i am surprised how far behind i fell.  i am in for a treat this morning with so much "new" collective to eat up :)

I think this deserves the equivalent of a standing ovation but not sure how you do that on the cloud 🙃. Bloody bizarre in a brilliant way. Full of baroque, mind bending magnificence. Musical kudos chaps

It's gotta be like Dulles air traffic control coordinating all these remote players but you guys sound so unified on this one. Chris does gentle eerie to perfection and the groove & solos wrap around the psycho-delia so well!

a nice trippy vibe running through this thats nicely punctuated  by Ken, great stuff

To Cool Josh & Friends ! This is What you Call a VIBE :-)

Trippy track. Well done by all. Love the visual and always enjoy your description of who and how things come together, Josh.

TURNING THE GHOSTLY HEAVEN OF THURSDAYS

Voice of the nation

Composed in honor of Scotland, fantastic country and people.

27 Doors opening

Sailing Away

Swamp Interactions

Thursday

Cast of characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar foundational rhythm guitar

J.J. Terrell– @j-j-terrell – organ, envelope synth, vocals along with Josh

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass

Llanpsych– @llanpsych –Tez– Fender Stratocaster electric guitar

TexMex Shaman– @texmex-shaman –Stephen–Fender Nashville Telecaster electric guitar, sitar, mix, master, and production

This song began its life in Poland, where our resident surf rock specialist, Artur, composed it on his giutar. He is a brilliant composer and expert player, so we're always glad to receive music from him.

Artur gave it to JJ to start the project, so JJ was first to the trough here, adding his breathy, moving organ and envelope synth throughout. Ken came along shorly after to give the song its heartbeat, adding his triumphant drums. As soon as he had a beat to play to, Josh added his four string fretless bass to the mix, completing the rhythm section.

Now it was the other guitarists turn to take a whack at it. Tez was first up, adding the magical the first and third solos, in the verse sections. He also lit up the intro and outro sections with some dynamic guitar solos, as well. Stephen went last, filling in the second and fourth solo sections in the choruses, as well as a textural guitar that you hear through most of the song. He also added the exotic sitar you hear in about the middle.

Once we had it in the bag, we asked Stephen to produce it for us, which he did in his always trained, professional manner.

This is the eighth song we've done with Artur over the past about year and a half. We adore his music and him as a person, too. If you dig this song, you should hop over to his page and have a listen in case you're not already familiar. He loves surf music, and wanted to note the passing of surf rock legend, Brian Wilson this week. Wilson was more than just Pet Sounds, although that album is top class. He was a surf rock pioneer, who influenced a whole genre of music; a genre that's near and dear to Artur's heart.

We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Surfers Like Us:
We all live between Sun and Moon
Love and Peace
That's all what we do

Between Sun and Moon (Eclectic Collective)

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

I'VE BEEN SEEN WITH NO SOUND
A HAS BEEN NOWHERE BOUND
I'VE BEEN LOST AND BABY I'VE BEEN FOUND

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

I'VE BEEN SEEN WITH NO SOUND
SHUFFLING WIND NOWHERE BOUND
I'VE BEEN LOST AND BABY I'VE BEEN FOUND

ONCE A KING TWICE A CLOWN
I'VE BEEN SNEAKING AROUND
FROM THE TOP OF THE WORLD TO THE GROUND

WHISPERING TO THE WIND 
LOVELY SWEET LITTLE NOTHINGS
SOMETIMES LOVE IS A SOLITARY THING

I'VE BEEN UP I'VE BEEN DOWN
I'VE BEEN FOOLING ALL AROUND
FROM THE TOP OF THE WORLD TO THE GROUND





I'VE BEEN UP (Lyrics)

Introduction and Lyrics in English:

The ghost forest really does exist on the German Baltic coast. Over the centuries, the beech, oak and ash trees have taken on bizarre shapes due to the Baltic wind and the many storms. To me, they look like bent, crooked figures that seem to be on the run from the recurring storms. 
As almost all the trees have only one crown and are completely bare underneath, they also give me the impression that they have shut themselves off from the fury of the storms and withdrawn into themselves.
In my imagination, the storms stand for the inner ghosts or demons that more or less haunt everyone rarely, sometimes often or always at night.  
For me, the trees in turn symbolize the sometimes panic-like fears and the need to flee when the inner ghosts appear.   
At the same time, in my mind the trees also stand for the great achievement of some people who nevertheless live and continue to live under the impression of permanent demonic inner storms: Admittedly somehow crooked, slanted and crooked; but nevertheless in a marvelous way peculiar, unmistakable and original.
This is the background against which the song ""Ghostly Forest"" was created.

Ghostly forest

Every night you are there
Like a fool tormenting me with relish
Like a sneering clown
You force me to look into my abyss

Mmh

Fall deep, almost unbearable these soul wounds
Give me this one shot that pulls me out of the tunnel of pain
aah

You tell me dark things
Accuse me, expose me, make me small
You put me before the last judgement
Spit brazenly in my scarred face

You give me the feeling
That all I want is to die, to be dead
Oooh
Seemingly salvation, consolation

No! Get up!
Get to your feet!
At the bottom
You're still healthy,

I was 
In the ghostly forest
I lost my way there,
I still find the gap
Which leads me to my Yes! to life
Leads me to life!

You never leave me in peace
Give me new blisters every night

When I think I've banished you now,
You come prancing in from the left

Not one tired night 
I woke up without your fearful bite
Behind windows, doors, cupboards you sit 
Always ready for the nightmare leap

This morning
my deepest soul centre would have almost
faded before you

You were on the verge of destroying my core
Dishonouring my dignity beyond repair

A deflated moment
Who knows only silence, rigor mortis
Oooh
Already thought I'd never return

No! Get up!
Get to your feet!
At the bottom
You're still healthy,

I was 
In the ghostly forest
I lost my way there,
I still find the gap
Which leads me to my Yes! to life
Leads me to life!

Gespensterwald (Ghostly Forest)

Composition and Sampling collage by Synline.
Photo by PKpix

On Your Own

Turn of Time / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!


Turn of Time / Open Collab Offer

Some Heaven. (Feat: Lioness Pinky🦁

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, Ibanez electric guitar, beats, composition, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Fender Acoustasonic acoustic guitar and e-bow
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
electric wah guitar
Cgmaness – @hiddenhands-760647700 – Chris – vocals, vocal harmonies, and lyrics
This song began its life as a skeleton of beats and synth created by Terry, who also added some crunchy electric guitar hits to it, too. Terry is a very skilled electronic music producer, and frequent collaborator with Stephen for a project they call Texas Tea. It's worth going to check out their other collabs, as well as Terry's solo projects on his and Stephen's page. 
  Even though Terry and Stephen work together frequently, Terry approached Josh with a couple of ideas, and Josh picked this one, so Terry started the project and invited the rest of the band to join in.
 Stephen was the lead off hitter for this one, though, adding his magical and heavily processed acoustic guitar to the bridge in the middle, as well as textural guitar in the entire first half. He also added a couple of cool lines with his e-bow, which he used on his guitar. Ken was next up to bat, adding his always thrilling drums to compliment Terry's beats. Josh went to work next, now that he had a solid beat to work with, added his low-frequency five string fretless bass to it. Tez batted clean up, adding his thrillling Gilmore-esque guitar solo to the end of it. 
  Then, once the music was all finished, we turned it over to Chris so he could add his amazing, psychedelic vocals delivering his original lyrics throughout.
  Once we had everything recorded, we turned it over to Terry to mix, as it was his song to begin with. Terry is an excellent producer with a great ear. Stephen, who is our trained mixer gave him some key advice along the way, too, though.
  This is Eclectic Collective's third song with Terry, and we're always thrilled when he has something to offer us. He's a wonderful collaborator with tons of great songs on his page, that are all worth checking out. We hope you enjoy listening to this as much as we enjoyed creating it.
  Oh, and it's worth mentioning that three of us on this have birthdays this week, too. Chris' was first, on Wednesday, Terry's was Thursday, and Josh's is Friday (today). So, this is an extra special celebratory song for all three of us. We're all so very grateful for our SoundCloud community, friends, and musical family. We appreciate all of you!
Original lyrics by Cgmaness:

Lost in inner space,
questions interlace,
often they're erased.
amnesia's saving grace.
...
Many rising up,
What do you think it means?
Anything at all?
Anything?
....................
Wonder if you feel,
any of this truth?
Root systems occur,
we are one from birth.
we are one.
....
Slow to realize,
something is in the skies.
I cannot be wise.
We are lied to.
Realize, it's all a ruse.
but, we ripple on.
we ripple on.
we are one.
...
And that's when we fell back into,
a very familiar feel.
but I know.
Just pinholes,
just pinholes. 
....
Many rising up,
what do you think it means?
....
Sometimes we have to let go!

Koala Tea (Eclectic Collective with Tea R. Sea)

https://open.spotify.com/intl-fr/album/10sxiy3Ds20LZwmXCscjae
https://music.apple.com/us/album/funny-days-ep/1822802207
https://www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York   
Steve Rust on Bass, Harvey Sorgen on Drums, Olivia Siegel Keyboards     Barbara Browning Vocals & Cello   Imre L. Vocals, Guitars, Hammond organ

"FUNNY DAYS" EP MEDLEY TEASER (see description for links)

og to prey

Follow My Socials: 
Instagram: zxne_kxmar
Tik Tok: zxne_kxmar

DREAMS DON'T DIE

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

(Don't follow me here, best on my main page ;)

Koala Tea (Eclectic Collective with Tea R. Sea)

Entheogenic Psychonaught (Josh Clary)

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