Very interesting composition, full of space.

this sure isn’t the style and sound I’m used to from but this is EXCELLENT

Très belle réalisation ! Bravo à vous deux !!

Wonderful synth vibe. I enjoy it Well done 🔥🔥🔥

As the old Soviet joke goes, “In the Soviet Union, we know what the future holds. It’s the past that’s always changing.”      (lyrics below, after the song description)                                             
                                                     ****************
In this small, quaint college town, the town-gown relationship, for most of the 150 plus years since the college’s founding, had been productive.  The town benefited economically,  & students appreciated the town's charm, history & heritage.   Often on sunny days, classes of students would visit the park at the downtown square, brought by their history professors to learn not only of the town's history, but also about eleven young local men lost in America's Civil War, memorialized by the modest statue of a lone soldier, who had stood like a sentry at the the park's entrance since 1905.

But times change, don't they...
                                                   ********************

More Americans died in the American Civil War than in any other war in our country's history, including each of the World Wars.  In my song, the word "Daughters" references the Daughters Of The Confederacy, a women's civic group formed in the 1890's by daughters (and wives & nieces) of men lost in that war.  The attached picture is the inscription on the base of a statue of a uniformed soldier, standing in a park in Dallas, Georgia, a small town 30 miles northwest of Atlanta.
                                                            



Lyrics....
My name is McKenzie, and Jenkins and Embry,
And eight other names you still hear in these parts,
For over a century, I stood quiet at the entry,
On East Main into Lafayette Park,
A plaque was engraved, told why I was placed,
On those gardened grounds,
In this Small American Town.

Commissioned in 1905,
By the Daughters for fathers who died,
I was erected to honor eleven so bold,
Not a single one knowing he’d never grow old,
On these boys account I’d forever stand proud,
Stand sturdy & stout,
In this Small American Town.

The kids from the college on Heritage Hill,
Would hold class in the park’s warm sunshine,
They learned of this cruel war we waged with ourselves,
How 600,000 had died,
And of eleven from here just about their age,
Small farmers & blacksmiths & craftsmen by trade,
None fought for cotton, not one owned a slave,
And they learned why the Daughters placed me on that mound,
To keep those boys’ memories around,
In this Small American Town.

But enlightened new students don’t meet in that space,
Through new glasses old wars just don’t look the same,
Now scholars say men who went off to that war,
Fought not out of duty, but hate,
I feared I’d be forgotten by Heritage Hill,
Yesterday’s soldiers, obscure battlefields,
But alas, rearranged history determined my fate,
                          **************
Wise men have long warned of changing the past,
Of purges & vengeance & iconoclasts,
Then one fateful night there was smoke rolling down from the Hill,

Quickly surrounded by torches of fire,
Cursing & spitting & rage in the air,
Rope round my shoulders, a cheer by the crowd,
I came crashing down to the ground….
                         **************
An uneasy quiet in the town since that day,
Hushed conversations about how things have changed,
But up on the Hill it’s all smiles & goodwill,
For it’s the 2nd weekend in May,
Ceremonial speeches, awards all around,
Uncles & aunts & parents in town,
To watch the sweet children who torched & burned me to the ground,
Be awarded their caps & their gowns,
In this Small American Town.

Small American Town

secrets

Secrets

This song appears on an album called Synthastic alongside those some other amazing musicians with whom my Swiss friend, the very talented and gracious Karin-Maria Brunner collaborated. It's an album centered around the synthesizer, whatever sounds one can get from it, based on her ideas. I cannot properly express my depth of honor and gratitude to her for including me with musicians I admire, like Frans Beelaard, and for sharing her creative seeds with me. Karin-Maria is a truly exquisite musician, with a very disciplined style and mind for musical precision, as well as beautiful melody. You can find her on here under her name. She actually shared two songs with me for this project, and this is the first of those. I tried to come up with an interesting, modal melody for both, in hopes of impressing her. I hope it has the same effect on you. I also provided the beat and bass line for this song. You can find the entire album on your favorite streaming service. We appreciate your listens! 

Magic Hour (with Karin-Maria Brunner from her album Synthastic)

Well i wrote this song for the Rolling Stones if they should ever get around to listening to it,  i have always been a big fan so i decided to mix a bit of Gospel, a bit of Blues and Hey presto a new song for Mick and Keith. In true Keith Richard tradition i took my Bass E string off and tuned the guitar to key of G. The main guitar is the Bridge pick up on the Les Paul giving a nice rounded sound and the lead is the bridge pick up more giving a more trebly and cutting through the mix a bit. No processing all clean as they sound. My vocals have a bit of Saturation and distortion and Compression to give me that bluesy sound, hope you'll like it and Mick & Keith if your out there let me know how i did..

Written by Johnny Mc Farlane for the Rolling Stones.

Wash My Soul in the River

21st Century Chill Jab

The first 2023 delivery, I hope you'll like this one!

Let's put all this through a shimmer reverb pedal and see what happens :)

Au bout de nos peines

Long Way / Paploviante Open Collaboration Offer
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering
BPM 118
Free Download
If you want the track different ...  contact me!
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!

Long Way / Open Collaboration Offer

Friday

BAVARIAN ALPS
This is a take on the alpine kind of genre with some Accordion, oboe, flute etc.
this song is based on : Johann Sebastian Bach's (1685-1750) badinerie

BAVARIAN ALPS

Guitar quartet. Made during an unexpected bout of sobriety.

First Night Clean

It always amazes me how the simple sharing of a guitar idea can become a full-fledged song in the hands of master-producer Seagull @farout-music-studio.  He enlisted the help of Madame Snowflake for the vocal and lyric theme of the song "Don't Be Afraid" adding his own special touches to the mix.  But it first started out as a love song from Godin, a guitar with a unique and beautiful nylon-string voice.
"Don't Be Afraid" (for Lauren)
by Snowflake
2014 - Licensed under
Creative Commons
Attribution Noncommercial (3.0)

Standing close to your bedside
Hoping, watching your breath rise
Stay here hold to your
Faith dear
Don’t be afraid, don’t be afraid
Your room flooded with white light
You’ve one foot in and one taking flight
Stay here hold to your
Faith dear
Don’t be afraid dear
Don’t be afraid
Don’t be afraid
Strong yet fragile
Like an angel
Waiting gracefully
For her wings
Now, ah
Holding your hand, praying to understand
A higher plan
Stay here hold to your
Faith dear
Don’t be afraid dear
Don’t be afraid
Don’t be afraid

Love From Godin, Don't Be Afraid (Seagull, David, and featuring Snowflake)

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, last summer ('23) I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), and Stephen (Texmex Shaman), although we have also added Mark (mistermark) and The Mysterious Decibel to the mix this fall. A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. In fact, 100% of what I do is collaboration, within the group or with other amazing artists like Chris Maness (@cgmaness).
  I, and we, are also available for hire if you have a song and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Grateful Dead, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, and Sean Lennon, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully some others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recordings, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, I just don't have access to it. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  Recently, over the summer of '23, I formed a collective of my fellow SoundCloud musicians into a loose band called the Eclectic Collective. We have core members, but the lineup changes weekly. I basically found my favorite musicians on here, and asked them if they wanted to collaborate. It keeps growing strong. If you have some music that you think a band could bring to life, please hit me up and we'll see if we can add you, too. 
Here's a link to music I've recorded with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Magic Hour (with Karin-Maria Brunner from her album Synthastic)

Entheogenic Psychonaught (Josh Clary)

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