Hey Josh , thanks for taking time to sing on this one !  Glad to hear that holiday vibrato 😃.   Appreciate you brother !  Merry Christmas!

🔥🔥Play it Santa …love it Josh & gang🔥🔥
👏nicely done … really spruced up the old girl
🎄🎅🏼🎄🔥🎄🎅🏼🔥🎄🎅🏼🎄
👏had my foot tapping Josh …
👏great collaboration of talented artists making this season just a bit more jolly even before the Eggnog in a Moose head cup
 ( right Cousin Eddy 😂😂)

I know I'm very late, but Merry Christmas Josh, and everyone in the gang!  I always love hearing you on vocals Josh, excellent Holiday spirit!  Great work, all!

That tenor voice drop in the intro... OMG! Nice surprise! Cool spin on this jingly Holiday rocker! Got some hot buttered rum & eggnog to go with this?  Is it too late to party in a mid-winter's dream? You all got me jump started with the festive spirit! Did you guys hide your bulbs until next year? IF I see traces of tinsel on mustaches, I know the party is still going! ;)   Thank you, Santa's Slippery SONIC Studded helpers!  >> Tally hoe & away you go with a prize right between your eyes! 🔥🔔🔔🔔➕😎😎😎🎶👑👑👑=1>☃🍺➕🎄🎯👏🏻👉🏻😍

Super-enjoyable collaboration! Wonderful atmosphere!

I forgot how much I loved this so breaking this out again :)

Related tracks: LUMI

Yes, there's a soundbite from a Marvel movie in the mix (Disney don't sue me please). And yes, it still makes me cry. Damn you, Vision!

Bonus: Guess the movie in the comments! First correct answer gets a follow and virtual fist bump. 

Influences: TV on the Radio, Billie Ellish & Finneas

Venus Cries I (Love Survives)

Cast of Characters:
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, lyrics, and seed idea 
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, mastering, and seed idea
Mistermark – @user-432503709 – Mark – all instruments in the break, including clavinet, organ, bass, and drums, as well as production, editing, and mix
Llanpsych-- @llanpsych -- Tez – electric guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass 
The Eclectic Collective -- composition

This song began its life when Ken came to with a series of drum skeletons about half a year ago with the intent of starting several McDonald's themed songs that The Mysterious Decibel was writing for the group. Well MD had some life getting in the way and then decided to pursue another project full time, leaving us with four solid songs, but without vocals. Ken ended up supplying the solid lead vocals and harmonies you hear the whole way through, with original lyrics that he also wrote.
  But before any of that happened, we got this song together. Stephen was first up, coming up with the main guitar riffs that carry the whole way through. Josh responded quickly to the his guitar parts with some matching bass to go along with it. 
  About this time, Mark heard the funky break in there, and so installed every part of it all on his own, including the clavinet, organ, bass, and drums. Although, Ken is also still playing in the break, as well. When we had it pretty well set, Tez came along and added some fiery guitar to go along with Stephen's. 
  Once we had it in the can, we turned it over to Mark for his expert mix. Stephen mastered it for us, too, for the final, winning touch.
  This ended up being a satisfying product of The Eclectic Collective's teamwork. We hope you enjoyed listening to it as much as we enjoyed creating it.
Original Lyrics by K2 and The Three:

I built my library, by burning it to  the ground
I live my life, through all this singing sound
Can’t remember, what then we should’ve done
It’s up to you, now, you’re the chosen one

Scaling the riverbank
Scaling the riverbank
Scaling the riverbanks
Scaling the riverbanks

Till we reach solid ground
Pit for play dirt(pay dirt)
Muddy water all around
Sift the sandbox
There’s gold in them thar hills
Treasures lying
Skills to pay the bills

Hanging on and on
…. and I, can’t find my way up!

New to you
It’s goo to you
New to you
It’s goo to you
New to you!

Scaling the River Banks
Scale the riverbanks
Scaling the riverbanks till we reach solid ground
Scaling the riverbanks till we reach solid ground

Hanging  on and on
And I can’t find my way up!

Scale the River Banks
Scaling the riverbanks!

Scale the riverbanks!

Scaling the Riverbank (Eclectic Collective)

Cast of characters:

Llanpsych-- @llanpsych -- Tez – Takamine acoutic and Gibson Les Paul electric guitar, composition, lyrics, mix, and production
Mistermark-- @user-432503709 -- Mark – jaw harp. vocals, production, mix, and editing     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 for voices that include bagpipes, Celtic flute, and Hammond B3, along with the bagpipe and "off with her head" outro
TexMex Shaman– @texmex-shaman –Stephen– mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision bass

This song started as a rough recorded by Tez on his acoustic and electric guitars. He also wrote the lyrics right off the bat, and introduced them to the rest of The Eclectic Collective by singing them as a rough, too. His vision for this was to create a song that sounded like it could've been recorded at Headly Grange. He also wanted it to feature instruments that wouldn't sound out of entirely out of place in Feudal Age Britain (between 1000-1600 C.E.) to carry the spirit of his lyrics.
  Tez always writes songs that are fun to learn and have cool changes, so the we all jumped in with both feet. Ken was first up with his Bonham like big, bad beat. To that, Josh added his P-bass, which he used a plectrum on, something he rarely does, trying to sound like JPJ to match his Ken's energy. JJ came along next, adding his colorful mix of raucous organ, time period relevant Celtic flute, and outro bagpipes. He did the entire outro, in fact, including the "off with her head," line, too. 
  Once the music was all laid down, Tez tapped Mark to sing the humorous lyrics. Mark came through with flying colors on the vocal performance, as always, too. Mark also added the textural, boingy-sounding jaw harp in the chorus sections.
  Now that it was all in the can, Two of our master producers Tez and Mark mixed it, then asked the third, Stephen, to do the final mastering. It should be noted, too, that Mark also contributed significantly to the production, too, with his masterful editing skills.
  This was a really fun tune to put together, as we always have fun working on Tez's seeds. He is telling the tale of lust between two Feudal era peasants. Of course, it's rife with ribaldry, being as Tez is British. We hope you enjoy listening to this a much as we enjoyed creating it.
Original lyrics by Llanpsych:
Verse 1
Working in the fields
All summer long
Glowing like the sun
Oh so fit and strong 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove
Verse 2
Loving in the dusk
Lying in the hay
Drinking hot cider
Till the end of the day 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Feudal Woman Blues (Eclectic Collective)

Cast of Characters:

MJ-Brewer @user777114915  -- bass guitar
TexMex Shaman– @texmex-shaman –Stephen– guitars, drums, production, and mix
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – vocals
This is a little holiday treat for everyone. Stephen came up with this instrumental with his friend MJ, with the intention of making it an open collab. I've literally never played a Christmas song before, let alone sung one for a recording. This was a lot of fun, though, singing the familiar melody and words of this classic. Big thanks for Stephen and MJ for sharing this with me, and all of us. Happy holidays to you, whether you celebrate Christmas, a different holiday, or no formal holiday at all during the winter solstice, I hope you enjoy this time of year. I am so grateful for all my SoundCloud friends and the SC community at large. This is definitely my happy place. Thank you all for making it so.

Jingle Bell Rock (with Texmex Shaman and MJ Brewer)

Do I Ever

A song I wrote in 2020…The Winter solstice has passed for 2024… Spring is on her way! Happy 2025 to all, especially those that hear this song of joy and hope! Simple! Some say I can’t or shouldn’t sing.. some don’t like my voice ( me, ha!🤩) - some say @ you do you… it’s not about alcohol…it’s about something far greater than all of us, combined! Hope you dig my stripped down version! I have the full band version on here, somewhere down that crazy river!! 😎

Drinking The Spring (Unplugged)

MASSES - ΜΑΖΕΣ

... little musical sketch - completely done with (quite clever) VSTs ...
Of course something can be changed, although the major brutal upheavals raise doubts .... Hoping alone does not help, of course ;-)
Let's hope the future is open for good turns!
... wishing a good 2025 !

Can we turn the tide?

A different arrangement than the original version by Neil.....

"Neil Young's song "Comes a Time" is about finding shelter from troubles and then facing them again. The song's lyrics were inspired by personal events and romantic relationships."               Google AI

Mastered Track: Distrokid Mixea

Comes a Time - Neil Young (Cover)

He´s my son. 1365 ( 1993 ) Margareta Theorin ( Margareta )

method: actually bowing the lyre and going through the paces in audacity
narration: wysiwyg
image: lyre, bow and pedal-amp, copyright jo richter

poem / copyright jo richter:

calm sylvan spiders
stringing the aeolian
harp of the morning

lyre

Original acapella Che Paxin (Looperman)
https://www.looperman.com/acapellas/detail/22932/without-you-by-chepaxin-102bpm-pop-acapella
Photo : Paris vu de Montmartre

Without You Ft ChePaxin

An instrumental brand new track, more experimental along with punk rock elements (mostly 90s) along with the 80s feeling into it.
LUMI=Like u mean it.
 
Enjoy my friends!
Youtube: https://youtu.be/gzSvR9GT-zE
---------------------------------
(p) & (c), 2025.

LUMI

Bonjour à tous, avec mon cher Ami Zitou itou,nous avions envie de collaborer sur un titre. Il m'a proposé cette musique qui lui est si particulière et magnifiquement produite,j'ai dit"oui" de suite,j'ai écrit le texte,interprété le chant avec quelques notes de guitare,et voilà,cette pépite est née de nos deux univers différents que la musique a rassemblés !!!...Je vous souhaite autant de plaisir à l'écouter que nous avons eu à la faire,musicalement vôtre,Mr. Madeleine.

Ses Yeux Comme Des Tours De Lumières Par Zitou itou et Mr. Madeleine.

Where it all began, this was one of Shodah’s first original albums during his years leading the rock band Audio Tap from 2012 to 2021. From long, noisy nights on tour across the UK to the sparks of creation that birthed these tracks, Audio Tap carved a deep groove into Shodah’s life and artistic voice. Now, fully recorded with vocals, guitar, and bass performed by Shodah, the album finally steps into the light it’s always deserved!

In The Night

blood in the back roads

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Jingle Bell Rock (with Texmex Shaman and MJ Brewer)

Entheogenic Psychonaut (Josh Clary)

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