Name: Far and Wide (with Mikey McFaffington) by Entheogenic Psychonaught (Josh Clary) in Fab Collabs
Duration: 3 min 27 s
Description: This song is a result of trans-Pacific cooperation at it's best. my his friend Mikey McFaffington, of Geelong, Australia, sent me some guitar chords and a smoking sax riff. I took them both, added an arrangement, bass, organ, guitar, and a beat. This is the result. We hope you like it. You can find Mikey on here, too, under his name.

Another great track! Love the shakers, bass, sax, guitar and the overall feel. The sax still makes it swing though along with the guitar🎷🎷🌟🎶

Great arrangements, love the tune.🔥👂🔥

Fab Collabs

Saxophone, Production:  Mikey McFaffington and his Saxophonic Adventures [https://soundcloud.com/mikeymcfaffington]

Electronic production: Christian Moll [https://soundcloud.com/christianmoll]

Soul Gardens (Collab with Mikey on Sax)

The Burning Sun

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Guitar played: Taylor 714CE tuned B F♯ B E G♯ B
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
LYRICS:
In the cool of the Arizona morning
There are no words to say
The sun lights up
The eastern sky
At the dawn…….
Of a brand new day

The tumbleweed is turning
Looking to put down some roots
Maybe it’s just my calling
To have dust ……
All over my boots 

I don’t see all there is to see
I don’t hear all there is to hear
There’s light and there’s shade and something in-between
And the distance …………drawing near

I’ve got dust all over my boots
I’ve got dust all over my boots
I’ve got dust all over my boots
I’ve got dust  …………. all over my boots

The slow and steady beat
Of these hooves upon the ground
Horse and rider as one
And at peace ………
With that sound

I don’t see all there is to see
I don’t hear all there is to hear
There’s light and there’s shade and something in-between
And the distance …………drawing near 

I’ve got dust all over my boots
I’ve got dust all over my boots
I’ve got dust all over my boots
I’ve got dust  …………. all over my boots

Dust All Over My Boots

As  I once heard "I'm not complaining, I'm just making an observation"

© Joe Liberty 2022. All rights reserved

Just Getting By

Now in the land of milk and honey 
In the home of the free and the brave  
It’s a time of feast or famine  and your worth equals your pay 
Sometimes you gotta wonder why
  Work hard all your life but still just getting by
Still just getting by

Well now, do you have or have you not 
Its the question of the day  
And your answer will determine
 If you’re out or got it made 
Sometimes you gotta wonder why
  Work hard all your life but still just getting by 
Still just getting by 
Yea

¯\_(ツ)_/¯  solo ¯\_(ツ)_/¯ 

The bills they just keep coming  
The prices they all rise
 World you used to know before  crumbles by and by  
The same olds never ending
 But the dream keeps you alive  
Till you finely you realise 
That that dreams a lie

Oh, do what you can hope for the best  
Who knows you might win lotto yet  
Life a gamble and you know it’s true  
When one man wins the others lose 
Your lifes defined right from the start  
So get in line and do your part  
Buck the system if you dare 
But it’s dog-eat-dog so just beware 
Sometimes you gotta wonder why  
Work hard all your life but still just getting by
 Still just getting by 
Sometimes you gotta wonder why  
Work hard all your life and still just getting by
Still just getting by
Bye bye, still just getting by
Bye bye, still just getting by 
Yea

JustGettinBy3

Lyrics & artwork: Cosmic Keanu. Backing vocals. David. k. A. Spencer

Coming back to cosmic reality. (Vocals. Cosmic Keanu.

This song is a result of trans-Pacific cooperation at it's best. my his friend Mikey McFaffington, of Geelong, Australia, sent me some guitar chords and a smoking sax riff. I took them both, added an arrangement, bass, organ, guitar, and a beat. This is the result. We hope you like it. You can find Mikey on here, too, under his name. 

Far and Wide (with Mikey McFaffington)

Yes !! for the first time in my life , i sing over a music i did NOT compose ! But i couldn' t resist this beautiful music written by Debbie and Dave . Million thx my friends for letting me try some vocals on it:))

Easy To Please (music by Debra Buesking and David Dunham)

Cold Combo--hot is lava cold as ice

You can’t go wrong if you leveled up double down 
if you leveled up double down—-and keep it going just for fun
You can’t go wrong if you leveled up double down 
if you leveled up double down—-and keep it going just for fun(X2)

Years gone by still doing  me naturally 
in this maze of confusion ——can’t follow blindly 
somewhere deep inside I find my reality 
still a dream ain’t nothing —-but a fantasy
but believe me I’m the master of my own destiny
breaking the mold is like hitting the state lottery 
A visionary in plain sight for all to see 
Screw the copycats —-mimics—- and wannabes

Next level feed the hype let it sink in 
and I bet you connect with what I’m thinking 
I ain't crazy I ain’t high and I ain’t drinking 
bitch I’m fresh and on the grind like I’ve been Pimping 

next level hype this as I sink into this mix 
hits several don’t miss like a guided rocket ship
flexing finesse coming through legit
And I ain’t satisfied till the track is lit

Throw a flag on the play—— it’s out of bounds 
yeah —I feel your concern cause —-I’m world renowned 
morning —day —noon— and night —I’ve been getting down 
with the levels I’ve display—-for oh so long 
hot is lava cold as ice —-and it’s all said and done—with precision on the mic
check to turn around 
tear the roof down pump it up ——sound on sound 
still repping to this day ——-the deep underground

un—-con—ditional —-always———— original———————-
turn up the volume——-crank it up —and—-listen y’all
———and if you’re feeling the groove let’s——get physical—-
it’s in the culture————not—- stereo—-typical 
carving up —-this track—almost———surgical…
and my nature is on the rise—————yeah ———vertical
Better vibes———————-real —appeal——that’s —-all notable
Higher highs ——that’s the deal cause it’s ——-- magical 
Ride the tide———keep it real——that’s devotion y’all 
Vibing off—-how I feel————that's——-incontrovertible

Cool Combo

Early Down Chaos

R        o        X        X
Hi everyone, I hope the world is treating you well. I’ve got a new track for you I call Duck Walk. It’s an upbeat boogie rock
song. I first demoed this song over 20 years ago, it was always in the back of mind to have another go at it. Crank it up and enjoy! Please leave a comment if you get the chance.
Music is life,
Tom


Duck Walk© ℗  
by Tom Roxx
Copyright 2022
Recorded at Roxx Studios
All Instruments played by me.

Duck Walk

A big thank you to Mikey McFaffington for playing the Saxophone, a great pleasure to collab with...
Please take a closer listen: https://soundcloud.com/mikeymcfaffington

The picture shows a detail of „3 Crows And A Pink Helium Horse“, oil on canvas by Steffen Braumann, 2019




The „Witness Statement“ (Crow No 3)

1
"...that you find me here is really just a pure coincidence
Things are very clear at the scenery of the incident 

ref
I don’t really know those two, 
I think I have seen them before
Once they sat on the shoulders of a deceased god 
They used to whisper to 

I’m only a casual passer-by
Just happen to be passing by
Nothing more but a casual passer-by
Don't ask me what's going on or why

2
I'm on my way home - a beech tree, close by, 
Have  been searching for long
Even has a balkony and a secret hiding place in the roots, 
Plenty of room for lots of stuff and things, even got a roof

ref
I really don’t know those two 
I think I have seen them before
Once they sat on the shoulders of a deceased god  
They used to whisper to 

But I - only a casual passer-by
Just happen to be passing by
Nothing more but an innocent casual passer-by
Don't ask me what's going on or why

3
The victim ? - Isn’t known to me…
I remember before it was seen higher up
It was pink and looked like a pumping heart which was  too cocky on the run
At its lower end something small blinked seductively in the rising sun

ref
I don’t really know those two
(Though they are of my kind)
I think I have seen them before
Didn’t they sit on the shoulders of a deceased god 
They used to whisper to ?

But me, only a casual passer-by
Just happen to be passing by
Nothing more but an innocent casual passer-by
Don't ask me what's going on or why

On my way home
Just passing by…"

The Witness Statement (Crow No 3) ft Mikey McFaffington and his Saxophonic Adventures

Video available:  https://youtu.be/Y7wkppOg7GU 

Now that some rich crackpots have paid $600,000 for Nyan Cat's NFT, there's no questioning the legitimacy of the title of a timeless masterpiece of Art :D Hence a little tribute...

A présent que certains cinglés friqués ont payé 600 000 $ pour le NFT du Nyan Cat, on ne peut plus dicuter la légitimité de titre de chef-d'oeuvre intemporel de l'Art :D D'où petit morceau hommage...

Nyan Cat (short variations)

This song started as an idea David and I came up with to do an afrobeat song together.  So David came up with this banger of a bass line and drums track and sent it to me. I added some guitars, electric piano, and organ. I then excitedly sent it to Mikey to add the sax, which I consider to be a key element of afrobeat music, and which he always does so well. David's version is much more drum and bass heavy. Please have a listen to both so you can hear how they both sound. I really had a good time making this song. David produced and mixed both versions, and what a fun thing it is to hear my instruments integrated into an elrctronica song by such able hands.

Under the Baobab Tree (with David K. A. Spencer and Mikey McFaffington)

Steve's song, voice and guitar backed by Josh and Ken - powerful blues rock for your enjoyment :)
Produced by Llanpsych

Better Than Nothing - Steve's Planet, Entheogenic Psychonaut (Josh Clary) and K2 and the Three

Many thanks to Eoin for asking me to work with him on this track. Please check out Eoin's awesome work here: -

https://soundcloud.com/userwillypaddy87

Artwork- Eoin Shannon
Vocals - Eoin Shannon
Keyboards & Saxophone - Mikey McFaffington

And I Love Her

And I Love Her- Collaboration With Eoin Shannon ( Beatles cover)

Mikey McFaffington And eddyoffline 24

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Far and Wide (with Mikey McFaffington)

Entheogenic Psychonaught (Josh Clary)

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