An excellent track - Great sounds - Really original :)

AMAZING & very richly & +striking soundscape! For the love of organs! Wowzah, YEAH!  💯🔥🔥🔥🔥🔥🎶😍🔁🙌🏻

bellissimo!!!! Ha i suoi giri del motore, ti porta sulla frequenza giusta!!! Ora sono rilassato :)

love the tremolo and the dub feel - great collab man

Pośród zgiełku.Linia życia(suplement)/IIn the midst of the hustle and bustle. Lifeline(supplement)

4 Star Commended Entry in the 2022 UK Songwriting Contest

Bonfire Night or Guy Fawkes' Night takes place on November 5th each year in Great Britain with bonfires and firework displays. It recalls the Gunpowder Plot of 1605; an attempt to blow up the Houses of Parliament. Guy Fawkes was captured before he could light the fuse to 36 barrels of gunpowder. Back in the day, children would make a scarecrow-like effigy of Guy Fawkes to be thrown on the communal bonfire during the 'celebrations'. In the run up to the evening they would ask for "a penny for the guy" to spend on sparklers, sweets or other treats.

We must remember every November, we must remember the fifth of November,
For the gunpowder, treason and plot, the gunpowder, treason and plot,
With Mr Guy Fawkes evil intentions, he certainly got all of our attention,
For the gunpowder, treason and plot, but did it succeed, it did not.

Penny for the guy, build your bonfire high,
Let the old boy fry, with fireworks in the sky,

Look at the fireworks lighting the night sky, building the bonfires, building them so high,
Flames burning golden and hot, for the gunpowder, treason and plot,

Penny for the guy, build your bonfire high,
Let the old boy fry, with fireworks in the sky,

Poor Mr Guy Fawkes, remembered to this day,
With burning bonfires and a firework display,

Penny for the guy, build your bonfire high,
Let the old boy fry, with fireworks in the sky,

We must remember every November, we must remember the fifth of November,
For the gunpowder, treason and plot, the gunpowder, treason and plot,

Penny For The Guy

Penny For The Guy (Graham Williams)

R        o        X        X
Hi everyone, I hope the world is treating you well. I’ve got a new track for you I call Duck Walk. It’s an upbeat boogie rock
song. I first demoed this song over 20 years ago, it was always in the back of mind to have another go at it. Crank it up and enjoy! Please leave a comment if you get the chance.
Music is life,
Tom


Duck Walk© ℗  
by Tom Roxx
Copyright 2022
Recorded at Roxx Studios
All Instruments played by me.

Duck Walk

Built around a recording of an alarm forming the audio background to a hospital visit. Musings on dementia.

Turbulent word streams, erratic coherence
Urgent meanings frustratingly mislaid
Inner sense to outer muddle [innocence]
Interface to inner struggle [in your face]
Fragmented paranoia, translucent target, floating beyond the grasp of balanced conscience
Unviolated nuance beyond interpretation
Disjointed intelligence, resentful agitation

Agitation

I'm happy to share with you the Zhorhann first single recorded a few months ago in a cave in Toulouse, it's a cover of "La chambre jaune" of M'Z

Now it's available as a single and for listening on all platforms here: https://album.link/frm2bcqqpcjz7
Thank you Luminol Records for distribution and trust
Thank you Hugo Lemercier for the mix

For context:
It's a cover taken from M'Z's prism album, which focuses on concepts, and uses constraint to tell its stories.
The reflection is centered around the notion of Prism.
The goal is to create parallels between colors and musical modes (musical colors), but it is also a pretext to tell a more personal story in parallel.
Another of the driving ideas of this project is that everything is inevitably interpreted, no matter how hard we try to approach a totally objective truth, it will never really be the case.
This project tries to break down every particle, to analyze every atom, but each time it tries to transcribe a message, it will be biased by the translation that its own prisms and analysis filters produce.
Despite his efforts to find an objective point of view, he can only admit that his feelings will systematically influence his decisions and thoughts.
It will be the same for the style, while trying not to approach only one aesthetic and mixing all its influences, he will quickly realize that fusion even with an open mind remains a kind of musical label.
M being the guitar Z the machine, the idea is also to create a bridge between organic and electric/electronic music, a bridge between the code and its acceptance as the need to get out of the code. Released on December 27, 2017 in self production.

This song, specifically, is about the color yellow. It is the reaction of our emotions when we try to deny them and try to bury them very deeply, then they will feel rejected and try again, to capture our attention. So well buried they will manage to communicate with our subconscious that reigns in these places, together with this strange friend, they will then be able to play with our state of consciousness and we will be forced to adopt behaviors that will bring us closer to madness, until until we can finally find a way to better deal with these emotions, hitherto misunderstood, unheard and rejected.

While waiting for the album that we are currently finishing mixing, here is something to listen to...
Can't wait to hear your feedback
Mathieu TORRES

Zhorhann - La Chambre Jaune

Here's  a blast from the past! 
I lost all of my (workings) for my tracks after my Zoom hardrive died,  My fault for  doing to many projects!!Fortunately I have all of my final masters to play with and tweak if possible! The lesson is always to "Back up...back up..and back up!!! Same with your photos on your phone if you dont use the cloud!!

Changes (re-mastered)

It's wonderful to wake up to a beautiful day.   

This shot was taken in stunning Lofoten, Norway in the Arctic Circle

What A Beautiful Morning - Jamie Rhind

This is a song that originated with Eddy, who sent it to Tez and me to spice up. His original stems were guitar and organ. Tez added the riddim and a rhythm guitar track, as well as produced and mixed the whole thing. To that, I added the bass and some electric piano. I really enjoy working with nutty if these guys a lot! They both have such a great sense of authentic dub. I always really enjoy listening to what we come up with together. I hope you do, too.

5ynt Dub (with eddyoffline and Llanpsych)

Planetarium

Supernatant

Bandcamp

L1V3-70-533

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

5ynt Dub (with eddyoffline and Llanpsych)

Entheogenic Psychonaught (Josh Clary)

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