Name: KYR 1960 by JOSEPH OF MERCURY in WAVE II
Duration: 3 min 15 s
Description: KYR 1960, the lost original, recorded one dreary January morning at the legendary Camelot Studios way back in 1960...

nice intro, and the harmonys are super smooth as well as the vocals, keep it up

very well sung, nice guitar with a good song

Excellent and original introduction. Well produced and well written.

pretty coll vocals man, powerful performance!

Really good song bro keep up the good work!!!

It’s dope Call the Firefighters 🔥 real cool 😎 keep it up

WAVE II

Make Me Cry Prod. Waves

Reluctant Love

Over and Over

STOP

Wave II  - Song III / ♾

CAN’T TAKE YOUR LOVE 
FEAT. TABORAH JOHNSON

Artwork 📸 by: Ben Mark Holzberg / Still Photography©️ 

Taborah “Tabby” Johnson is a musical mentor, long found family, & being one of the original Mary Jane Girls to Rick James, & generally just having been all over everything & anything cool that was happening in the late 70’s / early 80’s, she’s been one of the most important people & such a guiding hand in the back of my mind for so long in this big crazy world of music.

She’s the Mother of my brother & best friend in the world 
Joachim Johnson, & for as far back as I care to look they’ve been a kind of stage family to me, Tabby especially so full of more stories, songs, & sage wisdom, than any book that’s ever been put to paper. & so... It was such an incredible thing to invite her back into the world I’ve built, with my team & musical community. Knowing that she was such an essential part of my beginnings. She actually gave me my very first show alongside Joachim, the two of us as only boys, standing there in front of a thousand odd people at Roy Thompson Hall.

So yeah,
this one’s really special to me,
I hope you like it 🌊

See you again next month

JOSEPH

Can't Take Your Love

I've been recording mostly cover songs and decided to finally do my own songs. This is the first (for Sönderrevet). I had the idea that the songs should have a "Film Noir" theme and be about characters in trouble, so I just started to write these lines... 

Been gunned down
Out on a limb
There is a world of shadows
calling again
I know it's so hard
to take it on the chin
and her hope is
starting to wear thin

I've seen her
trying to save face
with a clenched fist
just withering away
And there is no point
in hiding the pain
It got me so down,
like standing in the rain

Promises

First track preview from my 'debut ' album of collaborations coming soon featuring the voice  & lyric of Paul Campion formerly of cult scottish indie band 'ac acoustics' and co writer with Placebo on a number of songs including '20 years ' & 'Every you every me '. Additionally Ally Mcerlaine who requires no introduction . 
Written and performed by Campion , Mcerlaine & Paterson .
Recorded in Hampstead , London , Mixed in the Southside , Glasgow
Produced , arranged & mix by Kenny Paterson

'Heart Not A Lung' By Kenny Paterson with Paul Campion & Ally Z

KYR 1960, the lost original, recorded one dreary January morning at the legendary Camelot Studios way back in 1960...

KYR 1960

Everything ends, and almost everything matters to human beings.

Enough

Quante volte vorresti piangere ma allo stesso tempo spaccare tutto, sfogarti, dimenticare e ricominciare? 
"Volerei" parla di amore, e l'amore si sa, non ha età. Probabilmente lo hanno vissuto tutti sulla propria pelle: a volte può farti rinascere, altre volte distruggerti; e se le cose non vanno bene, è "necessario" andare avanti. 


Testo

Vorrei piangere
Rompere tutto per dimenticare

Vorrei essere
Essere il tempo per dimenticare

E volo e volerei
Volo e volerei con te
Se ci sei

Vorrei perdere
Perdere tutto per ricominciare

Vorrei ridere
Prendermi il tempo per ricominciare
Ricominciare

E volo e volerei
Volo e volerei
Volo e volerei con te
Se ci sei

A.. se ci sei

Io volo e volerei
Volo e volerei

A.. se ci sei

Volerei

Another day in the mind of the wicked
My mind’s in a prison
Might catch a vibe with the Wiccans
But my faith never intertwines wit religion
Guess you blind to the written
Tryna rhyme with the rhythm...
Start it off right, get u lost in the lights
Remember all of the fights? Blank stare
When you talkin to Mike
Wish me & my brothers was closer
We ain’t blood, still I shoulda told ya
Believe me its not over, 1 chick I was wit
The only reason I got sober, part ways
Stay in a dark place, keep a shark face
Might be the one the narcs chase
Look how far I came, its all pain...
Let’s think of what it meant to me
Scrollin the memories
Break a bottle of Hennessy
Spit on my enemies
For you, ain’t got the energy
Don’t try to be friends wit me
Me and bad luck back as a couple
It’s like I’m attached to the struggle
Be in the last of the rubble
Having the hatchet hack thru ya muscle
Lacking someone to love you, goddamn
The world’s a sham, you lookin convinced
Fuck that, homie, follow my footprints
Lead away, need an eighth of weed a day
For the demons, how to keep em at bay
But we okay! Stand lone as a prophet
And I know that you’ll watch it
Care less if u condoning the process
Muthafucka I’m stoned as a rocket
Into the stratosphere
Whatever redacted is now clear
Its the rawest rappin here
What the fuck is happening here
No response, watch a broken bond
Hoping you wrong, every time
You wrote it in a song, maybe don’t belong
But I was grown to be strong
Never less than that, & when u look back
Always remember this rap...
Always remember this rap

......

Nighttime.... Gazing at the night sky
Hope ya blunt rolled up, I’ma light mine
L walk it, balance beam the pipeline
You ain’t met another like me in ya lifetime
In ya lifetime...... Write rhymes, so sick
You’d think I’d have a dope drip
The way I’m soakin in self loathin
Psyche nah... I couldn’t hate myself
They rather degrade me then help
So I pray for the health, this game
I’ma play it for the wealth
Make it melt, tell me how a razor felt
On the side of your face
We never tied in this race
I can’t confide in you fakes
Just a bad bitch to ride till it breaks
Hunnit on the ride wit no brakes
Don’t cry at my wake
Aye! Tryna be immortalized
So its important to rise
In the formal and ties
I don’t subscribe to the corporate lies
You could tell I’m torn from my eyes
Psychotic borderline
In these torturous times
Down Del Rey, we was Born to Die
I’m up at 510, ready to slide again
Life’s a bitch, means you can buy her then
It’s Mike Mathiasen
And when I’m dead I’ll be a ghost story
Only way you supposed to adore me
Not many known to implore me
What can I hope to afford to see
Pockets wit rabbit ears
I should have a hunnit tat tears
But I’ll just get the fuck outta here
Break off, cuz I see alotta u brainwashed
I’ll rig the plane before we take off
Turn the whole flight to steak sauce
Why am I trippin? Aware I can be ignorant 
I Always do it regardless
I’m at my best, speaking of darkness
Mixed wit violence when the bars hit
You sheep to a harvest, word 2 the intro
I’m an artist
But in this world...
There’s Always some bullshit
I’m good tho.. Late.

Always (prod. by J Patterns)

1Month

"Melodia muta" può rappresentare molte cose, come la depressione, o in questo periodo, in cui il mondo è stravolto dal virus covid 19, di semplice paura. La paura è un sentimento semplice ma potente; può distruggerci o darci la forza di andare avanti. Sta a noi scegliere se farci consumare da essa o riconoscerla e combatterla. 


Testo

E la paura
Precipita da sé
E mi consuma
Brillando dentro me
Ma non c’è cura
C’è solo pressione
Che vuole uscire
Battendo contro me

E il silenzio
Mi lascia qui con me
A ripensare
A ciò che poi non c’è
Alla paura
Di dire quel che c’è
Alla paura
Di vivere con te

A...

Non c’è paura
Che si cura da sé
Ma è la cura
Che si nutre di me?
Sono i pensieri
Che sono oscuri
Che sono vivi
E indistinguibili

E il silenzio
Mi lascia qui con me
A ripensare
A ciò che poi non c’è
Alla paura
Di dire quel che c’è
Alla paura
Di vivere con te

A...

E ora sono qua
Tra mille falsità
Che sperano di vincermi
E di mentire
E ora sono qua
Qui per terra
A rimpianger ciò che ho fatto
E che non vorrei

A...

Melodia muta

'Before The End Draws Near,' Is a medium paced, Deep House/ Pop track. Live instruments and the rythmic pacing of the track, give it a ‘Middle Eastern Vibe.’ The Vocals are intens and raw, what makes the sound as a whole very different. Some would say: “Experimental.”

Before The End Draws Near

Feat. Halo - Before The End Draws Near

BEATS BY DIGITAL JOTT SOUND & ARTHOOLIGANS 2020

Lemon Kissed Haze (VocalMix) prod. DJS & ARTHOOLIGANS

JOSEPH OF MERCURY

Mgmt: 
Yanin & 
Arlen Varela
connect@gzvcreative.com

KYR 1960

JOSEPH OF MERCURY

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