That doesn't just sound like a good throw, that's a very good throw. Again a great song from you full of bundled power. I thank you all for this great powerful song that moves the mood into a good field. 🙂‍↕️

Well played gents! Loving the tracks I've heard recently with your vocals Carl! You have a unique voice bro! Love hearing you on these.

Funky indeed -- that is a nasty bass tone! Merging from a Funkadelic kinda feel almost into Gogo (cowbell!!) -- the rhythm is kicking. Carl complements you guys so well with his vocals. Seriously, old school Funkadelic fans would really dig this.

You guys are taking funk to a whole new level 🔥 Awesome track

What an incredible unit! Just dripping with musical goodness! Hats off to the EC!

hi Josh, been listening to this over the last few days on whomevers page it popped up on. Its a classic EC work and (for the moment) probs y fave of the whole lot!  Stripped back a bit perhaps with emphasis on the groove  and the way the rhythm section is absorbed and spat back out by Carl is glorious, a really funky vocal. Everything else is magic syrup on top, A really good one man ( nice bass of curse!)

The percussion is key here, but the whole thing rules. Cool stuff out of every corner. Nicely done.

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition
J.J. Terrell– @j-j-terrell – organ and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion
Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitrar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 
  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.
  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.
  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.
   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:
Hey Human
It's official
The get down on fire funk
Future sizzle
All members agree
Gotta collect that love
Then give it back and well, we see
Fuel for that musical party

Initition ceremony
Transcontinental spanking machine
Uh oh it's a musical tri sexual
Try anything that melody mentioning
Do it for the song
We gonna right some wrong
Rolling rhythm unkown
The human touch
The get down

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Aw man, I'm feeling back tingle
Lads, go tell Fiona Apple I'm single
Llanspych, nudge PJ Harvey
Jamming that genius soul new wave!

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Thrust that rush
Sine waved funk
Flying musical J's
Aw man it's Mike like dunk
Thrust that rush
Sine waved funk
To musical 24
You get a song
Drained 81 now on this floor

The get down
Friends don't frown
We got each-other man
Music, keep that campfire warm
The get down
Love legends loud
Rest in peace good Kobe one
This one's for you
Good G.O.A.T of stun!

The Get Down (Eclectic Collective)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

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