Name: Blatant Fakery (with cgmaness) by Entheogenic Psychonaught (Josh Clary)
Duration: 4 min 25 s
Description: Chris sent me a basically finished song and I added the synth part that runs through it. It's easy to sound good when you have a great foundation. I hope my part in the song adds a little something. We hope you enjoy it, too!

woah, thanks for pulling this one up to yer front page.... I"d missed this and sorry I did! I told Chris his part is such a fantastic base on which to overlay some kind of solo/lead, and you delivered in spades Josh! Really love this 'retro' synth. totally goes with the funky joint assembled below it. such a nice fit boyz!

really happy production bro!!! Made me happy!!

Super track ! Sure the synth adds something crazy and catchy ❤️‍🔥🤪🎈

Stunning work guys! Love all the wobbling retro sounds. Sounds like a vintage mix of Krautrock, funk and disco 🪩

Dude, I’m so glad you spot lit this one... i was looking for this version thinking i posted it yoo but i guess i never did. Anyways, killer addition your keys added on this... its hard to head the 1st version i did without hearing your amazing parts.

Heard it again, so much psychedelic grooviness!

Chris sent me a basically finished song and I added the synth part that runs through it. It's easy to sound good when you have a great foundation. I hope my part in the song adds a little something. We hope you enjoy it, too!

Blatant Fakery (with cgmaness)

we should dance

These songs are influenced by images from the poem Dover Beach by Matthew Arnold. I’m not sure how this poem came to me, I’m not a big reader of poetry, but there is is. I used several images from the poem to name the songs, as well.

The Tide is Full

The Light Gleams And Is Gone

Music for a fictive art exhibition - a minimal ambient track that would be suitable to surround the viewer while exploring an art exhibition. The music tries to create a certain tension, a kind of 'awareness', that would support the visual process rather than draw the complete attention of the viewer to the music.

Music For Art Exhibitions - Installation One

Friends (Led Zeppelin Cover)

disconnecting

Ive always pursued my music from a very spontaneous perspective  starting with guitar, i try to approach  things in a very organic fashion even with electronic  modular  synths  i have logic + mother keyboard i never use it ! For me the work flow  must synchronise with how & what motivates me in the feeling of the moment in a natural chaos  ..deliberated yes of course but clicking around on a screen while writing makes me wanna blow my brains out . ! Anyway for me personally this track exemplifies that feeling of the moment in Celebration..One shot recorded live job done 🤗 Thanks for  listening 🤗🙏😊.This is a DAW-less production .

Celebration  🤗 🙏 😊

IG track (p)2023, open collab with noxpox ..
https://soundcloud.com/noxpox13/noxpox-dreamin-ov-moonrocks

noxpox / IG - dreamin ov moonrocks (synthetic light curve module)

Cousin Silas - The Talking Drum

on this version, Josh Guice plays drums and James Abendschan plays bass (but you can't hear that very well).

Mischief Noir

01 - UVI - FALCON - Rain Falls
02 - SA - ORBIS - Pads - Blade Running
03 - SA - WE - Movement Pad
04 - NI - STRAYLIGHT - My Darkness Approaching

Orbis - Woodwind Pad

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, last summer ('23) I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), and Stephen (Texmex Shaman), although we have also added Mark (mistermark) and The Mysterious Decibel to the mix this fall. A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. In fact, 100% of what I do is collaboration, within the group or with other amazing artists like Chris Maness (@cgmaness).
  I, and we, are also available for hire if you have a song and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Grateful Dead, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, and Sean Lennon, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully some others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recordings, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, I just don't have access to it. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  Recently, over the summer of '23, I formed a collective of my fellow SoundCloud musicians into a loose band called the Eclectic Collective. We have core members, but the lineup changes weekly. I basically found my favorite musicians on here, and asked them if they wanted to collaborate. It keeps growing strong. If you have some music that you think a band could bring to life, please hit me up and we'll see if we can add you, too. 
Here's a link to music I've recorded with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Blatant Fakery (with cgmaness)

Entheogenic Psychonaught (Josh Clary)

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