Paroles et musique: Gabriel Sasseville-Jolicoeur et Jordan Torres Bussière
Réalisation: Mathieu Arsenault, Gabriel Sasseville-Jolicoeur et Jordan Torres Bussière
Production additionnelle: Mathieu Arsenault
Mixage: Jesse Osborne-Lanthier - H Studios
Matriçage: James Plotkin - Plotkinworks

Vrai camouflage

Synopsis Show 05/11/2021 hosted by DJ Ony and lo-tide
https://soundcloud.com/n10-as

Thx

Michel Banabila / Konrad Kraft / Moin / Moritz Von Oswald Trio / Brad Pitt / Robert Glasper / CAM / Steve Pepe / Coby Sey / Gudrun Gut & Mabe Fratti / Kraidler / Raime / Gnat / Valeda / Hiro Kone

Synopsis 05/11/2021

Enregistré à Montréal au mois de Janvier 2022.
Matriçage par Charles Saint-Michel.
-
Recorded in Montreal on January 2022.
Mixed by Charles Saint-Michel.
credits
released February 3, 2022

DISCOMEDUSAE

“Qui influence qui?” nous lance Mathieu A Seulement. Pour ce volume de schisme.s, il nous convie à une exploration des allez-retours entre musique instrumentale et musique électronique, dans un monde où cette relation n’est plus unidirectionnelle. Ce qui d’ailleurs fait écho à son propre parcours entre plusieurs mondes. Sa formation rock expérimentale @technicalkidman flirtait déjà avec l’électronique voire l’industriel; EX PO (@mothland), premier album de son nouvel alter ego, nous porte ailleurs: des compositions électroniques pointues s’entrelacent avec des structures pop pleinement assumées. C’est sans doute un des albums francophones les plus aventuriers des dernières années. S'ajoutent à sa feuille de route plusieurs collaborations intriguantes, notamment avec les iconoclastes art-punk @crabecbrae ou le kraut-keb de @meteocielbleu. Mathieu nous convie à une heure de communion solennelle dans l’entre-deux-mondes analogue et digital.

Liste de diffusion sur Instagram (schizo_cism)

Design graphique: Geneviève L Richard
Programmation et mastering: @julienracine

On remet ça vendredi minuit sur les ondes de @cism-89-3-fm. En ligne mardi matin 4h.

schisme.s vol. 20 - SEULEMENT

Torrent tranquille été hanté

Autour d'un fait divers est une collection de 3 pièces enregistrées sur bandes magnétiques à l'été 2015, puis re-contextualisées par l'épreuve du temps sur les intentions et les moyens techniques, pour aboutir au résultat présenté ici quatre ans plus tard.

Dans la continuité du EP Plein de places. Des gens partout (2018) et des deux pièces Le Mensonge c'est l'extase (2018) et Nouveaux souvenirs du monde à refaire. Pour perdre ceux d'avant (2019), Autour d'un fait divers exploite les tensions entre méthodes d'enregistrement analogiques de basse-fidélité et synthèse numérique, ainsi que l'idée de sabotage formel de mélodies et de progressions harmoniques délibérément convenues.

Dans son ensemble, Autour d'un fait divers est nourri d'impressions de confinement, de spleen estival et de rêves obsédants et répétés.

*Photographie de couverture prise dans l'urgence à l'insu d'un salaud qui s'est brièvement glissé comme une mauvaise présence à la maison. Bon débarras. Continue de t'enfoncer...

Autour d'un fait divers is a short collection of pieces, recorded on tape during summer 2015, and recontextualised through the last years and the influence of time on artistic intents and technical means.

Following the path of the 2018 EP Plein de places. Des gens partout and the two singles Le Mensonge c'est l'extase (2018) and Nouveaux souvenirs du monde à refaire. Pour perdre ceux d'avant (2019), Autour d'un fait divers puts forwards the idea of tension between lo-fi analog recording techniques and computer-based digital synthesis, while embracing melodic and harmonic clichés, only to sabotage them in the meantime.

In a broader perspective, Autour d'un fait divers is built upon ideas of isolation, summertime spleen and recurring dreams.

*Cover photograph taken in a moment of urgency, stealing secretly from the life of a jerk who stayed briefly like a bad presence at home. Good riddance. Keep sinking deeper and deeper...

Enregistré à l'été 2015
Mixé et resynthétisé entre septembre et octobre 2018

Recorded summer 2015
Mixed and resynthesized between september and october 2018 
credits
released April 8, 2019

Musique, music: Jordan Torres Bussière
Numérisation et mixage, digitization and mixing: Jordan Torres Bussière, Charles Saint-Michel
Matriçage, mastering: Charles Saint-Michel
Photo: Jordan Torres Bussière

Merci à Michèle Bussière, Jimmy Périgny, Mathieu Arsenault, Jonathan Legault, Charles Saint-Michel, Gabriel Sasseville-Jolicoeur

Autour d'un fait divers

Rejoins-moi dans la maison qui ne sera plus là

EX PO

EXCEPTÉ 1

Taken from Hypnagogic Surge (GEN043). Presale is on!
To be released on November 22 on tape & digital on Genot Centre.

Produced by https://soundcloud.com/amselysen.
Mastered by @wimdehaen. 
Album cover by eurasiandesert.
Limited edition of 55 C29 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

HYPNAGOGIC SURGE (GEN043) by AMSELYSEN is a dense setup of signal interferences, of jacked up, spliced, reconstructed digital snippets, of outbursts whose amplitude overcooks the microphone's defenseless circuitry. Anxious with unreleased energy build-ups, the music is always pregnant with a double quality, something like a dagger made from ice, the possibility to shatter or crumble into a thousand shards combined with the looming threat of clean rupture posed by the blade's edge. Digital distortion is used here to unmask materials, to frontally attack them and expose their shimmering metallic face; pitch-time processing dilemmas get dodged by exploding into the high frequency gleam embedded but hidden in their algorithms. Completely removed from the "Lo-Fi" paradigm seeking warmth or nostalgia, the present degradation-reconstructions result in newly audible chirp figures, the sparkle of aliasing and the descent into the grainy territory of microscopic sound events. From a more panoramic perspective, these tracks are continually transforming contraptions, with looping frames accelerating, doubling, halting or stuttering, overloading, seemingly struggling to buffer, sometimes mixing with immiscible materials to form a glistening suspension of new sound material.

// Hakeem Lapointe (Amselysen) about the album 
"Stemming from confusion, indignation, and feeling disoriented, Hypnagogic Surge appeals to dream-like lenses that reinterpret the everyday world; words lose clarity and are reduced to phonemes and their perceived energy, well-known advert jingles and hit songs are obfuscated and develop into undecipherable melodies, feelings ranging from relief to aggression flash quickly into succession without rhyme or reason. In the awareness gaps of the dream state, information is made up and averaged into confusing erroneous approximations — here translated in the poised presence of aural artifacts such as bad mp3 bit rate shimmer, 1/8in inlet pops, bad aliasing and interpolation, unshielded cable radio interference, fake stereo, inverted polarizing, etc 
Amselysen’s nightmarish interpretation of the hypnagogic state is heavily informed by tropes surrounding hardcore music, only this time the tropes are removed from their context and reimagined before reappearing into the album, thus resulting in a hyperreality; a simulacra of hardcore, intensity and dynamism. Remediating genres like punk, techno, metal, rap and noise through distant mimicry and radical sampling, Hypnagogic Surge approaches liminal reverie with a garish maximalist attitude."

// Amselysen artist bio 
Amselysen is Montreal-based intermedia artist Hakeem Lapointe’s latest musical project. It focuses on approaching experimental electronics with a critical lens, bridging the gap between conceptual spaces typically reserved to institutional practices and accessible aural aesthetics. Usually described as an outsider artist, never privy to the music academia and alien to most of the underground scene, Lapointe sheds all concerns for musical conventions and pursues their own sonic obsessions, which commonly sit in the leftfield genre. Their current work process ponders on indeterminacy, plunderphonics, hyperrealities, cultural foraging, and hypnagogia. 
Works, outside of their own visual practice, include scores and sound design for short films, performances and installations in various exhibitions, including the After Hours at the McCord presented under Kent Monkman - Shame and Prejudice: A Story of Resilience.

Buy // tape & digital

Amselysen - C+arillon

NOEXIST703: Jordan Torres Bussière / Francesca Tallone is the third release in the No Exist 7" Limited Edition Split series.
Order here: https://noexist4vr.bandcamp.com/album/noexist703-jordan-torres-bussi-re-francesca-tallone

JTB: @jordantorresbussiere
FT: @ oldmidnights on IG

Jordan Torres Bussière is a musician and sound artist from Montreal, Quebec, who performs under his own name and within the duo Chabanel. Obsessed with the notions of ersatz and simulacrum, his practice is feeded with an interest in reframing different layers of signifiers and shifting between listening/recording perspectives. His work encompasses a variety of sound sources, such as electronics, field-recordings, guitar and voice.

Francesca Tallone is a multi-disciplinary artist and curator whose work is informed by natural and available materials and space and seeks to abstract them. Originally from California, she is currently residing in Montreal.

"Taillage" digital master by Philippe Vandal
"Tending To" digital master by Vincent Ferrari
F.T. cover art by Francesca Tallone
J.T.B. cover photo by Vincent Ferrari

Vinyl lathe cuts by Jackson Darby of Personal Touch Vinyl

Francesca Tallone - Tending To

⚙️ Chabanel Takeover  
Reverb à fond et batons de batterie frappant sur la guitare basse, Gabriel et Jordan, formant le duo noise Chabanel, présenteront leurs compositions et inspirations expérimentales tout droit sorties des caves hochelagiennes.
w/ @chabanel

TRACKLIST :
1. Le vide et l'attente - Chabanel
2. New Moon - Euphonic Allialnces Ltd.
3. Lisières - Feu St-Antoine
4. Le massacre de cet après-midi - Gabriel Sasseville-Jolicoeur
5. Une minute de silence - ROOM
6. Mécanisme Cognitif Intégré - gonima
7. The Key - ylangylang
8. Taillage - Jordan Torres Bussière
9. Au loin au large - Météo Ciel Bleu
10. Parallélismes I - N NAO
11. Faster - Lisa Cay Miller/Vicky Mettler/Raphaël Foisy-Couture
12. Love Excessive - Soeur Acéphale
13. We, dark party - Moshi Moshi
14. St Ann's - Chabanel

Chabanel Takeover

A mix by Small Scale Music @small-scale-music for Free City Radio!

1. Pied-de-vent - Elyze Venne-Deshaies @elyze-vennedeshaies : From Les grandes solitudes des femmes sauvages (upcoming march 2021 Zine release)
2. Spatial Regulator - Yannick Chayer @ikeya-seki : From Gebilde (Cd, 2020) (https:// smallscalemusic.bandcamp.com/album/gebilde)
3. Ribereñas - Geraldine Célérier-Eguiluz @eguiluzg : From Cante Jondo, Lorca, Paris 93 (upcoming 2021 Zine release)
4. La Spirale et le Tournis - Yves Charuest : From le Territoire de l’Anche (Cd, 2020) (https:// smallscalemusic.bandcamp.com/album/le-territoire-de-lanche)
5. Ostinato - HeArt Ensemble : From Oréade (Cd, 2019) (https:// smallscalemusic.bandcamp.com/album/or-ade)
6. Intersection no.2 - Claude Périard, Raphaël Néron @othodafe, Chabanel : From Intersection (Zine, 2020) (https://smallscalemusic.bandcamp.com/album/intersections)
7. Swiss Excerpt (A2) - Nathan Caskey (Pai) : From Surgeon Paisano (Zine, 2020) (https:// smallscalemusic.bandcamp.com/album/sturgeon-paisano)

Accompanying image is from the upcoming zine by Elyze Venne-Deshaies.

Small Scale Music - free city radio mix

Compositeur, artiste sonore, musicien et sondier Québécois vivant à Montréal. Sensibilité pour les notions d'ersatz et d'acculturation.

https://linktr.ee/Jordan_Torres_Bussiere

Rejoins-moi dans la maison qui ne sera plus là

jordan torres bussière

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