Dit is een montage van een live-registratie van Ajdè in 2013 met een diversiteit aan tempi, maatsoorten en feel.
This is a montage of a live-recording of Ajdè in 2013 with a diverse range of tempi, time measurements and feel.
Check out our website at http://ajdemusic.wordpress.com/

Ajdè - Live Demo 2013

Een 10-uurs project, een samenwerking tussen twee mensen die elkaar nog maar één keer eerder hadden gezien en voor het eerst samen muziek maakte. Voor meer muziek van Marianne: https://soundcloud.com/oneva

A 10-hour project, a collaboration between two people who have only seen each other once before en now made some music for the first time. For more music from Marianne: https://soundcloud.com/oneva

Marianne Heinis & Jorick Bronius - Zaterdag Nacht

Ajdè playing Macedonian Morning, ironically enough traditionally from Ireland. Typical riverdance music.

Ajdè - Macedonian Morning

A nightmare project. Or rather a project that interprets the course of a nightmare. What starts off as a not particularly dark song turns to inviting hellbait and then some. Using vocals, soft-synths, bass-bass guitar, field recordings, and a bunch of effects with thought-through settings and much more Cognizant plunges you into a dark trip below the surface of our everyday-life-dimension.

Cognizant

04 Cognizant

A nightmare project. A Korg Radias, a resonating field recording, vocals, and synthetic beats blended into a dreamy sorrowful song.

03 Parting

A nightmare project.
The 9/8th pulse-beat is completely algorithmically generated with a small home-made program capable of generating complex rhythms. This makes Np Aitovorrect a fitting title. You have to look at it slightly longer to understand it’s meaning. The same goes for the groove in this track, it’s hard to understand it without the context of it’s entirety. A tonal drone was made using tuneable delay lines. These delay lines were used to perform with, on top of the pulse-beat for an almost meditative track.

02 Np Aitovorrect

A nightmare project.
Opening, but mainly shutting doors with terribly squeaky hinges have a leading role in this dark, daunting, dodecaphonic composition. Footsteps displace themselves around as if it were a warding identity keeping you behind bars. An experimental track driven by poignant madness.

01 Steps And Hinges In The Joint

These twinklebobs are merely made out of old ringing keys, handpicked to sound good together, and cans used to store food. Also they liven up a room with a cool projection of light. When touched or turned this twinklebob sounds magical and looks oldschool cool.

Twinklebob - Beans 'n Keys

Found these rocky sticks on an Irish Beach, they all sounded unique and I liked the idea of using them by making an instrument with them.

Lambay Stone Sticks

Some several types of Crickets slowed down to several speeds. Solo cricket is stretched to 5 octaves lower
Some birds as an extra bonus.

Slowed Down Crickets

Music for the game Goggletown

This track was used for the level "The Key". It's relaxing, and almost meditative.

Artwork by Saskia Schoonebeek

Goggletown - At the point of waking

Best listened over headphones. Breathe is a composition that explores in rhythm, texture and spatiality using an instrument called De Doosjes, built by Weerklank. This instrument consists of 16 wooden boxes built with two types of wood. Every box has a little hammer inside controlled by a servo-motor which allows the hammer to hit on both types of wood. The two types of wood resonate in different ways and together with the sound of the motor itself this instrument has 3 basic sound types to work with. Because every box can be placed throughout any space, surrounding the listener completely, the space itself becomes a part of the composition and the listening experience.
Check http://weerklank.space for more information on their instruments.

Jorick Bronius

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