A lot of cool subtle and of course psychedelic sounds stirring and creating such a cool ambience. With the guitar soaring across the top in a metallic haze like a chemtrail dropping lsd particles upon the budding array of life below.

This track has so many nice elements happening.  A very nice collab.

Yesss!! my friend Josh.. This is absolute a nice song!!! I really like it!!!!

According to the story of Buzz Aldrin during his trip to the moon his vision of "fireflies" through his cockpit.....! Thanks for your listen ! : )                                              Sounds of perfect landing : https://soundcloud.com/blink-twice-archival/sets/ark-dambient-open-collab

LUNAR

JOYSPIN

JoySpin

Composition Philippe Guitare rythmique/Slide/Wah-Wah @user-759566380
Texte et chant Guillaume @user-759566380
Instrumentation/arrangements/mixage/masterisation @Tulipe-records

Paroles

On voudrait faire une chanson
Écolo , geek et non genrée
Qui plaise aux filles et aux garçons
Sans gluten sans vulgarités
On enfoncerait toutes ces portes
Ouvertes sur nos libertés
De Washington à Aigues-Mortes
On chanterait le poing levé

On devrait parler de Poutine
Et de sa folie des grandeurs
Qui mettent le feu dans nos vitrines
Comme une canicule en chaleur
On balancerait notre avis
Sur le changement climatique
On tordrait le cou nous aussi
A ces idées fausses et sceptiques

Et puis on ferait un refrain
A faire tomber un dictateur
Un peu comme une voiture sans freins
Conduite par un jeune acteur
Et puis on ferait un refrain
A déranger les complotistes
Un peu comme une voiture sans freins
Conduite par un vrai journaliste

On devrait faire une chanson
Sur la Covid mais sans tabous
Sur ces experts yaka fokon
Qui savaient tout sur rien surtout
On parlerait de tous ces gens
De ces héros du quotidien
Qu'un imbécile de Président
A traité comme des assassins

Et puis on ferait un refrain
A faire frémir les chaînes infos
Un peu comme une voiture sans freins
Conduite par Docteur Renaud
Et puis on ferait un refrain
A angoisser tous ces bavards
Un peu comme une voiture sans freins
Conduite par Mister Renard

On dézinguerait les puissants
Qui n'écoutent pas la Planète
Les oreilles bouchées par l'argent
L'cerveau au chaud dans leurs braguettes
On allumerait ces people
Qui font souffrir les dictionnaires
Qui polluent les pages de Google
Tout comme du pétrole dans la mer

Et puis on ferait un refrain
A faire peur aux capitalistes
Un peu comme une voiture sans freins
Conduite par un communiste
Et puis on ferait un refrain
A effrayer tous les Bobos
Un peu comme une voiture sans freins
Conduite par un Populo

We'd like to make a song
Eco-friendly, geeky and gender-neutral
that appeals to both boys and girls
Gluten-free without vulgarities
We'd break down all those doors
Open to our freedoms
From Washington to Aigues-Mortes
We'd sing with raised fists

We should talk about Putin
And his delusions of grandeur
Setting fire to our windows
Like a heat wave
We'd throw our weight around
On climate change
We, too, would bend our necks
To these false and skeptical ideas

And then we'd make a chorus
To bring down a dictator
Like a car with no brakes
Driven by a young actor
And then we'd make a chorus
To upset the conspiracists
Like a car without brakes
Driven by a real journalist

We should make a song
About the Covid but without taboos
About those yaka fokon experts
Who knew everything about nothing
We'd talk about all those people
These everyday heroes
Whom an imbecile President
Treated like assassins

And then we'd make a chorus
To make the news channels quiver
Like a car without brakes
Driven by Docteur Renaud
And then we'd make a chorus
To scare the chatterboxes
Like a car without brakes
Driven by Mister Renard

We'd blast the powerful
Who don't listen to the Planet
Their ears plugged by money
Their brains warmed in their zippers
We'd light up these celebrities
Who make dictionaries suffer
Polluting the pages of Google
Like oil in the sea

And then we'd make a chorus
To scare the capitalists
Like a car without brakes
Driven by a communist
And then we'd make a chorus
To scare all the haves
Like a car without brakes
Driven by the rabble

© Guillaume DULER / Philippe SEGUINARD / TULIPE RECORD 2022

Sans Freins ( Tulipe & Jim ) TRANSLATED

Give me something infinite
Infinite is the universe as people say don't know
Infinite is our souls they say but where they go don't blow
Its not so complicated and think of it just twice
Once for your reality and once for your true eyes.
The history has proven it so there 's a being to live it
The future has predicted it so there 's a soul to keep it
This bring you to dimensioning of our eternal life
Just breath it and remember yeah you re not just here to die
After all its everything that's given out in faith
reality is infinite in this path most people hate
The game of god has silenced the truth is now endorsed
You know now dimensionless to kneel when you're outsourced.

https://www.youtube.com/watch?v=_KLNTu-Y6HU

GIVE ME SOMETHING INFINITE (Lyrics on Description)

PonZitician

Colours

© Joe Liberty 2023. All rights reserved.

KnowingTheknownUnknowns

Led by the nose to your ordained goal
Trained to heal and fit the mould 
Deterred to look beyond the fold
Where the known unknowns truths be told

Oh to burn the flame of life forever bright
To bring the nameless dark into the light

Well blow me down
 
Yeah
Uh-huh 
Knowing the known unknowns

Break

Ah to gaze on what we yet dare to know
To ponder the secrets of the dark unknown unknowns

What we see is what we know
What we know is all we see
Behind the veil of society
Lie the unknown knowns, naturally

Oh to burn the flame of life forever bright
To bring the nameless dark into the light

Well blow me down

Yeah
Uh-huh 
Knowing the known unknowns
Knowing the known unknowns

KnowingTheKnownUnknowns

What came first, the tree or the telegraph pole?
Either way, there was no foresight by those involved.

Bamboo didgeridoo
Yamaha tenor saxophone
Some drum sounds
Chainsaw

Journey Through The Land Of The Deformed Trees

Cover of the Dire Straits classic - sometime its good just to have some fun. Best heard with AirPods walking at a brisk pace.

Six Blade Knife

Rodolfo https://soundcloud.com/rplanes first shared this beautiful piece with me 2 years ago, which has had a gradual development since I first wrote the lyrics back then. More recently Ce Mastro https://soundcloud.com/cemastro added some exciting backing vocals which transformed the chorus and then even more recently we invited Dave McKeown https://soundcloud.com/dave-mckeown to contribute some lovely sax that we believed was just what the song needed. Rodolfo's song has such a feeling of romantic innocence yet with a wonderful rhythmic flow, that I hoped the words might feel from a simpler time. We hope you all enjoy our song of innocence (and inexperience) which thankfully is a work of fiction. Thanks again to Rodolfo for sharing this magical piece and his great skills as well as Ce and Dave's unique gifts to make this one happen. 
We thank you all for taking the time to listen.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Ce Mastro - Backing vocals
Me - Lead vocals and lyrics
Dave McKeown - Sax solo and fills

https://continentalcollision.bandcamp.com/track/almost-lovers

Almost Lovers (by Rodolfo Planes / Mark Bennett)

Once we were almost lovers, without a care.
We weren’t like all the others, somehow we just didn’t dare.
We never faced the fact,
What we had wasn’t real,
Didn’t have to deal,
With the truth while we were putting on an act
We’d have to pay,
And quite how that would feel.

The moment when I discovered, not wanting to share,
You with any of the others, that I just couldn’t bear.
But when my back was turned,
You made out with a guy,
I thought was my friend.
Then I knew that my world had been overturned,
Put out to dry,
And what a way to end.

It’s not the way that I’d hoped this scene would play out,
Leaving the stage in the first act. 
It was cruel but at least I was left in no doubt.
C’est la vie, as a matter of fact.

Were never really lovers, just make believe.
Like sister and brother, with only ourselves to deceive.
I should have known right then,
I’d be out on my ear 
Instead of in love.
Waiting for the finale, not knowing when,
I’d disappear,
When the push comes to shove.

It’s not the way that I’d hoped this scene would play out,
Leaving the stage in the first act. 
It was cruel but at least I was left in no doubt.
C’est la vie, as a matter of fact.

Almost Lovers - Continental Collision (featuring Ce Mastro & Dave McKeown) Now Available on Bandcamp

This is a song I came up with, using a looper to create the beat, and adding bass to that.  I then sent it to Brian, who added some killer guitar tracks. I then sent that version to JJ, who added some really cool keys and synth. We then gave it over to Tez, who brilliantly mixed the monster into something palatable. I love afrobeat, and feel very honored to have all these brilliant musicians create this song with me. It's named after a phenomenon my South African buddy Louis (Zero on here) was telling me about wherein the power is cut for more than several hours on end. Makes for plenty of misery there, although I don't consider that aspect of it as relating to the song. We hope you enjoy it as much as we enjoyed making it!

Shedding The Load (with Brian Butts, JJ Terrell, and Llanpsych)

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, last summer ('23) I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), and Stephen (Texmex Shaman), although we have also added Mark (mistermark) and The Mysterious Decibel to the mix this fall. A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. In fact, 100% of what I do is collaboration, within the group or with other amazing artists like Chris Maness (@cgmaness).
  I, and we, are also available for hire if you have a song and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Grateful Dead, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, and Sean Lennon, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully some others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recordings, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, I just don't have access to it. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  Recently, over the summer of '23, I formed a collective of my fellow SoundCloud musicians into a loose band called the Eclectic Collective. We have core members, but the lineup changes weekly. I basically found my favorite musicians on here, and asked them if they wanted to collaborate. It keeps growing strong. If you have some music that you think a band could bring to life, please hit me up and we'll see if we can add you, too. 
Here's a link to music I've recorded with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Shedding The Load (with Brian Butts, JJ Terrell, and Llanpsych)

Entheogenic Psychonaught (Josh Clary)

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