Marvelous work right here y’all, thumbs up...

as i said before.  it is early morning here..   this track, the ambience, the bird a like fx..  is beautyful as the morning sun..

Adore this intro..out of this world beautiful!!!

Amazing Guitar Work ~~ & Everything Else ! :-)

TEST & FOLLOW SOME OF THESE HYMNS

Instrumental by RiZLiX https://soundcloud.com/rizlix
https://soundcloud.com/rizlix/rizlix-keep-on-rollin
Vocals and Rap: by IPG1 a.k.a Ian Greaves
Mix By: Ian Greaves
Thanks Dan great instrumental and inspiration. ✌🏽💚

Lyrics:
Chorus
The joint it ain’t the joint—-until I smoke it in
And The club it ain’t the joint ——until I roll on in
Now you know it ain’t the joint ——until I smoke it in—-
until I smoke it in—-until I smoke it in

Verse1
The club it ain’t the joint until I roll on in
and she looks at me ——-like where the hell you been 
But I run a tight game—-smiling at her friend 
you take your time ——when you’re ready baby——-roll on in 
Cause she ain’t got no papers —— ain’t got no ring
So if I don’t come around, we’ll it ain’t a thing
For one—-I don’t keep score ——I just roll with it 
If it feels good, I explore —-yeah ——that’s —real-slick 
party here or next door —decisions made real quick 
and I don’t need no dance floor ———-or a sidekick
getting down real hardcore —and——the swagger’s sick 
that’s just—- what I’m built for ——so just— take your pick
keep you  body moving worldwide, don’t sweat it 
and the count is like a landslide —-yo—-I don’t slip 
inside or outside——If it ——rains——just—-let it 
It’s a journey ——not just a ride —and—I’m glad -we met
and the flow ——is like high tide ———-remix an edit

Chorus

Verse2
holding down my block——city —state ——and nation 
leveled up like a worldwide radio station 
Just keep in mind —-this is Just —-how I roll 
give it all ——to the music——body—heart—-and soul
Put my cards on the table and I’ll never fold 
cause I’m holding all the aces —-and I’m in control 
follow now let’s go deeper down this rabbit hole 
Dan put the track together ——and ——it’s winter cold
Now—-I’m dropping these —bars ——-like I’m on parole 
make it rain ——shake that booty —-round the metal pole 
Twerk it—-Twerk it ——ass Poppin    ——It’s on cruise control 
Throw it up ——switch it back ——like a centerfold 
Now-I’m going for a touchdown——like the Super Bowl
come on —-go again —-tell a friend —let me in 
dropping cheddar on the floor—- make it rain again
shake that ass a little more ——-back it up and bend 
over like you did before ————cause ——I’m—off the chain

Verse1

Rolling On Produced By RiZLiX

Hey Folks…. Hope all is well wherever you are. In that relative sense of the world being as it is right now. A cold Spring here so far. A little snow, freezing temps, but that will change soon with the new heat dome dropping down upon us from the north. So instead of composing songs, I have been outside quite a bit these past few weeks… I tilled and began planting the vegetable garden. Snow and sugar snap peas are germinating. I planted 3 varieties of lettuce plants from seed I grew and saved from the past few years. If you don’t know… Lettuce ‘goes to seed’ when the plant ‘bolts’ by sending up a 3 foot flower stalk, which looks pretty cool. I usually let some lettuce bolt each year. A while back, I used to market about 300 heads of lettuce a year, but now just grow 50 or so heads for salad. That’s a lot of salad…. I also planted leeks from seed plants I grew last year, after letting the leeks overwinter. I was dreaming about potato-leek soup, when I first planted leeks, and well, the dream was better than the soup. The garlic patch is up, from last autumn’s planting. I call the patch ‘The Garlic Monster’, as it has grown in size over the years, the unruly beast that it is. There were some overwintered Swiss chard plants that I dug up and transplanted to a side spot in the garden, hoping to get some seeds this year from those plants. Beets, carrots and rutabagas have not germinated yet. (It’s been cold.) I dug up 3 large rhubarb plants I grew from seed that I collected, and moved them to a new bed as the spot they were in was a spur of the moment decision that wasn’t working. I do harvest and prepare rhubarb each year, but it is definitely an acquired taste, so I tend to compost some of what I pick. (Most of it…haha.) I transplanted 2 aspens and a pie cherry sapling that grew up too close to the house. The main aspen and cherry trees are easily 10 yards away from where the saplings were. I am always amazed at how tree roots grow in search of water, this time for dripping water off the house. That phenomenon is called Hydrotropism. I moved the saplings to an open area of the yard where I hope they will sprout many more trees to create a mini grove. OK… that’s enough gardening stories for now…. Don’t you think? I need some for the next song… hahaha. So with the colder mornings, I have been recording songs every other day or so. I had 3 songs recorded and well and they were all sketchy/wonky in parts. One, a true story, was about this dude threatening me with a handgun. (That song was way too political)… another was a sobby, tear-jerker of a lament, OMG… sure I felt that way, but seriously dude? The third was a loud and dissonant slide song, which happens when I need to burn off some negative energy. I was bummed after listening to all of them, so I did this song, as a last ditch effort to salvage my musical dignity. Ha! So let me know what you think… Thanks. I am heading off SoundCloud for the Summer months. See you when the leaves begin to turn, or maybe when the snow flies. Gonna miss ya’ all… Thank you for the love and support, the insights and ideas, the camaraderie and fellowship. Have a great couple of months wherever you are. Mark

Lammbone's Album

Tiptoeing Across Time... I am heading off SoundCloud for the Summer.

Follow Me

Follow Me (Original Mix)

Summer Night

This is a perfect song for collaboration that JJ came up with on the keys and bass, based on a really cool drum track that Ken (K2 and the Three, K2 and the Four) gave him. They are both wildly creative, and left the perfect amount of collaborator space, as they do on every song. Then I got a hold of it and added the main guitar, lap slide, mandolin, and some synth. Then we sent it over to Stephen (TexMex Shaman), who added that really cool guitar solo at the end of the first part, and some more guitar to the end. Also, and very importantly, Stephen produced and mixed this for us. Talk about monumental task! It was like we gave him a basket of cats, and he made a cohesive thought out of it. I'm amazed. I can't overstate how much I enjoy making music with these three sorcerers. We hope you enjoy listening as much as we did making this.

Junebug (Eclectic Collective)

Electric guitar is absent --- Bass and Acoustic lead the way .
-----------------------------------------------------------------------------------
I wish you were the one that could
Bring up the sun, instead
You bring out the dark and soot
Am I good enough for you? Am I good enough for you?
Put on a front, I hide
What's killing me most inside
Oh, I stay to myself, "I'm fine"
Is what I'd say to you, am I good enough for you?

Say that you'll be mine
Well you lied, well you lied
I tend to stay aside
While you try to be some kind

You were the one that would
Bring up the sun, instead
You bring out the dark and soot
Am I good enough for you? Am I good enough for you?

Say that you'll be mine
Well you lied, well you lied
I tend to stay aside
While you try to be some kind

All done, it's out there
And everything inside is just alright
Far from complete here
That's okay, I'm still alive, I fight
I fight

You were the one that could
Bring up the sun, instead
Oh, I stay to myself, "I'm fine"
Is what I'd say to you, am I good enough for you?

Some Kind

Produced By COtu
Mixed by COtu
Mastered by Marc Felish

"And Saint Attila raised the hand grenade up on high, saying, "O Lord, bless this Thy hand grenade that, with it, Thou mayest blow Thine enemies to tiny bits in Thy mercy."
And the Lord did grin, and the people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats ..."

- Monthy Python

Church of the Undecided

Heathens Hymn

TESTING 1  2  3  / feat. IPG1
Vocals and Verses:
https://soundcloud.com/ipg1/snippets-vox-140-bpm

Lillithe : Music, Arrangement and Production

Testing 1 2 3 / feat. IPG1

Original composition, guitars, bass, arrangement and mix by Neno J.

The Door Of Perception

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Youtube

ringing

Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/the-little-mermaid-music-for
The Little Mermaid – The Shipwreck in the Storm 
September 2023
Duration: 2:00
Painting by Marie-Jose Payannet
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Little Mermaid Ballet January 2024 in Colorado.
On her 15th birthday, the Little Mermaid swam to the ocean surface. A large ship with three masts lay calmed on the water nearby.  The Little Mermaid swam close to the cabin windows and saw a number of well-dressed people within, among them was a young prince, the most beautiful of them all.... Soon, the waves rose high and heavy clouds darkened the sky: a dreadful storm was approaching. The waves rose high as mountains and the ship dived like a swan between them. At length, the ship groaned and creaked, the thick planks gave way under the lashing of the sea, the main mast snapped asunder like a reed and the ship lay over on her side, the water rushing in..... Paraphrased from "The Little Mermaid" by Hans Christian Andersen. 
For piano, trumpet, French horn, trombone, tuba, tubular bells, timpani, virtual instruments, sound effects and percussion.

The Little Mermaid  - The Shipwreck in the Storm

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. So, I took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
  Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track.
  Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Tonkas and Matchbox Cars (Eclectic Collective)

Paddy Whack feat. Shamoozey
Shamoozey Vocals and Lyrics:
https://www.looperman.com/acapellas/detail/10070/paddy-whack-by-shamoozey-140bpm-weird-acapella
https://soundcloud.com/shamis-1
Paploviante: Bass, Music Composing, Arrangement, Mix, Picture and Mastering

Paddy Whack feat Shamoozey - Paploviante Music

Homage to Relativity Theory's Centenary & Mr. Albert Einstein.
Based on a delightful 6/4 main theme by https://soundcloud.com/exploderamera, we offer to the listener some variations on 5/4, 4/4 & 2/4 signatures, relatively round composition, lotta love, and two questions...
----------------------------------
Music: ExploderaMera and E-Ruizzo
Lyrics: Albert Einstein
Vocals & Artwork: ExploderaMera
----------------------------------
There are five houses.
The Englishman lives in the red house.
The Spaniard owns the dog.
Coffee is drunk in the green house.
The Ukrainian drinks tea.
The green house is immediately to the right of the ivory house.
The Old Gold smoker owns snails.
Kools are smoked in the yellow house.
Milk is drunk in the middle house.
The Norwegian lives in the first house.
The man who smokes Chesterfields lives in the house next to the man with the fox.
Kools are smoked in the house next to the house where the horse is kept.
The Lucky Strike smoker drinks orange juice.
The Japanese smokes Parliaments.
The Norwegian lives next to the blue house"

Now, who drinks water?
Who owns the zebra?

ER00EC12

Einsteins's Riddle (with ExploderaMera)

another point for | untitled project 001 sessions | ambient atmospheric psyche drone industrial horror WIP | stortion 2.1 gp1 80 bpm take 1 72825

produced by mousy and orrionn

lyrics:
when they reigned to the end of time
will the sinner in the end of me would ever agree to be?
we’ll all die for this to feel like you’d bloom
from the inside of all them to grow and die
grow and die (gosh)
god
just bloom, bloom for every of their soul
and you might not end up dull, end me
end me, end me, end me now
why did you lie to me, can you end me whole?

bloom

spotify

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

(Don't follow me here, best on my main page ;)

Junebug (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

Recent comments

Donna Dior

Sista San AKA SistasanDra

~Mark F

AnandaTuk

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