Lyrics: Jossi Fresco
Music track: Dany Azzaroni

Persona Bonita

Una bossa susurrada desde la intimidad. “Sin Espejos” no busca romantizar – se atreve a mirar lo que incomoda: el reflejo en el otro, lo que se proyecta, lo que se esconde. Con una guitarra desnuda y una voz honesta, esta canción se mueve entre la ternura y la tensión, entre lo que une y lo que corta.

Sin adornos. Sin filtros. Sin espejos.

Sin Espejos

Canción nacida del silencio, la ternura y el deseo de sanar. Con el pulso suave de la nueva canción, “Gemelos del corazón” abraza el amor sin promesas, el dolor que se disuelve y la gratitud de despertar acompañado.

Gemelos del corazón

"Lo Que Somos" es una canción íntima y profunda en el estilo de la Nueva Canción. Un canto al amor presente, al cuerpo que habla, a la verdad compartida sin adornos. Es un retrato sonoro de dos almas que se reconocen en el ahora y lo forjan con ternura.

"Lo Que Somos" is an intimate, soul-deep song in the Nueva Canción tradition. A tribute to love in the present momen, where bodies speak, silence resonates, and two souls shape what is with tenderness and truth.

Lo Que Somos

Consuelo" is an intimate track that blends the poetic depth of Nueva Canción with the gentle sway of classic bossa nova. Based on a poem by Mariel Benaim in her book "Voces y Miradas". The song unfolds over jazz piano rhythms, subtle percussion, and a grounded upright bass. Warm, expressive male vocals carry the melody, while piano offer melodic counterpoints between verses adding emotional texture at the bridge, and lush vocal harmonies echo the spirit of Latin American folk tradition. A quiet, contemplative piece about presence, tenderness, and love that speaks without words.

Consuelo

"Lejos y Cerca" blends the intimacy of Nueva Canción with the earthy textures of Brazilian folk. Anchored by nylon-string guitar, soft bongos, and upright bass, the arrangement is minimal yet emotionally rich. Expressive male vocals carry the song’s tender reflection on love and distance, while understated harmonies echo like quiet truths. A meditative track that feels both grounded and transcendent, like two hearts reaching for each other across time.

Lejos y Cerca

Sacred Breath is an intimate journey through the voice of the Native American flute. Inspired by ancestral ceremony and the Lakota Sioux tradition, these compositions open with a solitary flute line — flowing, slightly melancholic, yet deeply grounding.

As each piece unfolds, subtle layers of hand drums, shakers, and earthy textures gently emerge, weaving warmth into the monophonic flute melodies while maintaining a clean, spacious production. The result is music that is introspective, calming, and inspiring, carrying the listener into meditative landscapes of sound.

Several tracks explore additional colors: “Nake Nula Waun” introduces heartfelt vocals, while “Wowahwala” blends flute and guitar to expand the sonic horizon. Others build on evocative, rhythmic drumming that conjures the pulse of ceremony and the heartbeat of the earth.

With its steady dynamics, flowing breath, and resonant tones at 432Hz, Sacred Breath offers an experience that is both soothing and transformative — a musical prayer carried on the wind.

En el Bosque

Woksape

Wowahwala

Niños Sagrados

Moonlight Meadow

Pilamayaye

Gentle Stream

Camino al cielo

Nake Nula Waun

Cantar se ha convertido en una fuente de alegría, presencia y expresión profunda.

Aquí comparto canciones que nacen de mi poesía y de vivencias que tocan el alma. Algunas son originales, otras son relecturas íntimas de lo que resuena conmigo.

Desde pequeño descubrí en las flautas pentatónicas de los andes y la  flauta nativa americana una nueva voz: un aliento ancestral que me conecta con la tierra, el espíritu y la memoria de lo sagrado. Hoy alterno canto y flauta como dos expresiones hermanas de la misma.

Mi musica es un intento de ponerle voz y melodía a lo que no siempre sé decir con palabras.

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Singing has become a source of joy, presence, and deep expression.

Here I share songs born from my poetry and from experiences that touch the soul. Some are original, others are intimate reinterpretations of what resonates with me.

Since childhood I discovered in the pentatonic flutes of the Andes and the Native American flute a new voice: an ancestral breath that connects me with the earth, the spirit, and the memory of the sacred. Today I alternate between singing and flute as two sister expressions of the same journey.

My music is an attempt to give voice and melody to what I cannot always say with words.

Jossi Fresco

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