensely impressed and grateful for all the talented and inspiring musicians whose work graces this Cloud, and I will always re-post sounds that I love (and will listen to again) - knowing that others will enjoy them!
I feel slightly embarrassed and quite humbled when I receive such graceful messages of thanks from artists whose work I have re-posted - after-all, I am the one who is so inspired by the discovery of your brilliant music!!!
So thank YOU!!!
Jools :)
P.S. If you want to see where the music takes me there is a link to my Portfolio site on Behance below!!! 
NEW!! - Thanks for all the great feed-back on my work! I shall be re-launching with a website (shop & archive) ‘KULT-JE’ in the not too distant future! Meanwhile, examples of past and current work are featured on my Instagram (@joolselphick)
Since my heart op in Jan2021, I have had to deal with taking quite a lot of meds which have interrupted my design work - that and moving to Germany in 2020 - and back in 2021 (due to Covid my business plans stalled!) - SO, slowly getting it together…. hang tight!😊

I have an archive of my work to date on Instagram - @joolselphick

Broken

Julie Elphick