The bass here sounds different than the in game version. Why is that? Was the bass sample in the game different than the pre console version, or did it still use the pre console bass sample, but  at a higher octave than the pre console version?

Hi Mr. Mancell, love these mixes, but I have one question that has been bothering me, is the noise that plays at this section a voice/scream going "ahhhh" or a guitar with effects? I always hear it as a scream, but my friends claim that its definitely a guitar. I think they're crazy, but maybe im the crazy one

thank you for an amazing childhood ❤️

i feel it sounds better than the final version. at least you can hear the nuclear alarms in this one.

I can't wait to hear how Generator Room and Dr.Cortex's pre console theme sounds

Crash Bandicoot - Toxic Waste (pre-console version)

Josh Mancell is a Los Angeles-based composer. He has created music for multi-million unit selling video game franchises (Crash Bandicoot, Jak & Daxter), Emmy award-winning television (Clifford the Big Red Dog), festival-acclaimed independent films (The Wake of Light, Love Comes to the Executioner, A Star for Rose, Eat the Sun, etc) and a diverse array of commercials (including Target, McDonalds, EA Games and AT&T), logos and other visual media. Josh is also involved with several bands as both a performer and a producer (Exploding Flowers, Vagrant Winter, Fun Time Objects, Cellborg) and has guest lectured/panel-participated at American Film Institute, Berklee College of Music, Royal Northern College of Music, Sarah Lawrence College, UC Irvine, Cal Poly Pomona and LA College of Music College. His iconic music for the Crash Bandicoot video games was performed by the Royal Philharmonic Orchestra at London’s Royal Albert Hall in 2018 and music from both the Crash Bandicoot and Jak & Daxter games was performed by the Manchester Video Game Orchestra in 2022.

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