love the colab  vibe you and Tex are getting doing music together. Psycodervishdubdancing music. Very nice.

Cool, the bass is super! I enjoyed listening to,really. As a young man I listened to a lot of reggae, and dub has something hypnotic. Ciao e Merry Christmas  :)

I love how the classic reggae is backdropped by the dreamy/mystical atmo work... a great cultural subsection reflection within this piece!

Wurling sound.  Love that organ sound. Plus who goes wrong doing the reggae groove. Awesome collab guys!

really like the ethereal lee scratch perry feel on this track

amico mio!!!! Fate brillare il cielo come le stelle con questo reggae!!!

sooooooo cool! you guys really have a good handle on the dub style, something I want to try to get into more too. (wurly is my preferred electric piano of choice too! the imagse actually looks to me like those Whirling Dervish Turkish dancers. too cool.

A therapy song, hopefully will resonate with some of you. What doesn't kill us makes us stronger. 
Skyline Tigers: guitars, synths, vocals, lyrics, production.
Lyrics
Sitting on a rock, throwing stones
Climbed up here to be alone
Never going home
Never going home
Try to be the girl that you need me to be
But I just wanna be me
Just me
Never going home
It’s that time again
Get ready to take your seat for the 6 o clock show
Trying to eat
Lump in my throat
My crime
Label of my life
You want something to cry about
You disappointing child
I’m so heavily connected to rejection
Begin to resent the fake affection
Dressed as good intentions
Tainted with aggression
I’ll take my time
Wait for the light
To fade
Blood red to grey 
Desensitize
I’m gonna build my walls so high
No one can climb
And so I’m
Sitting on a rock throwing stones
Climbed up here to be alone
Never going home
Never going home
Try to be the woman that you need me to be
But I just wanna be me
Just me
Better go on home

Throwing Stones

(Written by Terry Reeves)
Terry Reeves: Vocals
Hans Albers: All instruments, Arrangement & production

From the age of 15 when I first stepped into the world of employment I was told it would be a major advantage to get a job that lasted through to the State retirement age of 65. At the time I'll admit it was not something I took at all seriously.  When you’re that age, the last thing on your mind is bloody retirement.   

However, by the time I reached my early 50’s and had been diagnosed with multiple sclerosis, my mind became a little more concentrated on reaching what might now  conceivably prove to be an eminently missable target.  In the interim, the UK government decided that, given the population was living considerably longer than it once had, they would incrementally be raising the retirement age, meaning that mine now became 66. 

Our dear old Nan was a dedicated Bingo player and knew that number callers used particular phrases for certain numbers, one of the best known being 66, known as  ‘Clickety Click’.  So reaching pensionable age became inextricably linked to Bingo, hence the title and subject matter of this song.   

The number one - ‘Kelly’s Eye’ - seemed a good place to start and having done some fascinating research, I worked my way through the Bingo calls, choosing the ones whose scansion worked best, until I reached the magic ‘Clickety Click'.  

As the chorus explains, there were no guarantees I’d actually get there, it was just a target.  But I did get there and this song celebrates the fact.  

The song ends with the traditional exclamation of the player who has won the game, being either ‘House!’ or ‘Bingo!’.  When I was recording the vocals, my constant and beautiful companion Marvin (it is he who is pictured in the cover art) reacted to my shouts with a loud bark, perfectly in time, so we decided to keep it in.  Marv is with me at 99% of the recordings and enjoys being involved when the opportunity presents.

As always, huge thanks to the wonderful Hans Albers for another brilliant backing track which is, as I think you’ll agree, perfect for the song.  That man is a genius.
Thanks so much for listening.   (Terry Reeves)


It all started with Ned Kelly’s eye (1)
A cup of tea (3) to stop going dry
Tom Mix (6) wearing hat, riding fast
Monkey’s cousin (12) hanging, trying to last
Key of the door (21), two little ducks (22)
Paid half a crown (26), keep up the luck
In a state (28), rise and shine (29) but alive
One dirty knee (33) to help jump and jive (35)

Sixty six not to preconceive
Sixty six, a target to achieve

Half way to laugh, more than eleven (37)
As life begins (40), time for fun (41) isn’t heaven
Up to tricks (46) towards four dozen (48)
Five-0, Five-0, it’s off to work (50) with percussion
Danny la Rue (52), a man at the door (54)
The snakes are alive (55) but don’t wriggle more
Shotts bus (56) to Scotland, check the sign
Variety of Heinz (57) to the Brighton Line (59)

Sixty six not to preconceive
Sixty six a target to achieve

A baker’s bun (61) all tickety boo (62)
Tickle me (63), almost retired (64) laughing too
Retirement age(65), it should have been fun
Clickety click (66), getting paid
Take the money and run  
Route 66, nearly there
Clickety click, the sound of my wheelchair

CLICKETY CLICK - CRIPPLE CLUB & HANS ALBERS

Wait for me / Paploviante
Bass, Music and Mix Paploviante
Vocals: www.ghosthack.de
Lyrics:
Wait for me
I'm not far behind
I know that i can change
Remembering
All of those nights
Beneath the window frame
Don't know why
We keep going round and round
in the same place
Can't decide
To live my life on the ground or in outer space
Memories
Keep me waiting for you
Leave with me
To the stars above I think I'm ready for you

Wait For Me - Paploviante

Kinda indie rock track with hints of femme fatale in the lyrics

The Danger

Contains a snippet of narration of H. P. Lovecraft's 'The Colour Out of Space' by Ian Gordon for HorrorBabble.

Lovecraftian Herb Garden

This is the next in a line of heavy dub songs that Tez and I are releasing. We, or rather Tez, figured out how to create really authentic riddims. So now, it's a bonanza! I really like working with Tez. He's very capable and has excellent musical taste. He is also a certified wizard on the mixing deck. In this song, you'll hear me play bass and organ. You'll hear him play guitar and like I said, the riddim. He also produced it as mixed it. We hope you like it! 

Wurlitzer Dub (with Llanpsych)

Download from Bandcamp:
👉 https://chrisjuno.bandcamp.com/album/--2

© All rights reserved

Evening Blue - Απογευματινό Μπλε

January’s fool steps out into the limelight.
The first day of the year is always filled with fear
and hope and love and good intention.

February’s fool wraps up against the cold
wind blows a hole where a heart used to be
and now doesn’t even get a mention.

March fools, April fools we are
waiting out the winter.

May’s fool is turning over new leaves
hoping spring will bring some clear days,
show new ways to be together.

June fools, July fools we are
regretting and forgetting to surrender.

And while the seasons change we all just stay the same.
Trying to take control again.
Worried fools, worried fools we are,
worried fools we are - time takes care of everything.

August’s fool is holding on to sunshine,
ignoring all the straight lines
between us and the future.

September’s fool is rushing headlong
into something that just feels wrong
and is nothing more than rumour.

October fools, November fools we are
and December’s too.

And while the seasons change we all just stay the same,
holding on in vain again.
Worried fools, worried fools we are,
worried fools we are - time takes care of everything.
Take care of everything.

A Gathering of Sorts

Worried Fools

acid house trance space rock dub experimental

Sleepwalk forest (bad dream remix)

This is actually a remix of the song “Where We Want To Be” which I shared about four years ago when I first joined Soundcloud.   “Winter's Road” was in fact the original title when the song was written.  So I decided to fall back to that with this remix.   See what you think.

Thanks so much for stopping by.

[Credits]
Music / Vocals / Arrangement / Programming / Keyboards – Michael C. Lynn
Lyrics – Ron Carnell
Electric Guitar Solo (Intro & Ending) – Dave Cleveland @Band_in_a_Box
Piano Solo - John Jarvis @Band_in_a_Box

[LYRICS]
I cannot speak for all who stem
Long road less traveled as their way,
Nor question choices made by them
In days long past or nights long dim
By words they spoke and did not say.

(Chorus)
All roads lead to where we go
Where we go is where we have been,
So home’s just a word we know,
For where we want to be again.

From North to South, then back again,
I followed birds like all the rest
Escaping nature's snowy den
On roads I've seen and places been,
Forsaking roads that traveled West.

Repeat Chorus

For even home, it seems to me,
Is still a choice we all must face
From day to day and endlessly,
To choose if home is gonna to be
Another road or just a place.

Repeat Chorus

© Myst Songs 2018 / 2023

Winter's Road

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, last summer ('23) I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), and Stephen (Texmex Shaman), although we have also added Mark (mistermark) and The Mysterious Decibel to the mix this fall. A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. In fact, 100% of what I do is collaboration, within the group or with other amazing artists like Chris Maness (@cgmaness).
  I, and we, are also available for hire if you have a song and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Grateful Dead, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, and Sean Lennon, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully some others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recordings, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, I just don't have access to it. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  Recently, over the summer of '23, I formed a collective of my fellow SoundCloud musicians into a loose band called the Eclectic Collective. We have core members, but the lineup changes weekly. I basically found my favorite musicians on here, and asked them if they wanted to collaborate. It keeps growing strong. If you have some music that you think a band could bring to life, please hit me up and we'll see if we can add you, too. 
Here's a link to music I've recorded with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Wurlitzer Dub (with Llanpsych)

Entheogenic Psychonaught (Josh Clary)

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mistermark

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