Playing with Keezy after putting the family to bed.

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.



Lingering Kiff Kiss - disquiet0161-netmixrelabel

A foggy, pensive, evening walk in 2010 remembered and reconfigured in 2015. 

Dolores Hazed

From the WeekendWindow project, w/ thom_lann and yours truly on guitars.

Influence Under Swordplay

From the WeekendWindow project, w/ thom_lann and yours truly on guitars

Mother's Summons

Receding Palaces

Something About Dune Walking

How Far To Marfa?

I took a guitar in an open tuning and played three motifs using the fret board to interpret the Disquiet Junto project. I used the three color-numbers in their component parts (6-0-0, 5-4-0 and 4-5-0) to determine which notes to play on which strings.  I sang lines from http://beatnikbox.tumblr.com/ on the 4th, 5th and 6th poems on the page.

An open-tuned, early 80s Japanese guitar into 90s delay and reverb pedals and then into a 70s Princeton Reverb, recorded on a smartphone Four Track app. Mixed a tiny bit on a laptop audio workstation. 

More details on the Disquiet Junto at: 

http://soundcloud.com/groups/disquiet-junto/info

His Scan Lines [disquiet0015-rgbinteract]

Moved to California. Freaked out. It's Alive.

joshcarr