You are a wonderful band‼️ This voice is great‼️

Loved every moment of this Rockumentary. Long may your rock guys

This is awesome!!!…Hey Josh this and the next series of tracks I’m reposting, I’ve already commented on, on one your teams, profile. Keep up the great work guys!!!

Aww, thank you so much. That is very kind, it’s nice to be welcomed back, it wasn’t nice being sick, but I feel refreshed to have a break from music. Big blessings fam 🙏⭐️👏💎

Same as digging for gold.. one has to dig down to find some treasures such as this one..
Very nice 👏👏👏

Surfers like us - Guitar https://soundcloud.com/user-411502040/tracks
Well - synths
This piece is the final result of our latest collaboration. This time we have the pleasure of inviting you to travel through time and space, and perhaps we can cross that boundary together.
   The end of the year is a time to visit each other and travel. So this will be a winter journey, in snow and blizzard. Perhaps during sunset or even at night... Either way, the doors of imagination have been opened!
    We hope to drift together in melancholy reverie towards the new year. Thank you for your time, attention and your ongoing support. Happy New Year!!!

Release date 28/12 2023

WINTER TRIP - w/Surfers Like Us

Brian Butts - Guitars, Drums, Bass, Keyboard, Master Mix
Bastacho - Recorder

Morphometry

Bandcamp

Downfeather (feat. Bastacho)

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (Kontra Sz & Val Akey collab)

a softer track to repair your hearing damage by listening to my metallurgical track!

C'est Un Trou De Verdure Où Coule Une Rivière (It's a green hole where a river flows)

the captain, mad captain
he told the men his plans
and then they went out stealing things
so they could rule these lands

they stole four antique cannons from the castle
hijacked a truckload of metal from the factory
they stole a jet engine from the old air force base
the mad captain nodded satisfactorily

they welded the metal into a battering ram
and the big jet engine was for extra speed
cannons armed in every direction
the mad captain had returned to the sea (x2)

they were a terror in the open waters
they’d sink any ship that they saw
and with their jet engine, they were able to avoid apprehension
and stay a step ahead of the law

vengeance in the form of a storm
came rolling across the sea
the mad captain pulled his eyes from the sky
he’d seen more than he wanted to see
"all hands below deck", the captain roared
"tie yourself down so you don’t go overboard"
------
bass, piano, beatbox, guitar and vocals by andrew salvner (aka lil' spaceman, pretzels malone)
drums from my cheap old digitech bp90 bass pedal
thunderstorm field recording by Arnaud Coutancier www.freesound.org/people/arnaud%20coutancier/
additional sound effects supplied by @pliable-tones
drums/bass/bass/piano recorded on 4-track cassette / vocals and beatbox added using Audacity.

the mad captain (on speed)

Thank you for checking out this Highlight reel of Eclectic Collective's greatest moments in the year 2023. JJ made this compilation of a bunch of our music from the past almost year. He asked us to ask a question and then answer it. Jeff kinda disregarded our questions and asked his own. So, the answers don't really match up. We thought that gives it a bit of a Spinal Tap effect. But we are all talking about things relevant to the music and the group. So, if you want to hear from us directly, this is the place to do it. The Eclectic Collective is a band of musicians who collaborate over the internet and communicate via email.
Not interviewed in this piece, but a big thank you from all of us goes to Artur of Surfers Like Us, Steve of Steve's Planet, and Chris of @cgmaness fame for their contributions to the group in 2023! Also a huge shout out to The Mysterious Decibel for adding all the great vocals our songs need.
Cast of characters:

Hosted by: StonerJazz on.soundcloud.com/6qwFQ

Entheogenic Psychonaught (Josh Clary) - Bass, Lap Slide, Guitar, mandolin, synth, piano, organ @josh-clary-1
K2 and the Three - Drums, Percussion @k2andthe3
Llanpsych - Guitar, Effects @llanpsych 
TexMex Shaman - Guitar, Effects @texmex-shaman
J.J. Terrell - Keys, Synth, Organ, production on.soundcloud.com/ivM1E
MisterMark - Lyrics, Vocals, keys, drums, mix editing
on.soundcloud.com/qMWgp

The Eclectic Collective Rockumentary--Bits of Hits

Jellyfish Palace

Portal To Another World

A sentimental country-ish ballad with a big sad finish.
Dedicated to anyone suffering from memory loss. Thanks for listening.
Lyrics:
I can still remember
Felicia in December
Outside in the cold
Smoking Swisher Sweet Cigarettes
But she would always forget
If you're gonna inhale that shit
You know she always got sick
She'd chewed down the tip

It's like I told you on the phone
My mind is not all my own
All my memories are dissolving
Our nights in Arroyo Park
Out feeling that spark
That Datsun that would never start
My bad Cure haircut (disaster!)
My heart was beating faster
A sketch of a love scene
Painted behind
A gothic old master

I was selfish with my time
And now I seem to lead my life
Conducting orchestras in my mind
Oh, I don't know how this sounds
But sometimes I listen to the ground
To hear and feel the rumblings
I think that you're coming around

All my memories are dissolving
Soon, I'll have no memories of this world
I'll have no memories of this world
So let's go out tonight
And shoot out the lights!
Let's break our hearts tonight
I'll have no memories of this world

I wanted to drop you this line
To thank you for the time
And thank you for being in my life
Thank you for being my life

Let's Break Our Hearts Tonight

Happy Friday to my SC friends. Today’s musical offering is very special to me because it signifies a breaking away from my old patterns. Long story short… old Justin was pretty set in his music making/production routines (solo work belongs on solo albums. Collab work belongs on collab albums. And never the two shall meet). 

But new Justin is proving to be surprisingly more flexible in his thinking; an interesting (I might even go as far as to say… shocking) result of my new paradigm. And while it might seem like a ‘nothing burger’ to most people… the way my brain is wired, this is a huge change… and one I am grateful for.

So today I happily offer my first collab song, also intended for my first hybrid album. The song is called ‘Life In Twilight’… and my guest artist is our dear friend, Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com), offering up the lovely Alto Sax and Guitar you hear in this piece

If you haven’t already crossed paths with Carlos, you are missing out. He is one of the most prolific people I have encountered in my travels. He plays about 30+ instruments, each with impressive skill. And if the instrument doesn’t exist... he creates it himself. And 'musician' is just one aspect of his inspiring and adventurous life. He is a great example of a person who discovered his passions early, and is now living a beautiful life pursuing those passions. We need more people like him in this world, reminding us of what is truly important.

On a personal level, the stuff Carlos has taught me over the years has helped me ease into this new sober life with tremendous grace. The music theory and instrumental lessons have helped make my sonic worlds more sophisticated (and therefore more rewarding to craft). And the moving and breathing meditations (Chi energy exercises) have proven fundamental to my mental/spiritual well being too. Needless to say, he has been a major influence in my evolving life; and I will be forever grateful. 

Carlos, I am honored beyond words that you are the guest artist on my first hybrid album. It signifies a great new direction for me. I’m excited to be on this path, and I’m glad you agreed to join me. 

To everyone else, we hope you enjoy “Life In Twilight”, the first of two new songs with Carlos that will ultimately wrap up my upcoming album “What Color Is Your Paradox?” 

(And yes... this is the last song I still had in the archives from my little break; originally finished on 1/20/2024. It's all going to be new content from here on out). :)

Paradox?

Life In Twilight | Carlos Vivanco & GrevusAnjl

'Just Lettin' It Hang.'

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, last summer ('23) I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), and Stephen (Texmex Shaman), although we have also added Mark (mistermark) and The Mysterious Decibel to the mix this fall. A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. In fact, 100% of what I do is collaboration, within the group or with other amazing artists like Chris Maness (@cgmaness).
  I, and we, are also available for hire if you have a song and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Grateful Dead, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, and Sean Lennon, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully some others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recordings, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, I just don't have access to it. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  Recently, over the summer of '23, I formed a collective of my fellow SoundCloud musicians into a loose band called the Eclectic Collective. We have core members, but the lineup changes weekly. I basically found my favorite musicians on here, and asked them if they wanted to collaborate. It keeps growing strong. If you have some music that you think a band could bring to life, please hit me up and we'll see if we can add you, too. 
Here's a link to music I've recorded with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The Eclectic Collective Rockumentary--Bits of Hits

Entheogenic Psychonaught (Josh Clary)

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