Great production, sounds awesome 👍👏

Interesting instrumental with a big list of '

Wall of sound. Phil Spector would like this.

Another great tune, Man you guys are prolific musicians, and each track is fantastic

This music takes me back to the '70s. Making music, surfing good waves. That's what your title inspires. 💚🏄‍♂️🎶

This is cooking y'all!! And that late solo coming in like a Johnny Quest monster.  Full of sadness that real psychedelia needs!!!

Moving some air. That's what it's all about

A surreal out of body experience as a coda :-)

Walking on our dreams

The sun is high 
I feel it will burn my skin 
but he gives flowers 
when mixed with water 

this world is beautiful 
of colors of notes and words
but we play to be afraid 
to ruin everything like idiots

We all want a better world 
from the pole to the equator 
no more promises in the air 
of speech that we know by heart
we all dream of one elsewhere 
from a part of happiness 
but the earth turns upside down 
from walking on our dreams

The sun is high 
I feel it will burn my skin 
but the time will come 
or he will dry our sobs

this world is beautiful when we love each other 
in the other’s eyes 
whatever his god 
regardless of skin colour

We all want a better world 
from the pole to the equator 
more promises in the air 
of speech that we know by heart
we all dream of one elsewhere 
from a part of happiness 
but the earth turns upside down 
from walking on our dreams


Marcher sur nos rêves (translated)

'scallies' with Isaac and the Apple

Mac: music, lyrics, vocals
Shane: lyrics, vocals, adlibs
Scotty: lyrics, vocals, noodling

I've been listening lately 
To the shite that they play on the radio daily
Nothing quite can excite, too frothy to sway me 
It’s all far too light more like coffee than gravy 

Where’s all the rock stars gone 
The ones who leave it all in their songs
The ones who grab you by the balls and make you sing along
And I’m not joking, these kids today
Not even smoking all far too gay 
And I mean that in the very best way
That you're supposed to use it nowadays 

Ladies and gents I don’t know the answer
We need 4 ill raised scally’s 
Not sixteen shit dancers 

It's so hard for real folks to make love with
all of the noise from this radio rubbish. 

Tell me, folks, what's your recipe? (grilled cheese)
First, dump creativity. (Yes please)
Make it bland for all the sheep
who walk blind through life, superficially. (Not deep)
Take their voice, give 'em words to speak  (thought free)
nor a choice but to hit repeat. ( bought three)
Prey on them 'cause their minds are weak, 
and likely to fork out about a g per seat, (fuck me)
buy your merch, wear it in the street. (ok)
Advertise your shit for free. (No way)
To feel a sense of community
though nothing you say, play or do is unique.  (Per say) 

It's so hard for real folks to make love with
all of the noise from this radio rubbish. 

Over saturation splitting at the seams
Radio rubbish just don’t appeal to me
Shiny shit, opium for the masses
Not about tunes 
Just folks shaking asses
It’s gone too far to save
Sgt pepper and the walrus turning in their graves 

It's so hard for real folks to make love with
all of the noise from this radio rubbish.

scallies (with Isaac and the Apple)

Fantastic collab with Marty visit his page here:
Marty Andersson : https://soundcloud.com/mkandersson1982

Till The End

Merry belated Christmas to all.
Due to a little indulgence this year this track is a little late being released 
I hope you enjoy.
Music,composition,arangement,mix and production ... Pablo.

Santa's Toyshop

Santas Toyshop

Cast of Characters:
Cgmaness – @user-419254289-15129531 – Chris – bass,  acoustic guitar, drums, and composition
TexMex Shaman– @texmex-shaman –Stephen–  mix, production, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – mandolin and lap steel
This song began as an idea that Chris came up with on his acoustic guitar, and shared with Josh. Josh, loving everything that Chris writes, jumped at the opportunity to work on it. 
  Josh first added the melodic lap steel you hear throughout. Then, in the same session, came up with and recorded the mandolin track. He believes Rick Rubin's mantra, when it's flowing, keep it going. This song was the first of about half a dozen that Chris shared with the Eclectic Collective back at the beginning of summer. So, it sat dormant for about five months, until Chris revived it by adding the impressive rhythm section of bass and drums to complete it. Chirs is always a multi talented part of the team. 
  When it was all in the can, we asked Stephen to mix it for us, because his mixes are always so pro sounding. He also mastered it for us, too. 
  This is the fist song that Chris and Josh have recorded as a duo in almost a year. However, they love recording together and feel this is a great way to start the New Year with some magical music. We all hope you enjoy listening to this as much as we enjoyed creating it.

Dance of the Tryptamines (with cgmaness, produced by Texmex Shaman)

Cast of Characters:
~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
    The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end. 
  Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
  This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (Eclectic Collective with ~Mark F)

Original by John Fred & his Playboys, 1967

Drums, bass, vocals & mix : Little Man
All other instruments : PdB Orchestra

Judy In Disguise

A CHEVAL SUR UN BABY PONEY
MA PETITE AMAZONE
ONLY IN IT FOR THE MONEY
PÉNÈTRE MA ZONE

NI UNE NI DEUX MOI TU ME CONNAIS
J’AI L’ŒIL DU CYCLONE
JE SAUTE A BORD DE MA DELAUNAY
ET JE M’OFFRE UN PYLONE

		WE’RE ONLY IN IT FOR THE MONEY
A LA FOIRE DU TRÔNE
JE LUI PROPOSE UN CORNET
ELLE M’OFFRE SON CÔNE

LES BONOBOS LES FARFADETS
LES BEGUES ET LES GNOMES
ON PARTAGE TOUS LE MÊME SECRET
LES MÊMES CHROMOSOMES

ZONE

		WE’RE ONLY IN IT FOR THE MONEY
POUR LE MÉTAL JAUNE
JE LUI PROPOSE UN CORNET
ELLE M’OFFRE SON CLONE

L’AMOUR TOUJOURS ÇA C’EST JAMAIS
MA PETITE AMAZONE
ONLY IN IT FOR THE MONEY
LAISSEZ-MOI RIRE JAUNE

WE’RE ONLY IN IT FOR THE MONEY
A LA FOIRE DU TRÔNE
JE LUI PROPOSE UN CORNET
ELLE M’OFFRE SON CLONE

LES BONOBOS LES FARFADETS
PAR LE TROU D’OZONE
LES GAMMAS LES ULTRA-VIOLETS
PÉNÈTRENT MA ZONE

ZONE

MA PETITE AMAZONE (Lyrics) + B.Browning vcls

Original The Kingsmen 1963
this is a cover of Motorhead's version
PdB Orchestra : All guitars

Louie Louie

This is just a short sample of a blending test of the cool sounds on the mellotron instrument I use in GarageBand. If you’re not familiar with how a real mellotron works, it’s worth checking it out! Here's a very informative demo:
https://www.youtube.com/watch?v=ByD8gH7kYxs

The acoustic guitar is played using a VST guitar on keyboard.
The mellotron sounds are:
  - flute / strings blend
  - cello / strings blend
  - male / female choir blend
  - boys / female choir blend

Here’s a crazy song of mine where I’m using the mellotron is a really ominous chorus (Cut 2: "The Chase"):
https://on.soundcloud.com/mHrSTfwtJ2xxo7s5A

More goodies in the "ISOLATED TRACKS" playlist:
https://soundcloud.com/user-432503709/sets/isolated-tracks

mellotron choir (SOUND DEMO)

Rain.

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Pryer Manor (Eclectic Collective with ~Mark F)

Entheogenic Psychonaught (Josh Clary)

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MrBouzouki

MrBouzouki

Jeff Roberts

🎸 𝗝 𝗜 𝗠 🎙

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