CC:DISCO!'s track IDs

No Estás

Mermaids On Acid

803 Crystal Grooves 002

Push It (Original)

The A1 of R.A.N.D Muzik Recordings most anticipated record to date.

As the list of authentic Australian producers grows and grows, Leipzig imprint continues to showcase and present their wonderful music to European Ears.

The warm, warped and welcoming thump of Implant is set to fill clubs with movement in the coming months, a continuation of the sci-fi centred narrative the label has pushed previously, Implant leaves a groove etched impact on any of those lucky enough to listen.

@reflex-blue-x
@rand_muzik_recordings

Premiere: Reflex Blue - Implant  (RM12014)

Josh Caffe - Do You Wanna Take Me Home (Steffi X Virginia Remix)

* Subscribe for more premieres: https://bit.ly/2igyosu
* Read more: https://boltingbits.com/d-tiff-roza-terenzi-gravity-bongo-delicate-records
* Watch on YouTube: https://youtu.be/45oPIsBiOIQ
* Pre-order: https://itsdelicaterecords.bandcamp.com/album/edge-of-innocence

CALLING ALL FRENETIC LOONS - cursed to strut on thy toes, or to point them to the sky. Has a lack of dance based activity made you weary? The deprivation of bass inflected oxygen surging thru your body resulted in a euphoric fatigue? Well rise and shine all you Spiritually Deluded kinder, the hit parade is back, with Roza T & D. Tiff tip-toeing in with 8 tracks high in kinetic synergy and low in “bOriNGG!!”. The sound of 2 artists; serious in their intent yet blowing raspberries at the cork sniffers/snobs, obstinate to the world of industrial decay press shots + plastic ravers.


Instead they straddle the Edge of Innocence. Residue of lines once written, now your own personal tightrope. You wobble to and fro as part of a troupe of ethereal jesters, composed of Lil’ Drummer Boi’s pitter pattering on Gravity Bongo’s. Both tracks repping and following the rhythm of the ozone bounce house. With enough elasticity you’ll ^^break thru^^, experiencing Possession by momentary ascension. The weightless sensation of falling in a circle; catch yourself if you please. Such transcendence is lucrative, the Paparazzi on hand to flash and burn the retina, providing instant short-circuit delusions of grandeur. Sonically every hard knock is met with a “bOinKK!!”, illuminating the dark yet cartoonish nature of the practice - guaranteed to make u skip, achieve the perfect sly pout. You and your gang can terraform into bodacious bass-bins, and cast your personal Redemption Arc onto the ether.


Inhibitions are to be absolved, and fat kickdrums to be followed. In this hyper-informed yet unknowing present tense, who can ignore the beat based intrinsic incentive to fuck up the circadian rhythm - the music becoming a byte-based silkworm, spinning its digital silk from synapse to synapse, until your brain is a translucent cocoon playfully ricocheting, the cranium its pleasure dome. Call the drum dealer.

Edge Of Innocence

PREMIERE: D.Tiffany & Roza Terenzi - Gravity Bongo

Out now, Mother Tongue's 'Message is Love'.

Vinyl: https://www.rushhour.nl/record/vinyl/message-love
Bandcamp: https://rushhourmusic.bandcamp.com/album/message-is-love

The United Kingdom has long been an ardent supporter and consumer of African-American music. Dating back to the electrifying earliest performances of blues artists like Big Bill Broonzy during the early 1950s – an influence on Eric Clapton and John Lennon – right through to the dawn of Chicago house and onwards. In fan clubs, like the Tamla Motown Appreciation Society, started by soul writer Dave Godin, to the numerous fan magazines that have documented dance music culture from Blues & Soul to Mixmag, there has been an extended obsession with black music culture.

This lineage continued into the house era, our generation’s defining dance genre, and one with which British producers were swift to adopt. This record is a prime example of this. Although Mother Tongue was a one-off project, its history is rooted in this long-standing culture stretching back decades. The main man behind Mother Tongue was a drummer and record producer named Richie Stevens. Stevens was steeped in music and the industry, thanks to his father, John Stevens, also a professional drummer. Stevens senior played in numerous jazz ensembles during the 1960s and onwards, including performing with Tubby Hayes, Ronnie Scott, Evan Parker, Derek Bailey and was a session player with John Martyn (among numerous others) during Martyn’s finest period (it’s John’s drumming you can hear on ‘Big Muff’).

His son, Richie, was playing professionally while still a teenager for the Dennis Bovell Dub Band and has subsequently backed everyone from Tina Turner and Simply Red to Hugh Masekela and George Clinton. He is also a long-term collaborator with Boy George. But the story of Mother Tongue begins with a band called Well Red. This group, effectively a studio creation by Richie and his then manager Martin Poole, recruited vocalist Lorenzo Hall, a fixture on the London reggae scene and sold the concept to Virgin Records. Well Red yielded two albums – Motion and Respect Due – but never really got the crossover success their songs perhaps deserved. “Virgin were very supportive of us,” recalls Poole, today. “They gave us a lot of money. They pumped money into it, and it never quite paid off, but we did okay. We recouped and got to make a second album with George Clinton. It was a good move, recording with him. It did us a lot of good here and in America. We did pretty well in the US. We were very well-supported over there.”

This same team, working in a tiny studio near Richie’s house in Wood Green, north London, called The Watershed, produced ‘Message Is Love’. It features the vocals of Syn-Dee (Sindy Finn) and Lovebase (Louise Porter), who co-wrote the track with Richie and Alan Lane, another Stevens collaborator, and Ian ‘Spy’ Austin, who’d previously played in the same reggae band, The Instigators, as Lorenzo Hall from Well Red. “Remember it well,” says Martin Poole. “We were just writing it there and then in the studio. It was me, Richie, Spy, and I think Syn-Dee was there as well. When I got home later, Richie played it to me over the phone and I said, ‘That just sounds brilliant,’ from how we'd started it off, you know?” Thanks to their experience in the studio with Well Red, they managed to produce a song that has the timeless feel of all good music.

Mother Tongue was the opening track on a compilation called On The Loose Volume 1 on their own Furious Fish Records. Every track on the album, despite having different artist credits, was done by Stevens and Poole, often using a rotating cast of characters that had also appeared on ‘Message Of Love’. Although it did not sell especially well at the time, it’s become a collector’s item over the years. This is the first time Mother Tongue has appeared as a 12-inch single, a long overdue (but very welcome) happening.

(Notes by Bill Brewster)

Mother Tongue - Message Is Love

Enlite EP

Enlite

Brandi Wells - Watch Out

Pre-Save Here: ffm.to/rooftopshombre
where there's a rooftop there's a warehouse.  a dark, rolling track for late nights and sweaty dance floors. a hypnotic groove for me and you. simple. elegant.

4 the warehouse

***FREE DOWNLOAD***

💃👨‍🚀Original vocals and plucky synths and rhythms drive this fun tech house track right over the edge!!! Let me know what you think in the comments! If you enjoy it, please hit the like button! Or even share it!👨‍🚀💃

🔥 https://www.beatport.com/release/hey-becky/4321249 🔥


Josh Caffe - Do You Wanna Take Me Home (Steffi X Virginia Remix)

Josh Caffé

Recent comments

house_head

katiboo

Related tracks